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Of course, even when it's not on point and not up to her usual form, Emily's writing is still absolutely lovely, and she knows how to tell a story. I just didn't like this particular story unfortunately. Oh well. Given how many books Emily has put out in the last few years, she was bound to have a clunker at some point. I have zero doubt that her next book will be absolutely stunning :)
Graphic: Sexual content
Moderate: Death, Dementia, Grief, Car accident, Death of parent
Cried at the end. Unapologetic about it. The only thing I'm most upset about is that I'll have to wait another year for her next one.
Graphic: Grief, Death of parent
Moderate: Sexual content, Pregnancy
Minor: Terminal illness
Graphic: Death, Grief, Death of parent
Moderate: Car accident
This story really sunk itself into my heart and didn't let go. I generally find her books fast, compelling, easy reads that I can binge quickly, but I truly would have finished this in one setting if I didn't need to also see to basic human functions like eating and sleeping. As soon as I put it down, I wanted to pick it back up again - I was absolutely gripped in a way that I typically am not with just a straight up romcom.
I honestly was so impressed with how Henry wove together the stories of our two characters in present day, Alice and Hayden, who are journalists competing to write the life story of Margaret, the now elderly heiress to a media fortune who is ready to tell her side of things - the fame, the fortune, and tragedy alike. This book really reminded me of Daisy Jones and the Six (which I mean as a compliment) - this is most clearly felt in the way that there are interview segments with flashbacks and then moments in the present day coming together to form a coherent, sprawling tale of a full life.
I honestly think there are plenty of thriller writers who could take a lesson from Emily Henry in this book - the way she dropped clues and built suspense to the finale was really impressive and was part of what made it so compelling for me. There generally aren't any big reveals in a romcom, but this blending of genres worked well. Not everyone has the talent to pull this off, but Henry certainly does.
We do have plenty of those classic Sleepless in Seattle-like moments, though, so if you're a lover of the OG romcoms, there are still these themes and elements throughout. I love a competitors-turned-lovers, and I think no matter what part of the story you show up for, you'll be satisfied. In this novel, Henry gives her readers exactly the sort of tension needed to craft a complex story while keeping that secret sauce that makes a romance feel magical.
Bravo to the queen, long may she reign!
Graphic: Death, Sexual content, Grief, Car accident, Death of parent
Moderate: Emotional abuse, Infidelity, Misogyny, Sexism, Toxic relationship, Medical content, Dementia, Kidnapping, Abandonment, Alcohol
Minor: Miscarriage, Panic attacks/disorders, Terminal illness, Trafficking
This is a romance. This is definitely a Emily Henry story. It just happens that there is a much bigger secondary story taking up space this time. I definitely enjoyed it. I love her writing.
I was a little worried that this was a introduction to a departure from writing romance. But the pieces were all there and she kept telling us through her characters that telling love stories was what she loves to do. So while it is not my favorite Henry. It is still a very good book.
Moderate: Death, Sexual content, Grief, Death of parent
Moderate: Sexual content
Minor: Confinement, Grief
“There’s an old saying about stories, and how there are always three versions of them: yours, mine, and the truth.”
Lowkey, I was kind of nervous about this one, due to the mixed reviews I've been seeing. I've always enjoyed Emily Henry's books, they're fun, fast paced reads, palette cleansers, if you will, with some depth in between. And this one... was no exception. I don't know what it is about the romance in this book, but even though Alice and Hayden had a few moments together I was eating it up. And I got into Margaret's Story later. It took a while, but by the end, I was there. That part really did remind me of Taylor Jenkins Reid's Seven Husbands of Evelyn Hugo. The romance did feel rushed, and maybe a bit insta-love, but I really didn't care. I actually would have liked there to be more focus on the romance, instead of it being a 50-50 split.
Graphic: Death, Sexual content, Grief
Moderate: Medical content, Car accident, Pregnancy
- the pacing all together felt off, their relationship was weird instalust/lonely and desperately needing a lay, quickly followed by instalove with very little actual character, relationship, or time development.
- the build up of "margaret's lying to us" was also paced poorly - too much time building it up for a rushed reveal that could have been done so much better.
also feel like everyone's brushing past hayden giving up the job too quickly - that was super insulting. i get that he wanted to avoid the situation with his ex but why did he think she'd be receptive to that when she literally spent the whole book explicitly telling him otherwise??
Moderate: Emotional abuse, Sexual content, Terminal illness, Dementia, Grief, Death of parent
Minor: Miscarriage, Car accident
Graphic: Death, Grief, Death of parent
Moderate: Sexual content, Car accident, Pregnancy
Minor: Domestic abuse, Miscarriage, Terminal illness, Blood, Dementia, Injury/Injury detail
🧡 Rivals to Lovers
🧡 Workplace (ish)
4/5 🌟
3/5 🌶
Not the typical romance, but it is a love story, through snd through; love for a child, a sibling, a parent, or a kindred spirit. It's about all kinds of love and that not everyone gets that love right.
The romance seemed unfounded to start, but was just as powerful in the end.
Graphic: Car accident
Moderate: Death, Miscarriage, Toxic relationship, Grief, Death of parent, Gaslighting