Reviews tagging 'Gaslighting'

Leviathan Wakes by James S.A. Corey

2 reviews

mattiedancer's review against another edition

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adventurous medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.75

Writing: 2.75⭐️/5 
I read this after a Sanderson kick, so maybe I’m comparing apples to oranges, but if Sanderson is apples, these are tiny mouldy oranges left at the bottom of my lunch kit as a child. The first section of the novel, despite having the highest stakes possible, was hard to care about or believe in. From there, you’re met with a slog of exposition – telling and not showing, telling and not showing, and more telling and not showing – to the point that I felt exhausted. And, while I know one of the heights of sci-fi for some people revolve around its explanation of the science in the world, I couldn’t love the overexplanation of every little piece of technology. (Also, for a book in outer space, I really had to hear a lot about these two men’s balls. Please. Never again.) 

Characters: 2.75⭐️/5
I would love to give this a higher mark, but how do you have so many characters and so few female characters that stand out? They really felt like accessories to the men: ready to make them look good, ready to be set down when the moment wasn’t right for them, and ready to be picked back up to adorn them at the end. We also follow two men who, despite trying to do their best, are so concerned with playing hero that they felt a bit fake – and incredibly boring. 

Plot: 3⭐️/5 
Did I enjoy the parts of this plot dedicated to being sexist? Not particularly. Do I have to hand it to the authors for making a story I couldn’t quite predict? Maybe. I did enjoy parts of the plot and, at certain moments, I almost started to love it. Of course, it was usually in those moments that we resorted to sexist tropes, unnecessary exposition, and/or the defilement of a woman’s body. Is there something interesting happening in this novel? Most certainly. I’m just not certain I would recommend it based solely on that.

Who Should Read This Book? 
  • Fans of sci-fi who aren’t balked by a little sexism/misogyny 

Content Warnings? 
  • Body horror, death, gore, grief, war, genocide, suicidal thoughts, rape, sexual assault, misogyny, sexism, murder, blood, injury, injury detail,

Post-Reading Rating:  3⭐️/5
I wanted more from it, and also so much less. 

Final Rating: 2.75⭐️/5

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jessgj's review against another edition

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adventurous challenging dark mysterious reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.75

So the first thing you need to know about this book is that it feels like 2 books happening at the same time. The book moves between two narratives, the space opera and the futuristic noir. For the space opera, we're in the head of the idealistic (Some might say naive) Jim Holder, th leader of the surviving crew of the Canterbury. The noir follows Miller, a nihilistic cop who has seen better days who was assigned to find a missing girl, Julie Mao. 

Sometimes the book gave me whiplash from the tones from the two POVs but in a good way. The book is very much a slow burn, which isn't my style but it does give you enough room to understand both characters and their very flawed and at times, tragic thinking. And while the book does have some old-school sci-fi feels, it does a good job of setting up some toxic "romantic" tropes in the genres and then calling both characters out for them.

Also, if you're worried about finishing the book but not feeling compelled to continue with the series, don't worry. It does answer the questions contained in the book while setting up a much bigger and more dangerous world for our characters. 

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