gvstyris's review against another edition

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emotional inspiring reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

3.0

We dreamed of islands where we could write poems that kept our lovers up all night. In our letters, we murmured the fragments of our desires to each other, breaking the lines in our impatience. We were going to be Sappho, but how did Sappho begin to become herself?

After Sappho centers a cast of white sapphic historical figures as they grapple with their position in 19th/20th century Europe. My primary takeaway from this novel - or perhaps more accurately, series of vignettes - was its appreciation for different mediums of art, particularly as a form of escapism and political/emotional expression. Schwartz's usage of first person plural pronouns to position the narrator as a Greek chorus also highlighted the communal aspect of the search for queer liberation and joy, which was another standout for me. I understand why this book is validating for so many people.

Despite that, I struggled in the reading process quite a lot. The non-linear storytelling is difficult to follow, especially as each woman's story is interconnected and their trajectories are relatively similar. I repeatedly lost interest and came close to DNFing, but persevered because the novel picked up quite significantly once we reached the First World War. I also imagine that the focus on white women was deliberate given Schwartz's academic background, but it definitely felt like a missed opportunity to me. 

As someone who usually adores non-linear novels (especially if they're all vibes and no plot!), I'm a bit surprised this missed the mark for me as much as it did. Unfortunately, I've just read better, and am now craving a re-read of Girl, Woman, Other.

That being said, Schwartz's prose is gorgeous. A couple other highlights:

But some of us have always seen the modern world as a sea meant to drown us.

The only thing she feared was compromise, the soothing voice that licks down rage until it is nothing but a small smooth lump in your hand. 

There is always this risk, in life, that we have our parts in a tragedy and we do not know it. 

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thebankofbooks's review against another edition

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emotional funny hopeful informative inspiring reflective fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? N/A
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? N/A

5.0


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