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alyssabkaplan's review against another edition
sad
fast-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Death and Pregnancy
Moderate: Abandonment and Toxic relationship
Minor: Medical content
carlytenille's review against another edition
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Abandonment, Blood, Child death, Death, and Pregnancy
carriepond's review against another edition
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
Although The Patron Saint of Liars mainly takes place during the late 60s/early 70s in rural Kentucky at Catholic-run St. Elizabeth's Home for Unwed Mothers, the novel opens several decades earlier with the story behind the hotel out of which the home operates, built near a spring famous for its healing properties. The next three sections are narrated by three different characters: Rose Clinton, a pregnant woman who moves from California to Kentucky to have her baby at St. Elizabeth's, Wilson "Son" Abbott, the groundskeeper at St. Elizabeth's, and finally, Rose's daughter, Cecilia.
Not long after Rose's section opens, she gets married only to quickly realize that she has made a mistake. A devout Catholic, Rose does not consider divorce and instead copes by going on increasingly long drives along the California coast in an attempt to capture the freedom she longs for. When she becomes pregnant, Rose abandons her husband and her mother (a widow after Rose's father died in a car accident when Rose was very young) and drives cross-country to St. Elizabeth's, where she intends to stay until giving up the baby for adoption. However, once there, things change, and Rose ends up keeping the baby, whom she names Cecilia, and marrying Son . In the next two sections, narrated by Son and Cecilia respectively, the characters' motivations and histories are further fleshed out and we see the effects of Rose's actions on those she loves.
Patchett's characterization in Patron Saint is phenomenal: she doesn't hit us over the head with the novel's themes or characters' motivations, but in that subtlety lies depth and nuance. For example, I often didn't agree with or understand Rose's decisions but that didn't mean that I wasn't sympathetic. Rose is someone trapped by layers of circumstances-- her Catholic guilt and her internalized expectations on what women "should" do (marriage, children, etc) that conflict with her clear desire for solitude and freedom. And those circumstances have a ripple effect, hurting those who love her. At one point, Cecilia confronts her about her aloofness as a mother, and Rose replies, "I guess I always thought that just being here was enough. It's been so hard for me to stay sometimes. . . . All these years I thought I'd done a good job because I'd found a way to stay, but I guess if you didn't know those things to begin with, it wouldn't have looked like I was doing anything especially heroic." I was also happy to have Son and Cecilia take turns as narrators because seeing each of the characters through the others' eyes enriched the way I viewed all of them. For me, the end felt like a little bit of a letdown, but I still really enjoyed my reading experience overall because of how good a writer Ann Patchett is.
Before reading The Patron Saint of Liars (Patchett's debut novel), I had only read her two most recent novels (Tom Lake and The Dutch House), both of which I immensely enjoyed. It was an interesting experience to move so far back in the timeline of work, but the biggest takeaway for me was that it cemented my interest in reading a lot more of her work.
I think the layered characters whose actions are sometimes difficult to understand would make The Patron Saint of Liars a really good book club read-- there would be plenty to discuss!
Not long after Rose's section opens, she gets married only to quickly realize that she has made a mistake. A devout Catholic, Rose does not consider divorce and instead copes by going on increasingly long drives along the California coast in an attempt to capture the freedom she longs for. When she becomes pregnant, Rose abandons her husband and her mother (a widow after Rose's father died in a car accident when Rose was very young) and drives cross-country to St. Elizabeth's, where she intends to stay until giving up the baby for adoption. However, once there, things change, and Rose ends up keeping the baby, whom she names Cecilia, and
Patchett's characterization in Patron Saint is phenomenal: she doesn't hit us over the head with the novel's themes or characters' motivations, but in that subtlety lies depth and nuance. For example, I often didn't agree with or understand Rose's decisions but that didn't mean that I wasn't sympathetic. Rose is someone trapped by layers of circumstances-- her Catholic guilt and her internalized expectations on what women "should" do (marriage, children, etc) that conflict with her clear desire for solitude and freedom. And those circumstances have a ripple effect, hurting those who love her. At one point, Cecilia confronts her about her aloofness as a mother, and Rose replies, "I guess I always thought that just being here was enough. It's been so hard for me to stay sometimes. . . . All these years I thought I'd done a good job because I'd found a way to stay, but I guess if you didn't know those things to begin with, it wouldn't have looked like I was doing anything especially heroic." I was also happy to have Son and Cecilia take turns as narrators because seeing each of the characters through the others' eyes enriched the way I viewed all of them. For me, the end felt like a little bit of a letdown, but I still really enjoyed my reading experience overall because of how good a writer Ann Patchett is.
Before reading The Patron Saint of Liars (Patchett's debut novel), I had only read her two most recent novels (Tom Lake and The Dutch House), both of which I immensely enjoyed. It was an interesting experience to move so far back in the timeline of work, but the biggest takeaway for me was that it cemented my interest in reading a lot more of her work.
I think the layered characters whose actions are sometimes difficult to understand would make The Patron Saint of Liars a really good book club read-- there would be plenty to discuss!
Content Warnings
Graphic: Death and Pregnancy
Moderate: Abandonment and Miscarriage
Minor: Death of parent and Car accident
shhanson's review
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
This literary novel has been on my tbr for five years (yes, you read that right) ever since I read the first couple pages in a book shop.
Those first pages sucked me in by the beautiful words and the strong sense of place. I was there in that little town where the healing spring appeared. I could see the pasture and the hotel turned home for unwed mothers.
The story starts zoomed out, with the town and the spring and how the magnificent hotel came to be left to the Catholic church. Then it turns into the voice of three different people. First, the main character, Rose, then the handy man and lastly, Rose's daughter. I wouldn't say Rose is necessarily a likable character, but she tries to do what she thinks is right, even though the urge to get in her car and just keep driving never goes away. And the way the author writes makes you wonder what kind of hidden stories each person you meet in real life might be holding on to.
The reader is the only one who gets to see the whole story, and while I would've liked more of it to come to light for the characters in the end, it works.
If you like literary novels, character driven novels, and well written novels, you'll like this one!
Those first pages sucked me in by the beautiful words and the strong sense of place. I was there in that little town where the healing spring appeared. I could see the pasture and the hotel turned home for unwed mothers.
The story starts zoomed out, with the town and the spring and how the magnificent hotel came to be left to the Catholic church. Then it turns into the voice of three different people. First, the main character, Rose, then the handy man and lastly, Rose's daughter. I wouldn't say Rose is necessarily a likable character, but she tries to do what she thinks is right, even though the urge to get in her car and just keep driving never goes away. And the way the author writes makes you wonder what kind of hidden stories each person you meet in real life might be holding on to.
The reader is the only one who gets to see the whole story, and while I would've liked more of it to come to light for the characters in the end, it works.
If you like literary novels, character driven novels, and well written novels, you'll like this one!
Content Warnings
Moderate: Death
nathalienadamas's review
emotional
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Minor: Death
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