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wardenred's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Writing that book was like shining a beacon from a lighthouse, I suppose. Are there any ships on the horizon? Will they signal back to me?
If you like dark academia and gothic, explorations of misogyny, themes like the impact of stories, and romance subplots focus on healing, definitely pick this one up. Especially if you also value vibes over plot and get that special longing, anxious feeling in your chest whenever you so much as think about the sea.
This was a slow read for me, and I changed my opinion about it a bunch of times, but ultimately, I liked far more about it than I didn’t. The prose, in particular, is such a strong part of the book, doing so much to create a heavy, uncertain, gothic atmosphere and to support the themes of the book. This is indeed a study in drowning: because of the Drowning as an event important to the setting, because the sea creates a threat, because Effy spends almost the entirety of the story metaphorically drowning. And so the prose is pretty much full of water. There are water-themed metaphors and similes everywhere, water-related colors and qualities to the various scene settings, and every time there is a word choice that can be even remotely associated with water, you bet the author takes it. The watery themes just never let go, and it creates a beautiful effect.
The worldbuilding was occasionally confusing. The bigger concepts, like the politics, the folklore, the academic and literature culture, were really well-realized. On the smaller scale, though, while the vibes were impeccable, I struggled to actually feel grounded. It was kind of like listening to a “decrepit gothic mansion by the sea” soundtrack without getting a visual. The setting is a secondary world that has phones, cars, indoors plumbing, ceiling fans, etc—but for the love of the sea, I can’t tell you what era or mix of eras one should be envisioning with them all. 1920s? 1950s? 1980s? Might be a “me” problem, but I legit don’t know. Guess this isn’t particularly important; but it kept making me feeling shaky and uncertain. If the setting was farther divorced from the real world, I would be completely fine with the existing level of descriptions, I think. But here, it was like… hmmm… like when you’re learning a language that has a lot of common with your native one. You really need to explicitly understand the differences and the similarities.
The plotting was probably the weakest part of the story. The central mystery about the real authorship of the novel Angharad was rather predictable and kind of… oddly executed? The specific actions Effy and Preston took and their mindsets throughout the investigation felt less like “we’re solving a mystery” and more like “we’ve got this conspiracy theory we want to spread.” Also, the reveal is pretty much based on one glaring plot hole that I won’t comment on in detail to avoid spoilers, and I also kind of understand how you can squint and ignore the hole-ness of it in favor of focusing on the themes, but still, it felt pretty meh to me. In general, there were times when that central plot felt like it was just interfering with the vibes and the characters’ inner journeys rather than helping both.
Speaking of characters, I really loved Effy throughout the book, and I felt for her a lot: the pain she was in, the survival mechanisms she’s developed, her quiet strength mixed with anxiety, the way she gave herself the chance to heal. She’s really been dealt a shitty lot in life, but I feel like she’s going to be fine eventually. Preston was a cinnamon roll, and I appreciated how supportive he was of Effie and how focused on lifting her up. It’s worth noting that the book promises enemies to lovers and doesn’t deliver—they’re barely rivals, tbh, and even though there’s some light animosity at the start, it gives way quickly enough to seeking understanding. Which, I feel, really suits these characters and the story. They just aren’t the kind to get locked in a more typical enemies-to-lovers type of dynamic—good for them! Though i do feel there were some missed opportunities here, in particular with the impact the politics of the world might have on their relationship given that, even though his mother is Llyrian, Preston has Argantian origins and the tensions between the countries are considerable, to say the least. It felt like the book did try to explore that at first, with Effy’s preconceived notions about Preston, but that line of thinking was quickly dropped in favor of other themes.
Overall, I’m a big fan of the work the author does with the prose and the vibes, and when the next book comes out, I’m quite likely to pick it up. It will be interesting to see further character development from both leads, and I’m looking forward to once again feeling like my ereader now smells of the sea. 🌊
Graphic: Misogyny, Sexism, Grief, and Abandonment
Moderate: Sexual assault and Suicidal thoughts
Minor: Medical content and Death of parent
may4la's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Graphic: Body horror, Mental illness, Misogyny, Panic attacks/disorders, Sexism, Sexual assault, Violence, Xenophobia, Blood, Gaslighting, and Colonisation
Moderate: Adult/minor relationship, Body shaming, Drug abuse, Drug use, Pedophilia, Rape, Suicidal thoughts, Violence, Grief, Medical trauma, Death of parent, Cultural appropriation, Alcohol, War, and Injury/Injury detail
chi__'s review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
Graphic: Confinement, Emotional abuse, Misogyny, Sexism, Gaslighting, and Sexual harassment
Moderate: Child abuse, Death, Emotional abuse, Sexual assault, Sexual violence, Sexual harassment, and Injury/Injury detail
Minor: Suicidal thoughts, Grief, and Death of parent
kary2012's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Emotional abuse, Mental illness, Misogyny, and Sexual harassment
Moderate: Child abuse, Panic attacks/disorders, and Suicidal thoughts
Minor: Drug abuse
cadimy's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
2.25
I get what the author was trying to do with the heavy misogyny and how it affects the MC deeply, so I did appreciate that at times. Unfortunately I had no connection to any of the characters- they fell so flat and there was no chemistry to be found.
Also, little to no backstory on the fairy king?? Why was he hanging around? He was apparently “stuck” on the estate because of the trees and berries everywhere but that doesn’t explain how he escaped to almost steal the MC? She said she saw him all of the time, but how? Not much story building, and the backstory of the north vs south seemed unnecessary other than to sprinkle in some racism for the characters.
I listened to the audiobook on a road trip, and the fact that I finished it gives it 2 stars, maybe 2.5. I was kind of hoping for a dark ending where her love interest was over taken by the fairy king.
Graphic: Misogyny, Sexism, Sexual assault, Sexual content, Sexual violence, and Sexual harassment
Moderate: Alcoholism, Animal death, Bullying, Death, Mental illness, Panic attacks/disorders, Racism, Violence, Car accident, Death of parent, Gaslighting, Abandonment, Alcohol, and Injury/Injury detail
Minor: Suicidal thoughts, Toxic relationship, and Religious bigotry
reddeddy's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
Graphic: Adult/minor relationship, Body shaming, Child abuse, Confinement, Domestic abuse, Emotional abuse, Mental illness, Misogyny, Panic attacks/disorders, Sexism, Sexual assault, Sexual content, Sexual violence, Toxic relationship, Violence, Xenophobia, Kidnapping, Stalking, Death of parent, Schizophrenia/Psychosis , Gaslighting, Abandonment, Sexual harassment, and Classism
Moderate: Animal death, Body horror, Bullying, Chronic illness, Death, Drug use, Pedophilia, Physical abuse, Rape, Suicidal thoughts, Terminal illness, Torture, Blood, Grief, Religious bigotry, Medical trauma, Car accident, Alcohol, Colonisation, Dysphoria, War, Injury/Injury detail, and Deportation
chasinggrace's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
I thought the setting was beautiful and the world building was not overwhelming at all. The themes of colonization, classism, & religious separations were touched on, but were not overbearing. The mystery & folklore kept me intrigued, and I thought the romance was sweet (even though Preston will not be a favorite book boyfriend of mine).
Unfortunately, I needed to dock .5 stars for the writing, especially in the first 100 pages of the book. While I think similes are helpful literary tools and can be beautiful, they are completely overdone in this text. The author cannot write one singular page of this book without comparing two things and using the word “like.” Try it - flip to any page and you will find a sentence that uses this structure. While I’m not a style critic, I could not ignore it and it tainted the opening of the story. I also found Effy to be quite insufferable, before I understood her trauma. Finally, while I know Preston is self-described as unromantic,
All together, I think this is a beautiful story that weaves dark themes with stunning comparisons to the relentlessness of water. It teaches you that you are the only one who constructs the house in which you live, if you can be strong enough to hammer the stakes yourself.
Graphic: Adult/minor relationship, Bullying, Confinement, Mental illness, Misogyny, Panic attacks/disorders, Sexual assault, Suicidal thoughts, Religious bigotry, Death of parent, Gaslighting, Abandonment, Sexual harassment, and Classism
bookish_slagathor's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Mental illness, Misogyny, Panic attacks/disorders, Violence, and Abandonment
Moderate: Sexual assault, Suicidal thoughts, Gaslighting, and Sexual harassment
Minor: Blood and War
koenige18's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual assault and Suicidal thoughts
lyall_reads's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Misogyny, Sexism, Sexual assault, and Abandonment
Moderate: Suicidal thoughts, Death of parent, and Schizophrenia/Psychosis
Minor: Emotional abuse, Panic attacks/disorders, Xenophobia, Grief, and Injury/Injury detail