Scan barcode
alanahcw's review against another edition
I liked some of the stories, and really became interested in the book due to Kelley Armstrong. Her story was first, and I really enjoyed it. However, "Washing Lady's Hair" has sexual assault, at which point it no longer felt safe for me to continue reading.
Content Warnings
Moderate: Sexual assault
barefootmegz's review
3.0
Because mental health is so important to me, both personally and professionally, it is impossible to give an unbiased review of this collection of shorts.
Initially, I wrote mini-reviews for each story in my GoodReads updates. Around the tenth story I became irritated and deserted that endeavor. The first few stories were really enjoyable, while the latter half became increasingly absurd and/or technical.
I like sci-fi, but I’m not a rabid fan. I think digesting so many different sci-fi worlds one after the other may have become a bit overwhelming. Of course, I tend to like to digest anthologies slowly, over many months, which is not always possible when a book needs to be reviewed.
Some thoughts on my likes and dislikes:
* I preferred the stories where the mental illness being focused on wasn’t spelled out. Sometimes it was easy to figure out (schizophrenia or other delusional disorders), others, like autism and grief, more subtle.
* I feel like the point (one of the points) of this anthology was how pervasive mental health is. It doesn’t need a genre of its own; it needs to be PART OF all our genres.
* Some of the stories made the sci-fi element of their story a result of their character’s mental illness. I did not like this (see paragraph above). I preferred the stories taking place in a sci-fi universe, WITH characters that have mental illness. Example: The Intersection by Lorina Stephens, where a brother on a space station uses technology to be “physically” present while his sister is having a panic attack.
* My least favourite of all the stories are those that cast doubt on whether the delusional party is truly ill. I’m not talking about an unreliable narrator or a mind-bending story. I’m talking about those short stories where the author addresses the diagnoses as being incorrect, for example, in Troubles by Sherry Peters, where the protagonist does not take her treatment, and where the author treats the fay that her character sees as real, but only visible to her. This is a damaging narrative, and allows the romanticisation of mental illness, and ultimately disallows for effective treatment. How Objects Behave on the Edge of a Black Hole by A.C. Wise is at risk of this too; trying very hard to rationalise the sister's ghost, this time by means of science. (I'm not opposed to science explaining apparent paranormal appearances, but using it to attempt to deny a mental illness is risky.)
* Some of my favourite parts were actually in the foreword and the author’s notes. In all, I found this to be an important anthology, and at the very least its faults can contribute to important debate.
Disclaimer: I received an eARC of this book via NetGalley and Laksa Media Groups in exchange for an honest review.
Initially, I wrote mini-reviews for each story in my GoodReads updates. Around the tenth story I became irritated and deserted that endeavor. The first few stories were really enjoyable, while the latter half became increasingly absurd and/or technical.
I like sci-fi, but I’m not a rabid fan. I think digesting so many different sci-fi worlds one after the other may have become a bit overwhelming. Of course, I tend to like to digest anthologies slowly, over many months, which is not always possible when a book needs to be reviewed.
Some thoughts on my likes and dislikes:
* I preferred the stories where the mental illness being focused on wasn’t spelled out. Sometimes it was easy to figure out (schizophrenia or other delusional disorders), others, like autism and grief, more subtle.
* I feel like the point (one of the points) of this anthology was how pervasive mental health is. It doesn’t need a genre of its own; it needs to be PART OF all our genres.
* Some of the stories made the sci-fi element of their story a result of their character’s mental illness. I did not like this (see paragraph above). I preferred the stories taking place in a sci-fi universe, WITH characters that have mental illness. Example: The Intersection by Lorina Stephens, where a brother on a space station uses technology to be “physically” present while his sister is having a panic attack.
* My least favourite of all the stories are those that cast doubt on whether the delusional party is truly ill. I’m not talking about an unreliable narrator or a mind-bending story. I’m talking about those short stories where the author addresses the diagnoses as being incorrect, for example, in Troubles by Sherry Peters, where the protagonist does not take her treatment, and where the author treats the fay that her character sees as real, but only visible to her. This is a damaging narrative, and allows the romanticisation of mental illness, and ultimately disallows for effective treatment. How Objects Behave on the Edge of a Black Hole by A.C. Wise is at risk of this too; trying very hard to rationalise the sister's ghost, this time by means of science. (I'm not opposed to science explaining apparent paranormal appearances, but using it to attempt to deny a mental illness is risky.)
* Some of my favourite parts were actually in the foreword and the author’s notes. In all, I found this to be an important anthology, and at the very least its faults can contribute to important debate.
“We know what to do about gashed skin or a child’s fever. We can see for ourselves when a wound is healed or a child is over a flu. The mind though. It’s secretive, complex, powerful. When it’s sick, we flinch, not knowing what to do, unable to see. There’s nothing familiar to guide us.”
Disclaimer: I received an eARC of this book via NetGalley and Laksa Media Groups in exchange for an honest review.
essinink's review against another edition
2.0
As a collection featuring “underdogs and outcasts,” it succeeds. But as an exploration of “the line between mental health and mental illness,” it doesn’t really work. Preoccupied with dramatic symptoms, most of the stories in this volume miss the mark on positive representation, and only a few subvert the reader’s expectations.
To a certain extent, it’s true that society dictates the definition of ‘mentally unwell.’ This is particularly evident in "The Culling" by Kelley Armstrong, which details the forceful elimination of ‘undesirable’ traits from society. James Alan Gardner’s "The Dog and the Sleepwalker" (one of the few standout stories in this volume) has similar underpinnings, but with non-augmented humans instead of mental illness.
Other good contributions are A.C. Miller’s "How Objects Behave on the Edge of a Black Hole", which features a brilliantly executed sibling relationship after one sister dies, and Derwin Mak’s "Songbun", which is about a North Korean cosmonaut with severe anxiety.
But some of the stories are distressing. Sherry Peters’ "Troubles" depicts a young woman going cold-turkey off her medication because she’s not really schizophrenic, and the protagonist of "The Intersection" by Lorina Stephens is subjected to unwanted neural modification by her brother to treat her anxiety. The violently delusional man in Robert Runté’s "The Age of Miracles" lives under constant surveillance by smart technology, which does nothing to help him determine reality.
On their own, these stories might have questionable themes and representation, but aren’t necessarily bad stories. As part of an anthology with the stated mission of bridging the divide around mental illness, I’m baffled.
Overall, a mediocre collection.
---
The backmatter includes an appendix of mental health resources, some more useful than others. Unlike in the past, I’m not going to include them at the bottom of this review, because it takes up several pages.
To a certain extent, it’s true that society dictates the definition of ‘mentally unwell.’ This is particularly evident in "The Culling" by Kelley Armstrong, which details the forceful elimination of ‘undesirable’ traits from society. James Alan Gardner’s "The Dog and the Sleepwalker" (one of the few standout stories in this volume) has similar underpinnings, but with non-augmented humans instead of mental illness.
Other good contributions are A.C. Miller’s "How Objects Behave on the Edge of a Black Hole", which features a brilliantly executed sibling relationship after one sister dies, and Derwin Mak’s "Songbun", which is about a North Korean cosmonaut with severe anxiety.
But some of the stories are distressing. Sherry Peters’ "Troubles" depicts a young woman going cold-turkey off her medication because she’s not really schizophrenic, and the protagonist of "The Intersection" by Lorina Stephens is subjected to unwanted neural modification by her brother to treat her anxiety. The violently delusional man in Robert Runté’s "The Age of Miracles" lives under constant surveillance by smart technology, which does nothing to help him determine reality.
On their own, these stories might have questionable themes and representation, but aren’t necessarily bad stories. As part of an anthology with the stated mission of bridging the divide around mental illness, I’m baffled.
Overall, a mediocre collection.
---
The backmatter includes an appendix of mental health resources, some more useful than others. Unlike in the past, I’m not going to include them at the bottom of this review, because it takes up several pages.
jameseckman's review
3.0
A collection of shorts dealing with the mentally different, a mixed bag, some good, some I stopped reading. The nattering smart kitchen was a scary thought! An all Canadian collection by a non-profit? publisher.
hollowspine's review
3.0
I really liked the idea behind this collection of short stories, but the stories themselves were a mixed bag, some really worked well, both in concept and delivering a satisfying story, but others failed at either one or both.
I liked that the anthology set out to bring greater understanding to people who experience different perspectives than the majority, people who have brains that function in a way different from the majority. However, while some effectively told a story with characters who were experiencing mental illness, others made me question the authors message, where the mental illness was being questioned, or was being used in a way that felt forced and treated with a bit exoticism, which I didn't care for at all.
I also, in a way, questioned the whole anthology with the title "Strangers Among Us" as so many of us do have experience with mental illness. I don't like the idea of separating so many people as 'outcasts' and strangers when it's much more likely for people experiencing mental illness to be readers themselves, or our neighbors or friends.
Still, it's a start, but I'm more excited about books in general having characters with a more diverse body of experience represented in main characters.
I liked that the anthology set out to bring greater understanding to people who experience different perspectives than the majority, people who have brains that function in a way different from the majority. However, while some effectively told a story with characters who were experiencing mental illness, others made me question the authors message, where the mental illness was being questioned, or was being used in a way that felt forced and treated with a bit exoticism, which I didn't care for at all.
I also, in a way, questioned the whole anthology with the title "Strangers Among Us" as so many of us do have experience with mental illness. I don't like the idea of separating so many people as 'outcasts' and strangers when it's much more likely for people experiencing mental illness to be readers themselves, or our neighbors or friends.
Still, it's a start, but I'm more excited about books in general having characters with a more diverse body of experience represented in main characters.
bibliotropic's review
4.0
I was thrilled to hear about this anthology, and yet disappointed at the same time when I realized that it wasn’t exactly getting much advanced attention, especially when social reform and visibility for those with disabilities are hot topics on so many lips these days. Maybe it’s because the book’s primarily Canadian, I don’t know, but either way, I haven’t heard nearly as much as I’d hoped about this anthology, and it’s a damn shame because it’s a great collection filled with powerful stories from some amazing authors.
And with Strangers Among Us shining the spotlight on mental illness and society’s outcasts, well, let’s just say that it has some material that hits pretty close to home.
Some background – I’ve struggled with mental health issues pretty much since hitting puberty. A diagnosis of depression and poor treatment of that when I was a teenager kicked off the whole thing. Throw in a batch of neuroatypical issues as I grew older (obsessive-compulsive tendencies, Tourette syndrome, social anxiety, other things that put me squarely on the autism spectrum, and an unpleasant dose of psychotic depression — also called depressive psychosis), and yeah, it’s no surprise that awareness of mental health issues is important to me. I could go on at length about how all this has affected my life, but I know that’s not really what you’re here for. You’re here for the book review. But I wanted to make it clear that I have experience with being one of society’s outcasts myself. I know what it’s like to doubt your sanity, the very essence of yourself, and I know what it’s like to face discrimination from others over said issues. It’s not fun. The more awareness that can be raised about what mental illness is actually like, the better.
Plus, I’m all about trying to share Canada’s great literary talent. This entire anthology is written by authors who are Canadian or who have a connection to Canada; some of the stories are set in Canada, which is a nice change of pace when the majority of what I see in SFF takes place in the US (or what used to be the US) when it’s set in this world.
So Strangers Among Us focuses on issues just like that. They’re all written by authors who write speculative fiction, and indeed most of the stories sit under the genre headers of fantasy or sci-fi, but not all of them. One rather memorable story is about a man who cannot leave his apartment, who spies on people through a payphone, learning about their lives and fantasizing about heroically saving an abused woman, until the time comes when he is pushed beyond his agoraphobia and steps outside to actually do so. Nothing fantasy or sci-fi about that, but it was a strong story nevertheless, and it definitely earned its place among all the others.
There were a couple of stories that dipped into the old well of, “People see things that aren’t there, only wait, those things actually are there and that person’s really special!” A dangerous well to dip into, really, since there have been so many stories done in the past that almost present that as a handwave to mental illness, downplaying what many people actually suffer through in the attempt to provide some sort of supernatural reason why these people aren’t ill, just misunderstood. The stories that did that, though, did it well, I’m happy to say. One, which blended multicultural mythologies in a school setting, legitimately did feature a character who could see things others couldn’t, but that story didn’t seem to tackle mental illness so much as it tackled the idea of being deliberately outcast from ones peers. Another, in which a young Irish girl could see fay and was later diagnosed as schizophrenic, of course turned out to be schizophrenic, but the story didn’t say that schizophrenia isn’t a real condition. It absolutely is. It’s just that some people get misdiagnosed with it because that’s what fits the pattern of modern human understanding.
There’s a sense of both fear and hope in each story. Fear of the unknown, the things we can’t understand, the things that seem different; hope for a better experience and for better understanding. The little boy who can’t speak and would probably get a diagnosis of autism were he not living in a secondary world, he’s sold like an object and overlooked as being too stupid to understand, until someone hurts him and the things and people dear to him and he gets his revenge, however subtle and historically overlooked that revenge may be. The thread of mental illness that runs through generations of family, tearing apart relationships as a sister feels excluded and ignored by those around her as she sees how that commonality brings others closer together. A dystopian future in which the imperfect are Culled, either killed outright or else just cast into the wastes beyond civilization, only to find that there’s a future out there, and people who are accepting and accommodating of those who aren’t what society deems normal. The person who has no bionic upgrades or implants, referred to as a dog, is the only person awake to repair damage to a spaceship, and he’s forced to wake up someone whose upgrades are offline in order to assist him, forcing that person to be thrown into his unaugmented (and, by that society’s standards, pitifully disabled) world. There’s the idea that mental illness can strike at any time, to anybody, and it can change your life, but in every story there’s a repetition of the idea that it doesn’t mean you’re down for the count. You can contribute. You can make a difference. You can maybe make all the difference.
It’s rare that I find an anthology that I like every single part of equally; there’s nearly always one or two stories that just don’t resonate with me the way the others do. And this is no exception, really. There were, I think, two stories that just didn’t do it for me, though objectively they were still quite good. They just weren’t to my taste. Some stories took a little while to get going, but I ended up liking them in the end, more than I expected to. And I can’t deny that the subject matter they tackled was important enough to keep me reading each one even when I wasn’t enjoying them as much as I’d enjoyed others.
Overall, I’d say this was a fantastic collection of short stories, and one that’s absolutely worth reading, even if mental health issues aren’t a pet passion of yours. The publisher donates a portion of the profits from this book’s sales to mental health initiatives, too, which is a wonderful bonus, and it makes me doubly glad that I was able to get my hands on this and be able to spread the word about it a little bit more. It’s an important collection, a great one to dive into, and that uplifting thread of hope that ran strong was, to be perfectly honest, what I needed during a stressful time. Definitely check this one out if you can; it’s worth it, and you won’t be disappointed.
(Book received in exchange for honest review.)
And with Strangers Among Us shining the spotlight on mental illness and society’s outcasts, well, let’s just say that it has some material that hits pretty close to home.
Some background – I’ve struggled with mental health issues pretty much since hitting puberty. A diagnosis of depression and poor treatment of that when I was a teenager kicked off the whole thing. Throw in a batch of neuroatypical issues as I grew older (obsessive-compulsive tendencies, Tourette syndrome, social anxiety, other things that put me squarely on the autism spectrum, and an unpleasant dose of psychotic depression — also called depressive psychosis), and yeah, it’s no surprise that awareness of mental health issues is important to me. I could go on at length about how all this has affected my life, but I know that’s not really what you’re here for. You’re here for the book review. But I wanted to make it clear that I have experience with being one of society’s outcasts myself. I know what it’s like to doubt your sanity, the very essence of yourself, and I know what it’s like to face discrimination from others over said issues. It’s not fun. The more awareness that can be raised about what mental illness is actually like, the better.
Plus, I’m all about trying to share Canada’s great literary talent. This entire anthology is written by authors who are Canadian or who have a connection to Canada; some of the stories are set in Canada, which is a nice change of pace when the majority of what I see in SFF takes place in the US (or what used to be the US) when it’s set in this world.
So Strangers Among Us focuses on issues just like that. They’re all written by authors who write speculative fiction, and indeed most of the stories sit under the genre headers of fantasy or sci-fi, but not all of them. One rather memorable story is about a man who cannot leave his apartment, who spies on people through a payphone, learning about their lives and fantasizing about heroically saving an abused woman, until the time comes when he is pushed beyond his agoraphobia and steps outside to actually do so. Nothing fantasy or sci-fi about that, but it was a strong story nevertheless, and it definitely earned its place among all the others.
There were a couple of stories that dipped into the old well of, “People see things that aren’t there, only wait, those things actually are there and that person’s really special!” A dangerous well to dip into, really, since there have been so many stories done in the past that almost present that as a handwave to mental illness, downplaying what many people actually suffer through in the attempt to provide some sort of supernatural reason why these people aren’t ill, just misunderstood. The stories that did that, though, did it well, I’m happy to say. One, which blended multicultural mythologies in a school setting, legitimately did feature a character who could see things others couldn’t, but that story didn’t seem to tackle mental illness so much as it tackled the idea of being deliberately outcast from ones peers. Another, in which a young Irish girl could see fay and was later diagnosed as schizophrenic, of course turned out to be schizophrenic, but the story didn’t say that schizophrenia isn’t a real condition. It absolutely is. It’s just that some people get misdiagnosed with it because that’s what fits the pattern of modern human understanding.
There’s a sense of both fear and hope in each story. Fear of the unknown, the things we can’t understand, the things that seem different; hope for a better experience and for better understanding. The little boy who can’t speak and would probably get a diagnosis of autism were he not living in a secondary world, he’s sold like an object and overlooked as being too stupid to understand, until someone hurts him and the things and people dear to him and he gets his revenge, however subtle and historically overlooked that revenge may be. The thread of mental illness that runs through generations of family, tearing apart relationships as a sister feels excluded and ignored by those around her as she sees how that commonality brings others closer together. A dystopian future in which the imperfect are Culled, either killed outright or else just cast into the wastes beyond civilization, only to find that there’s a future out there, and people who are accepting and accommodating of those who aren’t what society deems normal. The person who has no bionic upgrades or implants, referred to as a dog, is the only person awake to repair damage to a spaceship, and he’s forced to wake up someone whose upgrades are offline in order to assist him, forcing that person to be thrown into his unaugmented (and, by that society’s standards, pitifully disabled) world. There’s the idea that mental illness can strike at any time, to anybody, and it can change your life, but in every story there’s a repetition of the idea that it doesn’t mean you’re down for the count. You can contribute. You can make a difference. You can maybe make all the difference.
It’s rare that I find an anthology that I like every single part of equally; there’s nearly always one or two stories that just don’t resonate with me the way the others do. And this is no exception, really. There were, I think, two stories that just didn’t do it for me, though objectively they were still quite good. They just weren’t to my taste. Some stories took a little while to get going, but I ended up liking them in the end, more than I expected to. And I can’t deny that the subject matter they tackled was important enough to keep me reading each one even when I wasn’t enjoying them as much as I’d enjoyed others.
Overall, I’d say this was a fantastic collection of short stories, and one that’s absolutely worth reading, even if mental health issues aren’t a pet passion of yours. The publisher donates a portion of the profits from this book’s sales to mental health initiatives, too, which is a wonderful bonus, and it makes me doubly glad that I was able to get my hands on this and be able to spread the word about it a little bit more. It’s an important collection, a great one to dive into, and that uplifting thread of hope that ran strong was, to be perfectly honest, what I needed during a stressful time. Definitely check this one out if you can; it’s worth it, and you won’t be disappointed.
(Book received in exchange for honest review.)
More...