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miller8d's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Note: I pictured Richard Ayoade as Jeevan, Jesse Plemons as August, Con O’Neill as Dieter, Andrew Garfield as Sayid, Andre Michaan very faintly as Clark, and a wishy-washy mix of Tom Hiddleston/Brian Cox as Arthur.
Graphic: Death, Torture, Kidnapping, Trafficking, and War
Moderate: Abandonment, Grief, Religious bigotry, Violence, Pedophilia, Slavery, Genocide, Gun violence, and Emotional abuse
Minor: Alcoholism, Cannibalism, Child death, Death of parent, Death, and Suicidal thoughts
I added lots of content warnings for this book, but as a pretty sensitive person, I can honestly say I didn’t find this book upsetting— moreso realistic in an apocalyptic context. It touches on many serious topics but it does so in a justified and non-shocking way.littlemelly's review against another edition
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Abandonment
Moderate: Death, Infidelity, Kidnapping, Suicide, Violence, and Medical content
Minor: Death of parent, Alcoholism, and Child death
juliahendrickson's review against another edition
- Plot- or character-driven? Plot
4.5
Graphic: Animal death, Blood, Child death, Death, Violence, Fire/Fire injury, Abandonment, Grief, Injury/Injury detail, Kidnapping, Adult/minor relationship, Confinement, Medical trauma, Mental illness, Pregnancy, Sexual violence, Murder, Suicide, Chronic illness, Death of parent, and Stalking
undecidedpersonality's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.5
Graphic: Death, Murder, Terminal illness, Animal cruelty, Grief, Gun violence, and Medical content
Moderate: Adult/minor relationship, Death of parent, Pregnancy, Kidnapping, Abandonment, Injury/Injury detail, Violence, Animal death, Pedophilia, and Body horror
Minor: Fire/Fire injury, Rape, Alcohol, Drug use, Child death, Confinement, Domestic abuse, Emotional abuse, Religious bigotry, Suicidal thoughts, and Sexual content
readbycarina's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Graphic: Injury/Injury detail, Kidnapping, Medical content, Suicide, Gun violence, and Trafficking
Moderate: Adult/minor relationship, Death, Emotional abuse, Pregnancy, and Rape
Minor: Blood, Abandonment, and Terminal illness
billyjepma's review against another edition
- Plot- or character-driven? A mix
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
"First we only want to be seen, but once we're seen, that's not enough anymore. After that, we want to be remembered."
Emily St. John Mandel taps into something sublime with Station Eleven, something that manages to speak to a particular moment in time while also capturing something universally timeless about living. The narrative and its characters may not have always resonated with me, but Mandel's beautiful writing and thematics quickly and repeatedly struck a nerve with me.
I usually latch onto the characters in a story, so while I liked the casts Mandel shifts between, I never felt as invested in them as I wanted. For example, I kept waiting for the story to peel back layers on specific characters or ideologies in the "present-day" sections, but those insights never really came. After all of the rich character development and exploration of the "flashback" stories—which, while familiar, are written with aching honesty and vulnerability—the present-day sections felt somewhat lacking.
That's not what's going to stick with me, though. The stories of lonely people discovering and fighting for their found families, the enduring hope they create together, the capacity for art and conviction to be what saves our souls in the end—that's what I'll remember about Station Eleven. I don't think the book even says anything profoundly original, but the unique angles it uses to approach those familiar ideas and genres make them feel new. Or, if not new, then timely and maybe even necessary.
Graphic: Medical trauma, Grief, and Medical content
Moderate: Violence, Adult/minor relationship, and Death
Minor: Suicidal thoughts, Stalking, Death of parent, Torture, Suicide, Abandonment, Child death, and Vomit
owenwilsonbaby's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Compellingly written prose with a well-developed cast of characters. Whilst I wish Kristen's storyline had more events within it, I really liked the book and I think it is both hopeful and unsentimental about humanity, in a way that I suspect might be altered in the TV adaptation.
This book has a lot to say about art and community-building and the role these will play in coming crises. It felt resonant with ecological anxieties about climate change and social anxieties in the age of COVID-19. Some of the passages about process and industrialisation felt a tad oversimplified and neoliberal - surely an Amazon delivery driver or a factory worker making snowglobes has complex, nuanced feelings about their labour and their lives that goes beyond gratitude for a job - but everything else was thoughtful, interesting, well-paced and moving. I loved Kirsten and Miranda. What wonderful characters.
Graphic: Murder, Pedophilia, Death of parent, Death, Medical content, Pregnancy, Abandonment, Child abuse, Confinement, Violence, Injury/Injury detail, Sexual violence, Cursing, Grief, Gun violence, and Mental illness
lemonflower's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Death and Injury/Injury detail
Moderate: Medical trauma, Murder, Death of parent, Grief, Gun violence, Kidnapping, Suicide, and Violence
Minor: Gore, Abandonment, Alcohol, Animal death, Child death, Fire/Fire injury, Pregnancy, Rape, Adult/minor relationship, Blood, Chronic illness, Infidelity, Injury/Injury detail, and Medical content
ksheaffs's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
If you’re looking for a suspenseful Walking Dead esq post apocalyptic novel and nothing else, Station 11 might disappoint. Yes this plot is present but is it more a device to examine the characters and how they rebuild their identities after a catastrophic event draws a line between the world they know and a world they can’t begin to imagine. The switching pov and multiple timelines unravel a complex web of a select group of people all connected through one man. Pick this book up for its beautiful prose, its vibrant characters, its atmospheric quality, and its unpacking of the the question, “if survival is insufficient, what does it take to thrive?”
Moderate: Death, Murder, Kidnapping, Gun violence, Child abuse, Abandonment, and Suicide
lauhiggs's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.75
I raced through the beginning of this book. I loved the sections about Arthur and Miranda’s relationship. Miranda, an introverted artist who just wants to create. She doesn’t care if her work is seen it sold by anyone but herself. Arthur is your typical “successful actor”, several relationships with multiple wives, lots of money, lavish lifestyle. The parts I liked the most of this book were the parts before the pandemic.
The book also focuses on a travelling Shakespearean theatre group, navigating their new world and bringing plays and music they love to audiences all over Canada and America. I think these sections of the book could’ve been a lot more compelling. It felt like nothing was happening then something happened and it was wrapped up too quickly.
This book was hugely out of my comfort zone, so maybe it just wasn’t for me.
Graphic: Suicide
Moderate: Death, Death of parent, Child death, Medical content, and Abandonment
Minor: Child abuse