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erebus53's review against another edition
adventurous
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The premise of this book is that a man comes from outer-space, to a world different to ours, on a peaceful mission of communication; as is often the case when worlds collide, it's more about the journey than the destination.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
Content Warnings
Graphic: Gun violence, Death, Confinement, Deportation, Forced institutionalization, Grief, Ableism, Sexism, and Transphobia
Minor: Vomit, Pregnancy, Racism, Incest, Suicide, and Physical abuse
dawntin's review against another edition
adventurous
challenging
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
There’s a lot to unpack in this book. LeGuin tackles politics, discrimination, and the gender binary throughout the novel. All of the alien Gethenians in the book are addressed with he/him pronouns, but I don’t actually see that as a huge issue considering this book was written in 1969. I think if it was published today, the Gethenians would have been referred to with gender-neutral pronouns. It was funny to read “The king was pregnant.” The book is beautifully written and the descriptions of scenery make this fictional world feel real and even cozy at times, but there’s also a lot of other things that are missing. What I found strange was the way families in Gethen were handled. There was not that much about what Gethenian kids are like, and the parents in the only established family in the book were estranged. I also feel like the author threw in incest as an acceptable part of Gethenian society, even between siblings for extra squick. It seemed so unnecessary to me. The relationship between Genly and Estraven was kind of reductive, since Estraven presented as a woman when Genly realized his feelings but I guess it was a good way to have Genly deal with his biases. I’m still not over that ending.
Content Warnings
Graphic: Confinement, Death, and Torture
Moderate: Incest and Sexism
Minor: Suicide
booitsnathalie's review against another edition
adventurous
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
3.5
Happy to have finally read something by Le Guin. I enjoyed the pseudo-epistolary structure and concept of a fully gender fluid civilization, but the book's age really shows through in the limits of how far this queerness can go (all relationships "become" heterosexual, for instance, because reproduction I guess).
I think I'm missing some important context for when this was written, as it has both a lot of vaguely anti-communist sentiment and also seems to be pulling from Catholic mission trips to East Asian countries, but I can't quite pinpoint a through line. A bubbling pot of challenging political ideas that are not so much unexplored as they are too large for a 300-page scifi novel. Very curious to check out some of Le Guin's later work, but this seems as good a place as any of, like me, you've been meaning to check her out.
I think I'm missing some important context for when this was written, as it has both a lot of vaguely anti-communist sentiment and also seems to be pulling from Catholic mission trips to East Asian countries, but I can't quite pinpoint a through line. A bubbling pot of challenging political ideas that are not so much unexplored as they are too large for a 300-page scifi novel. Very curious to check out some of Le Guin's later work, but this seems as good a place as any of, like me, you've been meaning to check her out.
Content Warnings
Graphic: Confinement
Moderate: Torture
Minor: Incest
madamenovelist's review against another edition
adventurous
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Violence, Slavery, Religious bigotry, Blood, Trafficking, Suicidal thoughts, Misogyny, Vomit, Excrement, Sexual harassment, Pregnancy, Incest, Grief, and Gore
Moderate: Confinement, Addiction, and Child death
blueteacup's review against another edition
adventurous
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
5.0
Content Warnings
Graphic: Death, Confinement, and Torture
Moderate: Incest
Minor: Miscarriage and Suicide
elizlizabeth's review against another edition
challenging
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
4.5
I didn't expect to like this book as much as I did but the way Le Guin delves into spiny and complicated topics so casually is truly mesmerizing.
The various POVs only clarify the world building tangentially which makes you feel like you too are seeing a culture from afar, and in turn this gives the similarities and critiques of our own culture a bigger "punch". The language and slang however can be confusing especially if you're (like me) not used to sci-fi, but honestly once I realized there's no way I'm going to get every single reference on my first reading and just plowed on, my experience improved by 100x. Some books are meant to be read more than once to truly get them and this is one of them.
The various POVs only clarify the world building tangentially which makes you feel like you too are seeing a culture from afar, and in turn this gives the similarities and critiques of our own culture a bigger "punch". The language and slang however can be confusing especially if you're (like me) not used to sci-fi, but honestly once I realized there's no way I'm going to get every single reference on my first reading and just plowed on, my experience improved by 100x. Some books are meant to be read more than once to truly get them and this is one of them.
Content Warnings
Graphic: Police brutality, Confinement, and Torture
Moderate: Ableism
Minor: Animal death
One of the characters hunts small game for food; this is not described in detail. A group of characters has a biological variation that makes them able to predict the future, this is framed as painful for them, yet a different character points out that it's a "gift" not to be "cured" even if they're hurting. The characters of the planet present cyclical sexual dymorphism, the narrative goes into detail about the biology of this which could trigger dysphoria in some readers.moonytoast's review against another edition
3.0
I still am unsure of how I feel about this book.
It’s a very dense, slow sci-fi with long “travelogue” sequences that help to build a richly complex and vivid world while also examining the nature of Gethenian ‘ambisexual’ anatomy. Right off the bat, The Left Hand of Darkness has a dense but lush sense of world-building — similar to Frank Herbert’s Dune,* but with a much preferred writing style.
The narrative is reserved to a primarily first-person perspective that switches between both our Envoy, Genly Ai, and his advocate and eventual traitor-turned-travel-companion, Estraven, with the occasional break in order to provide the reader with certain folklore and stories from the world of Winter. In doing so, it avoids what I would call the Frustrating Omnipotence™ of Frank Herbert, whose writing style tends to lean a bit heavy on telling the reader exactly what each character is thinking in every moment as though we are inside their head and experiencing those thoughts as the character.
That being said: if you’re coming into this story for character work or a more extensive interrogation of how mankind can build connections across different sociological perspectives, then you may be slightly disappointed. Genly Ai and Estraven have an interesting relationship dynamic which morphs throughout the course of the story, but on their own they aren’t the most compelling characters. If you’re not prepared for a VERY, VERY slow burn of a sci-fi book, then you will probably hate this.
Personally, I think I might have to give this a reread in order to have a more definite take on this book, but I am glad that this introduced me to the subgenre of speculative fiction referred to as queernorm, which includes such entries as Sing the Four Quarters by Tanya Huff and Avalon by Mary J. Jones.
Content Warnings
Graphic: Death, Forced institutionalization, Torture, and Confinement
Moderate: Body shaming and Injury/Injury detail
Minor: Incest, Pregnancy, Sexual content, and Suicide
keeganrb's review against another edition
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Death and Confinement
Moderate: Incest, Misogyny, and Sexism
Minor: Suicide
ghostcities's review against another edition
adventurous
challenging
dark
emotional
inspiring
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I can’t believe this book came out in 1969! What a journey. Charlie Jane Anders writes in the afterword about being “startled by the warmth and generosity of The Left Hand of Darkness, considering how bleak and brutal the story actually is”. I absolutely agree. There’s a curious, delicate love for humanity in all its good and bad that stays consistent even as Le Guin lays bare the worst of humankind’s impulses and choices.
Content Warnings
Graphic: Confinement and Death
Moderate: Incest
Minor: Child death
featherwoman's review against another edition
adventurous
challenging
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Forced institutionalization and Confinement
Moderate: Incest and Violence