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18soft_green's review against another edition
adventurous
dark
emotional
hopeful
sad
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
4/5
This is a good book, unfortunately.
I say it this way because a lot of the time it felt like the author was being pretentious in her flowery style and drama. The POV switches were painful and Isaac is my least favorite type of character and Bellatine is so fucking annoying! And her statue love interest is worse! Baba Yaga herself was very interesting but her great, great, great, great grandkids are the worst! In fact, it's as if Nethercotte took my least favorite types of characters, added some quirks, and dumped them into a story.
But the story is good! The grief is real, the magic is weird, the contradictions are mysterious, the walking house is fantastic! The angst, my friends! It's such good angst! Not the relationship angst, that shit was boring as hell and annoying, but the life angst, the way the characters felt about themselves, that was the true sauce.
It also felt so fucking weird that Nethercotte constantly acknowledged the atrocities of the land. Maybe that's just my privilege talking but it felt so out of place and character for the Yaga siblings. Like, this book isn't addressing those topics so why is it bringing them up. I care very much about those issues but it felt like the story was only bringing them up out of obligation and personal responsibility rather than because it was important to the story. It was awkward for me.
4/5 I would not recommend unless the situation truly called on THIS particular book
This is a good book, unfortunately.
I say it this way because a lot of the time it felt like the author was being pretentious in her flowery style and drama. The POV switches were painful and Isaac is my least favorite type of character and Bellatine is so fucking annoying! And her statue love interest is worse! Baba Yaga herself was very interesting but her great, great, great, great grandkids are the worst! In fact, it's as if Nethercotte took my least favorite types of characters, added some quirks, and dumped them into a story.
But the story is good! The grief is real, the magic is weird, the contradictions are mysterious, the walking house is fantastic! The angst, my friends! It's such good angst! Not the relationship angst, that shit was boring as hell and annoying, but the life angst, the way the characters felt about themselves, that was the true sauce.
It also felt so fucking weird that Nethercotte constantly acknowledged the atrocities of the land. Maybe that's just my privilege talking but it felt so out of place and character for the Yaga siblings. Like, this book isn't addressing those topics so why is it bringing them up. I care very much about those issues but it felt like the story was only bringing them up out of obligation and personal responsibility rather than because it was important to the story. It was awkward for me.
4/5 I would not recommend unless the situation truly called on THIS particular book
Content Warnings
Graphic: Genocide, Grief, Hate crime, Mental illness, and Police brutality
Moderate: Fire/Fire injury, Injury/Injury detail, Medical trauma, Adult/minor relationship, Body horror, Child abuse, Cultural appropriation, Panic attacks/disorders, Vomit, and War
Minor: Animal death, Ableism, Animal cruelty, Antisemitism, Child death, Child abuse, Kidnapping, Misogyny, Homophobia, and Self harm
elizabethgreads's review against another edition
adventurous
dark
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
A Dark and Modern Fairytale Retelling of Baba Yaga set in the us. The story gives a unique exploration into intergenerational trauma and the effects of grief. The writing was beautiful and full of analogies and metaphors. The story is told linearly and interspersed with stories that come together in the end. That being said it was predicable but the strength of the novel is the exploration of it themes. I enjoyed the novel is discussing how important stories are and how they can be told in multiple ways and how stories in a way provide a living history.
Content Warnings
Graphic: Death
Moderate: Suicidal thoughts, Religious bigotry, Mental illness, Antisemitism, and Grief
beforeviolets's review against another edition
adventurous
emotional
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Reading this book felt like a part of my own soul was carved out of my depths and projected on the page in front of me. I imagine the horror I feel is not unlike the way someone who has only ever seen themself through a reflection must feel when they see themself in a photograph for the first time. A knowing and unknowing.
Thistlefoot tells the story of the Yaga siblings, estranged for many years after growing up together in a family puppet theater. But they find themselves reunited by a phone call, informing them of an inheritance: a house on chicken legs called Thistlefoot, they turn their new home into a traveling puppet theatre, on a cross-country road trip to perform a show from their youth. But little do they know that their past is haunting them in more ways than one.
GennaRose has written a love letter to folklore and its ever-changing nature, to puppetry and the power of performance, to generational trauma and the importance of history retold, and to storytelling both as an art and as an act of resistance.
Despite its characters’ innate inability to do so, this book plants roots. Like a forest, there’s a whole system of wooden tendrils beneath its surface, burrowed between the pages, stretching back to the past and reaching towards the future. A whole life tangling beneath your (metaphorical) feet. Its themes, its characters, its plotlines interconnect in ways that only begin to break the surface. Each begotten fruit, each unfurled blossom the product of a history and a future unseen, a gift to the reader as we make our way through the complex, snarling terrain of this world and its many unfolding tales.
I unfortunately cannot begin to break down the many amazing element of this book or we'll be here for ages, so let me just quickly list some of my favorite things: a sentient house with its own POV that talks like a Jewish grandmother, an interwoven puppetry show, Baba Yaga as a protective and strong Jewish woman in a Russian shtetl, a new twist on the golem myth paired with conversations about control and life itself, maybe the weirdest sapphic relationship I've ever read, a nonbinary scientist, lavender cigarettes, a joke about Stanislavsky, the concept of ghost as memory (THE CONCEPT OF GHOST AS MEMORY!!), and a dissection of modern American folklore.
This book is for all those who have spent so long looking into the distance, they’ve forgotten where their path began. (And for Jewish puppeteers.) Kill the lantern. Raise the ghost.
CW/TW: antisemitism, genocide, eugenics, violence, gun violence, fire, death, child death, character death, grief, PTSD, murder, drugging, alcohol consumption, blood & gore, smoking, self-inflicted harm, migraines, racism, car accident, adult/minor relationship (kinda?), emesis, needles (brief), cannibalism (mention), decapitation (mention)
Thistlefoot tells the story of the Yaga siblings, estranged for many years after growing up together in a family puppet theater. But they find themselves reunited by a phone call, informing them of an inheritance: a house on chicken legs called Thistlefoot, they turn their new home into a traveling puppet theatre, on a cross-country road trip to perform a show from their youth. But little do they know that their past is haunting them in more ways than one.
GennaRose has written a love letter to folklore and its ever-changing nature, to puppetry and the power of performance, to generational trauma and the importance of history retold, and to storytelling both as an art and as an act of resistance.
Despite its characters’ innate inability to do so, this book plants roots. Like a forest, there’s a whole system of wooden tendrils beneath its surface, burrowed between the pages, stretching back to the past and reaching towards the future. A whole life tangling beneath your (metaphorical) feet. Its themes, its characters, its plotlines interconnect in ways that only begin to break the surface. Each begotten fruit, each unfurled blossom the product of a history and a future unseen, a gift to the reader as we make our way through the complex, snarling terrain of this world and its many unfolding tales.
I unfortunately cannot begin to break down the many amazing element of this book or we'll be here for ages, so let me just quickly list some of my favorite things: a sentient house with its own POV that talks like a Jewish grandmother, an interwoven puppetry show, Baba Yaga as a protective and strong Jewish woman in a Russian shtetl, a new twist on the golem myth paired with conversations about control and life itself, maybe the weirdest sapphic relationship I've ever read, a nonbinary scientist, lavender cigarettes, a joke about Stanislavsky, the concept of ghost as memory (THE CONCEPT OF GHOST AS MEMORY!!), and a dissection of modern American folklore.
This book is for all those who have spent so long looking into the distance, they’ve forgotten where their path began. (And for Jewish puppeteers.) Kill the lantern. Raise the ghost.
CW/TW: antisemitism, genocide, eugenics, violence, gun violence, fire, death, child death, character death, grief, PTSD, murder, drugging, alcohol consumption, blood & gore, smoking, self-inflicted harm, migraines, racism, car accident, adult/minor relationship (kinda?), emesis, needles (brief), cannibalism (mention), decapitation (mention)
Content Warnings
Graphic: Antisemitism, Gun violence, Genocide, Child death, Murder, Death, Fire/Fire injury, Grief, Alcohol, and Violence
Moderate: Gore, Mental illness, Self harm, and Blood
Minor: Adult/minor relationship, Racism, Car accident, Vomit, and Cannibalism
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