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alyxbeau's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Sexual assault, Cultural appropriation, Child death, Emotional abuse, War, Xenophobia, Torture, Suicide attempt, Slavery, Self harm, Physical abuse, Gun violence, Genocide, Death, Blood, Child abuse, and Violence
erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Raised as a child with Orisha blood, Sloane has been suppressed all her life. She has the power to make flames with her body and when it first got loose she caused a village fire that killed people, and that was very hard on her as she was only 4. She has been raised personally oppressed, and also culturally has been on a cusp, with her mother both attempting to hide who she is to avoid the colonists' genocide of their people, and also to raise her with pride and self-worth. This should have had me hooked as it is a very real and relatable struggle.
With my personal Neurodiversity perspective, I couldn't help but feel that the medicine that Sloane takes to suppress her àṣẹ (ashe) feels a bit like an analogy for Ritalin/Adderall, especially the way that she describes how it makes the background noise in her head go away. One of my dear friends has described her first experiences of having A.D.D. medicated in almost the exact same terms. My personal opinion on this (at this stage in my understandings of neurological difference) is that people who have difficulty regulating their own power, or mind, in ways that interfere with their ability to function can gain much from having the access to <b>many different tools</B> for externally regulating the problematic influences of their difference. Sloane learns to let her powers loose in ways that she wants to use them rather than just continually trying to repress her urges, along with other methods of tamping herself down with medication and ritual.
I was a little frustrated by the way that the main characters seemed to miss what was going on a lot of the time - there was a lot of misdirection caused by the main players jumping to conclusions. As a reader I could see where the plot was angling, which probably added to my frustration because it took AAAges for the characters to cotton on. The way that love was dealt with was a little stifled by the brutal indignities of the military regimen. Tropes abound, as the children drafted into war are trained in HungerGames-esque Kill or Be Killed style. How many times do you need to traumatise a person to get them to comply with brainwashing? And does it even work? I remain unconvinced.
As a self-confessed sucker for prophesy, I did enjoy the seer glimpses into the future provided by the Orisha early in the story. Only one part of the prophecy was really clear, but a couple of clues that were in it left me unshocked by revelations at the end of the book. There were some fun twists that I didn't really see coming, but I think due to the obvious mortality of the characters introduced and killed off earlier in the story, I had perhaps not invested enough in any of them to feel like it was really resonant? Perhaps that was the main problem for me. When the going is really hard, I just switch off and refuse to empathise with the characters, because they might be dead in a minute.
Graphic: Violence, Death of parent, Colonisation, Grief, Blood, Cultural appropriation, Death, Forced institutionalization, Gore, Gun violence, Injury/Injury detail, Torture, Xenophobia, Physical abuse, Bullying, Child abuse, Child death, Hate crime, Kidnapping, Murder, War, Racism, Racial slurs, Sexual assault, and Sexual violence
Moderate: Classism
lennie_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Graphic: Child death, Death, Blood, War, Violence, Gun violence, Grief, Death of parent, Xenophobia, Racism, Murder, Injury/Injury detail, Fire/Fire injury, Genocide, Forced institutionalization, and Colonisation
Moderate: Rape, Sexual assault, and Self harm
bookishflower's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
However, this book has my total respect and there is no doubt that this is a rich world that will be so meaningful to other readers. You can tell the sheer amount of research that Falaye put into this book, how the topic of child soldiers was handled brutally beautifully.
However, I was just not mentally prepared enough for the unrelenting and hard-hitting reality built into Blood Scion. I’d strongly advise checking the trigger warnings. I feel this book should be approached with the same discretion as The Poppy War which I have avoided but respected from a distance for this very reason.
I’m glad I read Blood Scion because of Fairyloot and the read your own adventure read-a-thon, but I don’t think I will read this book again (at least not for a while).
Graphic: Child abuse, Colonisation, Cultural appropriation, Gaslighting, Violence, Abandonment, Blood, Body horror, Bullying, Child death, Classism, Confinement, Cursing, Death, Emotional abuse, Grief, Gun violence, Mental illness, Murder, Physical abuse, Racial slurs, Racism, Rape, Sexual assault, Sexual violence, Terminal illness, Torture, Toxic relationship, Death of parent, Fire/Fire injury, Genocide, Gore, Injury/Injury detail, Kidnapping, Self harm, War, and Xenophobia