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jadehusdanhicks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
I love how this follows Cal, Katherine and Harriet from meeting at theatre camp to accomplishing their biggest dreams, all interconnected by music.
It deals with rocky relationships (of all types), heartbreak, trauma at the hands of the media and more. Although this made for an interesting plot, and was certainly more engaging than Elissa’s other book, it still left me in a slump.
The theatre and musical background was preferable to the enemies to lovers interviewer and washed up actor of Elissas other book.
Graphic: Alcohol, Sexual content, Medical content, Toxic friendship, Toxic relationship, Injury/Injury detail, Infidelity, Drug use, Body shaming, and Fatphobia
amberinpieces's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Sexual content, Bullying, Cursing, and Injury/Injury detail
Minor: Alcohol, Fatphobia, Infidelity, Body shaming, Sexism, Drug use, and Toxic relationship
caitlinjadams's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Infidelity, Bullying, and Injury/Injury detail
Moderate: Alcohol, Sexual content, Child abuse, Fatphobia, Misogyny, and Toxic relationship
dixiecarroll's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Fatphobia and Infidelity
literaryintersections's review
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.75
“Musicals were just so big. Big and bold and fun and yes, a little nuts too. And I loved it.”
Cal was so swoony. Kathleen was so stubborn and honestly a bit of a mess the entire book. I liked that their age was somewhat ambiguous - just like a mid to late 30s vibe which, FAB. I wish the musical Harriett writes was real and that I could see it.
I also loved the way this takes on the entertainment industry. It has some The Daydreams vibes (which I peeped Laura’s name in the acknowledgements!) in the way it talks about how young women in particular are just at the whim of nasty execs and horrible fans.
“Then again, that was showbiz. There was nothing fair about this industry.”
I think the first 70% of this is much stronger than the ending. I also felt like harriett was just there - and as the only Black and gay string secondary character, I wish her story was more fleshed out. Also it seems like box braids are going to be the one indicator that a side character is Black moving forward and I hate it (Emily Henry did it in HP too). I also didn’t love the 3rd act breakup but Atleast it was short.
Overall, if you love MT, this is a must read. And if you love a swoony man with a sensitive and prickly woman who takes a while to get her head on straight, dive in.
Graphic: Fatphobia
Minor: Antisemitism
analenegrace's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
I loved Kathleen and Cal's relationship, especially because I love second-chance romances and celeb romances. Both felt very real and complicated, which I love in characters. Harriet also felt very real, and
My criticisms are few but include disliking how Rachel James was written and some of the strange language used. Rachel James was a clear and not great character based on Lea Michele to some extent, and I think a character like that has to be written with some nuance. Women like Lea and Rachel is written are a bit more complicated than Sussman writes here, and it feels like some internalized misogyny to make this character consistently villainous without a particular reason. My language issue came with how Kathleen would talk at times, especially about her body. At times it felt like internalized misogyny from Sussman but also just awkward, like when Kathleen says Breasts during
All-in-all, a great and fun read!
Graphic: Fatphobia, Mental illness, Sexism, Sexual content, Infidelity, Toxic relationship, Body shaming, Misogyny, and Panic attacks/disorders