Reviews tagging 'Grief'

The Left Hand of Darkness by Ursula K. Le Guin

27 reviews

idajoh's review against another edition

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emotional inspiring reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

At some point I thought it contained somewhat of an internalised mysoginistic tone, however, I think it was mostly the voice of the main character, rather than the authors opinion

Overall, a very good read where you are taken to a vast world in outer space

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deedireads's review against another edition

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adventurous challenging slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

All my reviews live at https://deedispeaking.com/reads/.

TL;DR REVIEW:

I’m really glad I read The Left Hand of Darkness. It wasn’t as accessible as I’d (naively) assumed it would be, but it was certainly thought-provoking and resonant.

For you if: You want to read foundational works of SFF (especially by women) and like books that are or read like “classics.”

FULL REVIEW:

“Light is the left hand of darkness
and darkness the right hand of light.”


I’ve been meaning to dive deeper into Ursula Le Guin for years now, but I’d only ever read A Wizard of Earthsea (which I loved). And now I’ve finally, *finally* read The Left Hand of Darkness. Those two together are probably the two most famous of her 40ish books, and TLHOD, published in 1969, was one of the first books considered “feminist” sci-fi and is known as THE classic sci-fi novel that explored androgyny and nonbinary characters. It’s a standalone story, but also the fourth book set in her Hainish Cycle universe.

The story is about a man named Ai, who has come to the planet of Gethen as an envoy to try to get them to join a loose non-political association of worlds that facilitates shared knowledge and culture. On Gethen, people have no fixed gender or sex; they’re non-sexual for most of the month, and then enter “kemmer,” assuming either male or female body parts and pairing up until their period of kemmer ends. (Hence one of the book’s most famous lines, “The king was pregnant.”) The book explores themes of duality, gender roles and what the absence of them might look like, the necessity of differences, and the challenges of cultural misunderstandings.

While I liked this book and am really glad I read it, I think because I read Earthsea (which was written for a younger audience) first, I had expected it to be a bit more accessible. It very much reads like a classic, and so I found it helpful to read through a sparknotes-style summary and interpretation after each chapter, just to make sure I grasped the subtext and didn’t miss anything famously important.

That said, there’s no doubt that I’ll think about this book throughout the rest of my life. She raises so many good questions about the possibilities outside our own assumptions, especially as it relates to gender roles. I’m looking forward to reading the other Hainish Cycle novels and beyond.

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pastelkerstin's review against another edition

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adventurous challenging dark emotional hopeful reflective sad tense
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0

This book took a while to get interesting, but once it did, I found it hard to put down.

At its core there are some pretty good radical ideas in here about favouring community over patriotism. Genly speaks of a world based on cooperation and without law enforcement out among the stars. What a vision.

Gender and sex is also obviously a big topic in this book. I think it shows the arbitrariness of gender roles well, even though Genly and the other Envoys struggle with understanding this, as they come from a binarist society. Genly often makes sexist comments about manly or womanly qualities he sees in the Gethenians, people who are neither men nor women (or who are both, depending how you want to see it). But I don't think that means that the reader is supposed to agree with Genly. Seeing whatever a main character says as correct is a misguided way of reading fiction, in my opinion.
That's also why when Genly's interior monologue says that sexual desire/attraction is people's driving force (a very Freudian idea) and a requirement for being human, and therefore the Gethenians with their sexual cycle seem strange and inhuman to him, I think we're not supposed to think he's right. After all,
Genly learns to see Therem fully, as not fitting into Genly's ideas of sexuality and gender, but as a full human being, despite these differences.
There is the implication here that asexuality either doesn't exist on the other planets or that Genly isn't aware of it. So I would put an aphobia warning on this just in case, because reading "no sexual attraction = inhuman" stings even if you know that Genly struggles to see past his own experience of the world.

I think Genly and Therem's relationship is the most interesting part of this book. And it feels very queer to me, even though
they are never officially together
and Gethen doesn't seem to have a concept of queerness (unlike Genly's homeworld).

Overall, I liked this book, even though it has some elements that are a bit squicky or hard to read for me, like the way incest is tolerated on Gethen under certain circumstances and how this is part of one the main characters' backstories, or the aforementioned sexism and (almost certainly unintentional) asexual erasure from Genly.

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troisha's review against another edition

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adventurous challenging emotional hopeful reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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maria_s's review against another edition

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mysterious slow-paced
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

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junothan's review against another edition

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challenging inspiring reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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readerette's review against another edition

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adventurous emotional reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

I'm glad I read the afterword in this book, as it called to my attention the benefit of some of the things I disliked, such as the main human character using "he" as a neutral pronoun and seemingly finding every opportunity to disrespect "feminine" characteristics in a gender-neutral world. Turns out that Le Guin later regretted using "he" as gender-neutral, and that on inspection, the main character is not as progressive as he likes to think he is, with his gender bias proving that out.

What I enjoyed regardless was the poetic definition of this new world so different from ours and so much the same. I also liked the relationship between Genly and Therem, which was appropriately complex and believable. Some parts were too slow or detailed for my taste so I did some skimming, but it was still wonderful world-building and sociological exploration.

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