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Graphic: Ableism, Alcoholism, Animal cruelty, Animal death, Child abuse, Child death, Death, Emotional abuse, Genocide, Gore, Physical abuse, Rape, Self harm, Sexism, Sexual assault, Sexual violence, Slavery, Suicide, Violence, Excrement, Cannibalism, Death of parent, Colonisation, War, Classism
The thing is he takes you in this world NO ONE will ever be able to create other than him and makes you believe you live there, and once you’ve finished reading his masterpiece, you will look in your ceiling and wonder why you still live in this useless reality where people isn’t just as magical as Simon Jimenez has made them out to be in his amazing, showstopping world.
Jun and Keema? Amazing. My beloveds. My poor, sweet children. They very much deserved that ending and I am so happy. Jimenez loves making me cry with his queer ships and I will never be able to forgive him for it.
Please please please pick up this book. Please read it. And please tell me everything.
Graphic: Ableism, Body horror, Genocide, Gore, Cannibalism, War
This is a love story to its blade-dented bone.
Wow, this is an incredibly hard book to rate. On one hand, I almost automatically five-starred it simply for how it is written. I'm in awe of what the author has done with the narrative and the structure. All the POV work alone, and the whole story within a story/world within a world thing—I have no words. And the prose is so eloquent and intricate, too. Honestly, the shape of the story is so masterfully constructed, it's unbelievable. I took so many notes while I was reading. It's a novel, but it's also kind of a play, and a massive mythic folk tale, and OMG, I wish I knew how to make language and structure do such magic.
On the other hand, when it comes to the essence of the story... Well, the longer I sit here, having finished it, the more I start feeling that it got a little lost under all the structural twists and curves. It was hard for me to connect with any of the characters, despite finding Jun's and Keema's journey really poignant. But it wasn't poignant in a way that made me perceive the characters as semi-real people existing at the intersection of the author's imagination and my own, as a reader. It was more like... the central themes of war and power and the impact they have? They shone really brightly through these characters' interactions, and the characters served their purpose really well as elements of the narrative. I don't know if I can explain it any better at this point.
Also, as I look back at the central plot, I feel like it was... maybe even a little bit less interesting than the framing device part, or at least some of the things the framing device part kept hinting at? If it wasn't for the structure, it would be fairly predictable, and it's more than a little slow. On the other hand, it sure was constructed in a way that showed off a lot of really amazing and skillful worldbuilding with plenty of original elements. But it still felt like what the story is came second to how it's told, and I'm not sure I'm a fan of this approach. At the same time, I do feel that the way the story's told is unique, beautiful, and also kind of makes all the darkness within the pages easier to bear (and trust me, there's a lot of darkness within these pages). When you're constantly figuring out the new angle to witness the narrative from, all the gore and the pain becomes just a little more artificial. Something that can't touch you on its own, but can be a vehicle to bring the themes home. Is that a good thing? Damn if I know. Maybe it's simply a little too litfic for my reading habits?..
Graphic: Ableism, Body horror, Genocide, Gore, Torture, Violence, Blood, Cannibalism, Murder, War
This book changed my DNA. A frustrating, devastating, and blood soaked love story dedicated to fantasy lovers everywhere.
Two warriors are tasked with the impossible as they haul a dying mother god through the corrupt lands of her tyrannical children in hopes of stopping their reign once and for all. It holds no punches as it drags you hog tied through each gory act written like a play and told through the ever changing proverbial "I". As gory as the "Poppy Wars" and lyrical as "The Starless Sea", this is your next read for fantasy lovers everywhere. I repeat, read this book now!
Graphic: Ableism, Body horror, Body shaming, Confinement, Death, Genocide, Gore, Blood, Excrement, Grief, Cannibalism, Death of parent, Murder, Fire/Fire injury
Moderate: Animal cruelty, Animal death, Abandonment
Minor: Homophobia, Sexual assault, Sexual content
- Keema—I liked him. There’s not much I can say about him other than that he was almost stupidly brave. I wouldn’t say I liked that he was looked down upon for only having one arm or that the other guards picked on him because of it. His journey with Keema was to find himself as much as it was to bring the Moon to her final destination.
- Jun—So, he didn’t make the best first impression when he showed up in the book. But, as the book continued, I saw Jun’s character evolving. He started to care about Keema and what the Terrors were doing to the people during his journey. Heck, he even cared about the tortoise. By the end of the book, he has changed from the beginning.
- Unknown Narrator—This is the person being told Jun and Keema’s story and their own life story. I felt terrible for this man. He had been through so much in life. He was amazed to find himself at the Inverted Theater, watching this story unfold. There was a more fantastic connection between Jun, Keema, and himself that was revealed at the end of the book. I didn’t see that twist coming!
- The Three Terrors—I was going to make them secondary characters, but I got to thinking, and they each, in their way, were main characters. To me, they embodied the worst traits that society had. Jun’s father (the First Terror) was Violence. He participated in genocide in the Old World. He did love his sons, but that was his only redeeming quality. The Second Terror, to me, was Greed and Gluttony. In my eyes, he was the scariest Terror, mainly because of what he did to gain the powers of the tortoise. The Third Terror, I couldn’t place him in any group. He was a horror exiled from his family at a young age. I will not even get into what he was or what he did. But I did feel bad for him. The scene with the man in that dungeon was both gruesome and heartbreaking at the same time.
- The Moon— I wasn’t sure about her. I understood why she wanted to leave (who would want to be held captive under a palace). But I wouldn’t say I liked how she coerced Jun and Keema to do what she wanted. She didn’t get to her destination, forcing Jun and Keema to do something atrocious, something I had heard of but had never seen written in a book before. She also held no love for her children. That bothered me more than anything, to be honest.
- The storylines.
- The characters.
- Jun and Keema’s slow-burn romance
- The triggers. I am usually pretty good with the number of triggers in the book, but even I got triggered by this book.
- The way it was written. Being told in 2nd and 3rd person isn’t most people’s cup of tea.
- The Terrors. They genuinely creeped me out.
Graphic: Ableism, Body horror, Gore, Cannibalism
Moderate: Genocide
Graphic: Genocide, Gore, Misogyny, Physical abuse, Racism, Rape, Sexism, Sexual assault, Sexual content, Sexual violence, Slavery, Torture, Violence, Xenophobia, Vomit, Grief, Religious bigotry, Medical trauma, Death of parent, Murder, Sexual harassment, War, Injury/Injury detail