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beckyyreadss's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Blood, Death, and Child death
Moderate: Kidnapping, Rape, and Slavery
Minor: Sexual assault and Sexual content
lifeonasofa's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
⭐️⭐️⭐️⭐️⭐️ 5 Stars
I adored this book 😭 I was so worried at the start as I went in blind. The descriptive writing, whilst beautiful, had me doubting if I could make it through this chonk of a book. But I needn’t have worried 🥰
Laini creates such a clear picture of the world. The premise of the book, the plot itself - so original. Books opening with the promise of adventure, aren’t usually my thing but I was absorbed completely once we met Sarai and her fellow blues 👀
The characters are the reason this book won my heart. They were really well developed, I felt I knew each and every one of them. The whole romance thing was done in such a delicate way, I didn’t mind it. 💕
And that ending! How dare you!! I’ll never recover 🤯
Graphic: Rape, War, Violence, Murder, Confinement, Death, and Injury/Injury detail
vanesst's review against another edition
4.0
Moderate: Child death, Rape, Blood, Confinement, Death, Fire/Fire injury, Grief, and Kidnapping
carolined314's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Graphic: Slavery and Xenophobia
Moderate: Colonisation, Violence, Bullying, Rape, Death, Kidnapping, Grief, Child death, Confinement, and Death of parent
Minor: Pregnancy and Sexual content
barefootbeauty99's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Blood, Murder, Injury/Injury detail, Grief, Confinement, Child death, Rape, Kidnapping, Sexual content, Sexual violence, and Death
Minor: Classism
nyree42's review against another edition
4.0
On the negative side:
Note that the adult/minor relationship tag refers to a 20-year-old in a romantic relationship with a 17-year-old, which I personally think is close enough in age to be acceptable in the world of this story, although other readers may not agree, as in our real world it seems rather sus for a 3rd year college student to be dating an 11th grader in high school.
There are also descriptions of a sexually active 15-year-old with their teenage lover, plus mentions of another young couple who are sleeping together. All the teenage sex, despite not being graphically described but only alluded to artistically, was rather off-putting because an adult writer should not be encouraging her adolescent readers to engage in sex - it leads to consequences like STDs/STIs, unwanted pregnancies, and emotions that are too complicated for most young people to understand.
This inevitably results in broken hearts and emotional trauma in the majority of cases, which then leads to some (or many) people having difficulty finding love as adults because their teen romances ripped a hole in their heart they've not been able to repair so far. For real, I know people in their 50s who still haven't recovered from their adolescent entanglements and that's why they are single today... and that's why their would-be partner is also single. These are consequences that resulted in the unhappiness of two people (much like Eril-Fane and Azareen in this book, although in their case they had no choice in the matter).
So if you're a teenager reading this review - don't be inspired by the exploits of the young lovers in this book, and instead wait until you're older to chase... "that." You'll have more of a chance to mature and develop so that you also meet somebody mature who can give you the true love you'll want to receive and give in return.
Graphic: Death, Emotional abuse, Adult/minor relationship, Blood, Racial slurs, Slavery, Toxic friendship, Bullying, Child abuse, Gore, Death of parent, Grief, Hate crime, Injury/Injury detail, Sexual content, Child death, Confinement, Genocide, Murder, and Racism
Moderate: Rape, Sexual assault, War, Misogyny, Sexism, Sexual harassment, Suicidal thoughts, and Violence
lejuletre's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Violence, Abandonment, Sexual violence, Kidnapping, Emotional abuse, Death, Confinement, Pregnancy, Rape, and Misogyny
amallard's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.25
Revision: the
Let me splat down the good. Imagery was a happening thing. Backstory was a smoothly-delivered thing. Dialogue was a frequently-fun thing. Mystery was a suspenseful thing.
Let me splat down the bad I could take. Imagery sometimes happened too much. Tropes sometimes delivered too stereotypically. Explanation was sometimes exposition. I run low. Let's move on.
What did I ardently dislike? Unmarked spoilers from here on out.
Look away if you don't want spoilers.
Look away.
Okay.
Returning to the point made above: a guy who has been raised with four girls his whole life says that they're like sisters to him...but not quite. He then proceeds to have sex with the littlest, who is fifteen. She's fifteen. I don't care if they gave her a fake birthday so she could pretend to be sixteen - she's fifteen. Also, as someone who was raised with not-brother brothers, this whole speel is so gross to me. What, are adopted siblings not siblings? Does biology trump everything? Are platonic bonds worthless? Is that the case here? They. Shared. A. Mother.
I don't like Sarai but I'm being brave about it. Passion brings a character to life, makes me care for them. Give them an interest. Give them a hobby. Let me know how they spend their quiet minutes, their free time when they can steal it. Lazlo had a passion, Minya had a passion, Calixte had a passion, Sparrow had a passion, even the "it-might-be-love-what-we-have" paedophile had a passion.
Luckily, so did Sarai. You're gonna call me hypocritical but hers was complaining. I'm a very positive and optimistic character on the whole, with a lot going for me; I assure you that my hobby is not. If you think I'm being harsh on this book, please remind yourself of the last paragraph.
My final issue. Maybe we can kick it off with an anecdote: at one point in this book, a girl forces a man to kiss her. He's deeply uncomfortable - no, more than that. He's in a very traumatic situation and she uses him against his will.
It's played for a laugh. It made me wonder if I was being too SJW about the whole thing. But it struck me as upsetting, and a dismissal of consent. If the roles had been reversed, it would have been blatantly wrong, right?
That excuse, that the perpetrator was a girl, ties into the heternormativity that permeates this. By default, the girls only think about kissing boys, the boys only think about wanting girls. Guys are masculine and strong. Girls are pure and chaste. There's a couple of token sapphics who break the mould, plus some dweeby dudes, but it's a deeply straight book.
I’m not “obsessed with forcing diversity” or “pushing an agenda” and i am not trying to overlay stories with my own false reading of queer-coding when it doesn’t exist. But it’s funny to me when a writer writes a book with homoerotic overtones, when all the coding is blatantly THERE, and then they try to do damage control. Please please believe me when I say this story felt like it was supposed to be gay.
We get introduced to Thyon Nero and he is magnificently beautiful and desperately alone with the truth of his sins and secrets, and he’s a prince but he carries the scars of his beatings, and Lazlo’s a pauper but he knows those wounds well, and when they meet in the present day there is an immense amount of fear fluttering between them, and nerves, and history, and disappointment. And there is a smart man, with an insight that rivals Lazlo’s, that grounds where his dreams. And there is a good man buried somewhere within him. And there is an interesting journey for him to take to that stage.
Look, there are intended enemies-to-lovers which have worse setups than this. It’s so natural. It’s the story offered that has a spark.
Did Taylor miss the opportunity? Did she have too many plans for the way things already went? Not much would have been lost if Lazlo and Sarai had been friends instead; on the contrary, I think an intense platonicism would have been so beautiful. He could have carried his lifeless friend’s body and its impact would not have been lost. She could have visited her friend’s dreams and their visions together would not have been diminished.
Moderate: Death, Adult/minor relationship, Xenophobia, Slavery, Racism, Rape, Blood, and Sexual violence
jg93's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Child death, Death, Violence, and War
Moderate: Rape, Sexual violence, and Slavery
Minor: Sexual content
lizzie24601's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Moderate: Child death, Death, Grief, Murder, Rape, and Slavery
Minor: Blood