Reviews tagging 'Gun violence'

Los Juegos del Hambre 5: Amanecer en la cosecha by Suzanne Collins

308 reviews

adventurous challenging dark emotional sad tense medium-paced

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challenging dark emotional reflective sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

most heartbreaking book I've ever read. 10000/10 my soul was stomped on, spat on, set on fire, chewed up, and then stomped on again for good measure.

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adventurous emotional hopeful sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: No



I wanted to love this book. Truly. I walked in ready to be swept away hoping for new perspectives, deeper character insight, and an emotional punch that would enrich the original trilogy. I grew up as the girl who wore her hair in braids, learned to shoot a bow, threw knives at tree trunks, and whispered “May the odds be ever in your favor” like a prayer. I am the target audience.

Instead, what I got was shallow storytelling, clumsy exposition, characters that felt like cardboard cutouts, and enough contradictions to unravel everything that made The Hunger Games universe so compelling in the first place.

1. Characterization? More Like Name-Dropping
• District 12 didn’t feel like a real place it felt like Suzanne Collins was checking names off a list to make fans nod, not care.
• Relationships were rushed or non-existent. We’re told people feel things, but never shown anything authentic.
• Haymitch’s alliance? The most paper-thin “found family” I’ve ever read. Instant trust, no real depth, no payoff.
• His bond with Maysilee goes from mild distrust to her calling him her “brother” in a way that gave me emotional whiplash.

2. Haymitch Is a Shell of His Future Self
• “He’s only 16” isn’t a valid excuse for him having no real personality or conviction.
• He’s torn between wanting to live for Lenore Dove and signing up for what’s basically a suicide mission against the Capitol. Make it make sense.
• His family—the people he’s supposedly trying to provide for feel like afterthoughts. Until suddenly… they’re not?
• By the end, he doesn’t feel like a young Haymitch. He feels like a placeholder any random teen could’ve filled.

3. Betee and Plutarch: Lazy Fan Service
• Betee meets Haymitch and immediately spills every detail like he’s reciting from a wiki page. Why? How does that make sense?
• Plutarch revealing secrets that would realistically get him executed—for no reason—felt like bad exposition written just to name-drop characters from the OG books.
• These cameos weren’t exciting. They were clunky, unearned, and stripped of any impact. BORING 

4. President Snow: From Strategic Genius to Cartoon Villain
• The subtle, calculating menace we feared in the original trilogy? Gone. Poof. Who tf is this guy ? 
• This Snow just tells Haymitch everything, including his Lucy Gray connection, as if he’s trying to speed-run his villain arc. Where was the mischievousness of President Snow the speaking in riddles and rhymes. Boring as f***
• The gumdrop poisoning scene was the only moment that almost hit me emotionally—but it collapsed under the weight of weak logic and poor setup. And it was so rushed ! 

5. Worldbuilding Contradictions That Undermine the Trilogy
• Haymitch, Betee, Mags, Wiress… all act like they’ve never met in Catching Fire. Why? 
• No one mentions Wiress’s mental state possibly being tied to this early rebellion? Wild! 
• The Capitol has supposedly faced rebellion before—but acts shocked when Katniss sparks one?
• These aren’t small continuity errors. They’re canon-breaking problems that weaken the original story. Like wtf 

6. Effie Trinket: Make It Make Sense
• In the trilogy, Effie is assigned to District 12 as punishment—because she’s not good enough.
• But in this book, Plutarch rewards her and puts in a good word?
• So… was she demoted or promoted? You can’t have it both ways. 

7. Writing That Feels Like It Was Phoned In
• The prose lacks the nuance and haunting tone that made the original trilogy unforgettable.
• Clunky, repetitive lines like “We’re all just animals sent to slaughter” and “This is my poster” were so overused they became parodies of themselves. If I heard “this is my poster again” I was going to eat a poisonous berry myself 
• Dialogue like “You’re probably wondering why I’m here…” reads like a rejected Dora the Explorer script.
• It feels like Collins no longer trusts her readers to feel or infer—she just explains everything. I loved having to think through things myself in the OG. this felt like I was being talked to the way I explain things to my toddler 


8. Themes? 
• The themes in this book are the same ones explored in the original trilogy—only shallower and more repetitive.
• Yes, the Capitol is manipulative. Yes, propaganda is dangerous. We know. We’ve known. I feel like there could have been more here. 
• It doesn’t say anything new. And worse—it says the same things with less depth and far less impact.


Conclusion: The Gumdrop That almost Broke Me

The only moment that almost made ALMOST me cry was when Lenore Dove ate those gumdrops. And even that, while devastating in concept, made no sense within the narrative framework. It was a rare flicker of emotional weight buried in a story full of contradictions and missed opportunities.

This book didn’t expand the universe—it cracked its foundation. It didn’t deepen Haymitch—it erased him. And it didn’t honor the trilogy—it undermined it.


But what truly broke me? What could have been.

This book could’ve given us so much more.
Where were the flashbacks to the Games? Where was the Haymitch who couldn’t sleep, who saw Maysilee’s twin sister around every corner, who carried the crushing weight of trauma until it turned him into the bitter, snarky shell we meet in the Trilogy? That’s the story we deserved. The unraveling. The survivor’s guilt. The darkness that doesn’t show up all at once—but grows like rot.

Side note And Maysilee’s death? Blink and you miss it. No buildup. No gut punch. No soul. She was reduced to a plot point instead of the emotional catalyst she should have been.

This could have been a psychological masterpiece. Instead, it’s a Wikipedia summary wrapped in fan service.

Where was the power? Where was the grief? Where was the snarky asshole version of Haymitch we love not yet fully formed, but already there in the shadows?

2 stars. And I’m being generous.
The bow-wielding, braid-wearing, knife-throwing fan in me wanted to love this. But even she couldn’t overlook how hollow this victory truly was.

Expand filter menu Content Warnings
challenging dark emotional reflective sad tense medium-paced
Plot or Character Driven: Plot
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
adventurous dark emotional hopeful informative inspiring sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

Snow did not get his soon enough but it's okay because he finally did get his.

Suzanne girl, Suzanne mam, sis, girl!!  My heart is so sore and heavy. Like how does someone have me stressed that a character is going to die like I don't know that he survives  through the whole thing!?

Absolutely loved this! Adored it! 

Expand filter menu Content Warnings
dark emotional inspiring sad tense medium-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

Expand filter menu Content Warnings
challenging dark emotional tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

I've heard it said that Suzanne Collins doesn't write unless she has something to say, and I agree. Dystopia as a genre exists to criticize society, and while this story fabulously compliments her existing works in this universe, it uniquely targets many of the issues we have today.

Expand filter menu Content Warnings
challenging dark emotional reflective sad fast-paced
Plot or Character Driven: Plot
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Expand filter menu Content Warnings
adventurous dark sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

Expand filter menu Content Warnings
adventurous dark emotional hopeful inspiring sad tense fast-paced
Plot or Character Driven: A mix
Strong character development: Yes
Loveable characters: Yes
Diverse cast of characters: Yes
Flaws of characters a main focus: Complicated

I have no notes. Everything about this was stunning and tied the series together perfectly. 

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