Reviews with content warning for Sexual content - Diva

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Diva by Daisy Goodwin

7 reviews

bookforthought's review against another edition

emotional sad fast-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

Like any good Italian, I was diligently taught about opera from a young age and grew up hearing about the greats: Luciano Pavarotti and Maria Callas were ever-present, and recordings of their most famous arias were often heard in my house (fun fact: I still have a few on my phone to listen to on-the-go!). Even though La Divina's voice was so familiar to me, I realised I actually knew close to nothing of Maria Callas the woman, which is why I was so intrigued by this book!

Let me start by saying that the audiobook experience was truly great: the narrator did a phenomenal job delivering an impressive range of emotions, accents and personalities, and the already magnetic story was enriched by the music scattered throughout. Listening to snippets of the arias mentioned in the book added a certain magic to it and definitely made me go back to re-listen to some of them in full later on. I only listened to the audiobook for this one, but would recommend it wholeheartedly as I just can't imagine having the same experience without the audio.

Diva is a fictionalised version of Maria Callas's life and, as such, it is not 100% accurate (it being a novel, as the author's note also clarifies). Still, it gives a good sense of this woman's life and her passion for her art, as well as the difficult relationships she navigated throughout her life. The story starts with Maria trying to cope with the news that the man she loves is marrying someone else as her every reaction is scrutinised by the press and high society, ripe for gossip and keen to tear a famous, powerful woman apart. It then proceeds to unravel everything leading up to this point in a series of flashbacks, different timelines intersecting as memories are conjured up.

The cast includes several names I knew very well, as well as others I didn't know much (or, in some cases, anything!) about. They all came across as very well fleshed out for their role in the story, considering that there is only ever one person at the centre of the stage. Callas is a complex, at times difficult woman, who becomes one with her voice, her talent overshadowing everything else. It was hard, yet deeply touching, to see her struggle to find acceptance and self-worth, delighting in the love audiences bestowed upon her yet constantly dreading the moment her voice might fail her.

The writing flowed naturally for the most part, easily drawing me in and keeping me glued to my headphones, constantly trying to sneak in just a little more time with Callas, even though it came across as a bit simplistic at times. One thing that didn't always work well for me was that the dialogues at times felt slightly unnatural and as if they were being used only to convey key information. I probably noticed this more on audio than I might have if I'd read this, but it jarred.

A significant part of the book is obviously devoted to Callas's relationships with her husband and with Onassis and, while they were obviously a central part of her life for so long, I would have liked to see more of her without them. I felt this even more so as the story ends quite soon after the breakup with Onassis, where I would have liked to see more of what she did without him. There was also a tad too much emphasis (which sometimes bordered on repetition) on Callas's physique and her eating habits, which were of course an important part of her public figure but got pretty tiring pretty quickly, as it seemed to be reading a gossip column more than a novel.

Overall, this was a pleasant and entertaining book, certainly enhanced by the great audio production. The author's passion for this story is clear and, even though it didn't fully meet the mark for me, I did feel infected with her enthusiasm by the end and as if I knew the great Diva better than I did before.

I received an advanced listening copy of this book from the publisher for free via NetGalley. This did not affect my opinion of the book in any way.

Content Warnings

m_a_j's review against another edition

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emotional sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.5

Content Warnings

ferranda's review against another edition

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dark emotional medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

Content Warnings

laheath's review against another edition

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emotional informative reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

I did not know much about Maria Callas prior to reading this, but the author explored various aspects of her life with interesting detail. Her difficult youth, especially her relationship with her mother, contributed to making her the woman she grew to be and seemed never far from her mind even as an adult. As she rose to fame as an operatic soprano, she seemed to encounter few people that had her best interests in mind and was taken advantage of professionally as well as personally. At the same time, she did not always seem to be a sympathetic character. The added details of mid-20th century fashion and celebrities added to the appeal of the story (it's not just for opera fans). The audiobook included snippets of her various beautiful arias, making me look for additional footage and photographs from her life. The author's thorough research was apparent and appreciated.

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read_watch_sarah's review against another edition

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medium-paced

3.0

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amandas_bookshelf's review against another edition

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emotional informative reflective slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.5

Content Warnings

oceanwriter's review against another edition

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emotional informative medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.0

I’ve come across a number of historical fiction books centered around names in the entertainment industry. Diva has been the first I’ve read about an opera singer. I’m not super well-versed, but I do consider myself a casual listener. Whatever the case, it was enough to make me static to pick up the book.

A lot of big names pass through these pages, however, our stars are Maria Callas and Aristotle Onassis. The story ebbs and flows from Maria’s past through Aristotle’s marriage to Jacqueline Kennedy and the affair in between.

I was so ready to love this book. I didn’t connect to the characters at all and wound up feeling even sadder for Jackie (I’ll admit I’m biased). What’s more is that I found the writing repetitive and taking gratuitous liberties in the lives of real people. I know there’s a fine line of this and it’s what you agree to read when picking up this genre of historical fiction, but even then it still felt like it went too far in places. I did very much enjoy the bits of opera knowledge I picked up along the way.

Thanks to NetGalley and St. Martin’s Press for providing me with a digital ARC of the book to read and review!

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