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steveatwaywords's review against another edition
adventurous
challenging
emotional
inspiring
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Okorafor's take on cybernetic science fiction is fresh, fast-paced and compelling, with a fascinating world and a main and supporting protagonist I wanted to know more about, and this is rare in the genre, anymore.
Main character Anwuli (AO) is in a unique space as Other, one more or less self-designed after childhood tragedies. Her augmentations are Nigeria's new pressure point for prejudices, as are the borders between traditional and modern lifestyles. Soon paired with a traditional herdsman, the two represent the extreme ends of this dynamic world's victims: it's no wonder they ally.
The novel moves very quickly from place to place as they seek refuge and we are given, I think, precious little time to reflect on most of it. The entire action for the book takes place in a little more than a single week's time. It's too bad, in one way, because all I could imagine as I read is that the world-building Okorafor has done here calls for more story, much more story. And so do her characters, who deserve the time to reflect on the significance of the decisions and power shifts implicit in their choices.
And it's clear to me that Okorafor has spent time in the world beyond this story's construction. We have a fairly elaborate mythology of the inventive moment which changes the African story in energy leadership and wealth. Regrettably, little is done with the story related to this plot beyond relating it. But it's a tantalizing conceit for more novels ahead.
Of course, too, Okorafor is a bit bound still by science fiction's traditional tropes; it is difficult to write about cybernetics, corrupt oligarchies, and "chosen ones" without falling into predictable patterns. There is more here that could be explored, if she would give herself the space to do it. As it is, much of what comes from the novel's conceit remains somewhat predictable: it would make, I fear, a forgettable movie if optioned as one.
Okorafor is a marvelous talent who, like other enviro-future writers such as Paolo Bacigalupi, could take on more ambitious projects still. I for one look forward to them.
Main character Anwuli (AO) is in a unique space as Other, one more or less self-designed after childhood tragedies. Her augmentations are Nigeria's new pressure point for prejudices, as are the borders between traditional and modern lifestyles. Soon paired with a traditional herdsman, the two represent the extreme ends of this dynamic world's victims: it's no wonder they ally.
The novel moves very quickly from place to place as they seek refuge and we are given, I think, precious little time to reflect on most of it. The entire action for the book takes place in a little more than a single week's time. It's too bad, in one way, because all I could imagine as I read is that the world-building Okorafor has done here calls for more story, much more story. And so do her characters, who deserve the time to reflect on the significance of the decisions and power shifts implicit in their choices.
And it's clear to me that Okorafor has spent time in the world beyond this story's construction. We have a fairly elaborate mythology of the inventive moment which changes the African story in energy leadership and wealth. Regrettably, little is done with the story related to this plot beyond relating it. But it's a tantalizing conceit for more novels ahead.
Of course, too, Okorafor is a bit bound still by science fiction's traditional tropes; it is difficult to write about cybernetics, corrupt oligarchies, and "chosen ones" without falling into predictable patterns. There is more here that could be explored, if she would give herself the space to do it. As it is, much of what comes from the novel's conceit remains somewhat predictable: it would make, I fear, a forgettable movie if optioned as one.
Okorafor is a marvelous talent who, like other enviro-future writers such as Paolo Bacigalupi, could take on more ambitious projects still. I for one look forward to them.
Content Warnings
Graphic: Death and Animal death
Moderate: Injury/Injury detail
novella42's review against another edition
adventurous
challenging
dark
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
It means the world to me to see disabled characters in speculative fiction written by disabled authors.
I had the rare experience of talking with the author briefly yesterday in a thread on social media (I feel okay sharing this here because it was in a public post). I mentioned I had picked up Noor recently because friends in disability circles had recommended it. She responded, "Noor was my first time (aside from my memoir) nakedly letting the story be about disability. My forthcoming novel is even MORE so. It’s time. I’m glad that Noor is making it to those circles! Yes!"
Needless to say, I went and found a copy of her 2019 memoir Broken Places & Outer Spaces immediately, since I wasn't aware such a thing even existed. And then I finished Noor. This is another long review, but it's partly to help myself remember details when I bring it up at a book club.
There were some powerful elements at play in Noor. I felt moved by the protagonist's rage and was grateful so much of the story centered on the impact of others on her disability--not just her parents, brother, and romantic partners, but also the systemic factors at play like the government and the corporation that made her prosthetics. The way strangers from different strata of society viewed her disability and her enhancements was very telling.
The way she grapples with her congenital disability and internalized ableism reminded me a lot of my own struggles with the same. I was born with a fragile skeleton. A mess, too.
I had the rare experience of talking with the author briefly yesterday in a thread on social media (I feel okay sharing this here because it was in a public post). I mentioned I had picked up Noor recently because friends in disability circles had recommended it. She responded, "Noor was my first time (aside from my memoir) nakedly letting the story be about disability. My forthcoming novel is even MORE so. It’s time. I’m glad that Noor is making it to those circles! Yes!"
Needless to say, I went and found a copy of her 2019 memoir Broken Places & Outer Spaces immediately, since I wasn't aware such a thing even existed. And then I finished Noor. This is another long review, but it's partly to help myself remember details when I bring it up at a book club.
There were some powerful elements at play in Noor. I felt moved by the protagonist's rage and was grateful so much of the story centered on the impact of others on her disability--not just her parents, brother, and romantic partners, but also the systemic factors at play like the government and the corporation that made her prosthetics. The way strangers from different strata of society viewed her disability and her enhancements was very telling.
The way she grapples with her congenital disability and internalized ableism reminded me a lot of my own struggles with the same. I was born with a fragile skeleton. A mess, too.
I'd always had it coming. In the dark this was all clear. I emerged from the warm protective darkness of my mother's womb poorly made. A mess. And then years later, fate had unmade me. How dare I embrace what I was and wasn't, and build myself?
Sometimes the language around injury, surgery, brokenness, and body horror got to be too much for me and my C-PTSD. I had to rest several times and asked for help from my partner to co-regulate my nervous system before I could continue. But I felt it was worthwhile, for lines like this:
Sometimes when something breaks, things come out of the cracks.
It felt like the concept of kintsugi, only instead of using gold to repair ceramic, this felt more like repairing a body with fury and power, in response to injustice. It tied in with a theme of just wanting to be left alone to repair and rebuild and live your life.
I think my favorite parts were related to the way she embraced her own identity and strengths and gravitated toward others who saw her worth as a human being. My favorite scene was a tiny detail but it rang especially true for me. (Very mild spoilers for one small moment.)
Let me explain. People who are not yet disabled or who haven't dealt with chronic pain seem to see body-based mindfulness as some kind of panacea, but going inward and scanning your body is a terrifying experience when your body is a war zone. Rather than telling the person struggling that they're doing it wrong, that there's something broken with them and they won't be able to find inner peace, I love how this scene skipped right to the solution of turning outward for mindfulness in other ways. I wish more people knew that was an option. In 2019 it took me months of shame and depression to figure out why my repeated attempts at mindfulness and body scan meditations seemed to make everything worse. I only figured it out because I finally tried my luck on a therapist.
Anyway. Seeing this phenomenon depicted so easily and clearly felt absolutely wonderful and affirming.
The book felt a little uneven at times with choices I didn't understand, both by the characters and the author, but then again I am not Nigerian or Nigerian American. Just because I don't fully understand it, doesn't mean it's not an understandable choice.
I'm very glad this book exists, and very glad to have read it.
Content Warnings
Graphic: Animal death, Injury/Injury detail, Body shaming, Drug use, Medical trauma, Terminal illness, Xenophobia, Body horror, Ableism, Violence, Animal cruelty, Suicidal thoughts, Colonisation, Sexism, Classism, Blood, Chronic illness, Medical content, Abandonment, Grief, Misogyny, Gun violence, Murder, Hate crime, Self harm, Dysphoria, Gore, and Bullying
Moderate: Deadnaming, Emotional abuse, Genocide, War, and Religious bigotry
Minor: Car accident, Panic attacks/disorders, Pregnancy, Child death, Sexual content, and Toxic relationship
michaelion's review against another edition
adventurous
dark
fast-paced
- Plot- or character-driven? Character
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
The biggest flaw is that it's too short. I haven't delved into sci-fi that much but I seem to like it, and this book needed more room to be. Heavy lore drops that are mostly tell not show, but not in a way that's irritating, more in a way that this is a huge world that wanted to be explored more. I liked a lot of elements of it though and really related to the main character.
Content Warnings
Graphic: Grief, War, Murder, Self harm, Body shaming, Blood, Death, Violence, Ableism, Fire/Fire injury, Hate crime, Injury/Injury detail, and Dysphoria
Moderate: Deadnaming, Genocide, Gore, Animal death, Classism, Colonisation, Police brutality, Body horror, Misogyny, Physical abuse, Animal cruelty, Emotional abuse, and Medical content
Minor: Car accident, Drug use, and Sexual content
mgmotley's review against another edition
adventurous
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Blood, Ableism, Animal death, Death, Gun violence, Suicidal thoughts, and Violence
Moderate: Misogyny, Injury/Injury detail, Medical content, Drug use, Grief, Blood, Body horror, Bullying, and Cursing
ashleybakerwrites's review against another edition
adventurous
challenging
dark
emotional
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
I enjoyed this book from the middle onward. The hook isn't particularly strong for me, but it was very enjoyable past that. I loved the world building and anticapitalist message. A lot of it felt more fantasy than sci-fi, but there was definitely enough sci-fi in it for the average sci-fi reader. The journey was very interesting. And the pinch points felt very real for the characters.
Content Warnings
Graphic: Drug use, Terminal illness, Classism, Violence, Medical trauma, Hate crime, Death, War, Body horror, Injury/Injury detail, and Ableism
nuh_thaan's review against another edition
adventurous
emotional
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
This book doesn't get an official 4 only because I felt the audiobook was difficult to follow. I loved the narration and felt submerged in the culture and atmosphere, but it was easy to get lost because the names and other things were not common to me.
However, the story as a whole and the things that happened caught my attention every time I listened to the book. That being said, I know the book is good and I was entertained, I just think having the physical book would've been beneficial in following the storyline completely.
The sci-fi aspects as AO continued to develop fascinated me. The action felt almost like a movie, so it was easy to re-engage during each listening session. Not necessarily something I'd likely have on my shelf, so in happy I had the audio, but the physical book would've assisted in the reading experience for me personally.
However, the story as a whole and the things that happened caught my attention every time I listened to the book. That being said, I know the book is good and I was entertained, I just think having the physical book would've been beneficial in following the storyline completely.
The sci-fi aspects as AO continued to develop fascinated me. The action felt almost like a movie, so it was easy to re-engage during each listening session. Not necessarily something I'd likely have on my shelf, so in happy I had the audio, but the physical book would've assisted in the reading experience for me personally.
Content Warnings
Graphic: Murder, Injury/Injury detail, Sexual content, and War
vegabela's review against another edition
adventurous
hopeful
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Content Warnings
Graphic: Death, Blood, Animal death, Ableism, Violence, Medical trauma, and Injury/Injury detail
Moderate: Chronic illness, Car accident, Grief, Murder, and Suicidal thoughts
Minor: Child death, Colonisation, Car accident, and Hate crime
zombiezami's review against another edition
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This is my favorite book by the author that I've read so far!
Content Warnings
Graphic: Hate crime, Medical trauma, Mass/school shootings, Ableism, Violence, Death, Chronic illness, Blood, Sexism, Misogyny, Gun violence, Colonisation, Body horror, Religious bigotry, Murder, Injury/Injury detail, Medical content, Genocide, Gore, and Abandonment
Moderate: Drug use, Alcohol, Pregnancy, Suicidal thoughts, and Sexual content
Minor: Child death, Car accident, and Toxic relationship
Eugenicsbluejayreads's review against another edition
I have thoroughly enjoyed several of Nnedi Okorafor’s books (*cough*Binti*cough*), and found others to be just okay. Noor unfortunately falls into the latter category.
Nnedi’s books are not much for strong plots. This one is very similar to Remote Control in that a girl (in this case, a woman) who is different and powerful and terrifying to everyone else is driven from her home and goes on a long journey. In this case, AO was born with her legs withered and one arm just not there. A car accident in her teens destroyed her legs even further. She chose cybernetic replacements and other technological enhancements that are basically really awesome disability aids (honestly, if I had the option to replace my legs instead of using a cane I’d do it in a heartbeat). But the people around her think because so much of her body is metal that she has somehow become less than human.
On her journey to nowhere in particular, she joins DNA, a herdsman with only two cows after his group and most of their cattle were massacred for being herdsmen. AO wants people to accept that being more high-tech doesn’t make her less human, and DNA wants people to accept that sticking to his people’s traditional ways of life instead of selling his cows and going to work for a global megacorporation doesn’t make him a lesser person.
As is typical of Nnedi’s work, there isn’t much of a plot. The journey is the story, and AO and DNA travel to DNA’s village, through an eternal sandstorm, and other interesting places. The story is told in first person, and AO’s tangents build up the africanfuturist world these characters inhabit. I was interested at first as I was getting oriented to the characters and the world, and then the story started to drag. Neither of the characters had goals, there was no endpoint in sight, and it didn’t feel like either the characters or the story were going anywhere.
AO and DNA finally got to a place that seemed like it would be safe, and they both seemed to like it there. It felt like a reasonable ending for the kind of story this is and I was expecting the story to wrap up soon. But there kept being more chapters. Finally, I checked the timestamp and discovered there was still a quarter of the book to go. I had no idea what would be happening in all that time – neither character had found anything like a goal and there was no current outside threat to escape – and I was getting really tired of following along on what felt like a pointless journey.
So I stopped. I liked the world and the characters could have been interesting if there had been any point to the story. They weren’t going anywhere in particular, they had no goals or objectives – not even “find somewhere safe,” that happened by accident – and I was, quite frankly, bored. If even one of them had been trying to do anything in particular, I think I would have enjoyed this story a lot more.
Content Warnings
Graphic: Ableism, Injury/Injury detail, Violence, and Blood
Moderate: Medical content, Death, Animal death, Fire/Fire injury, and Body horror
Minor: Car accident and Sexual content
pvbobrien's review against another edition
adventurous
challenging
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Ableism and Blood
Moderate: Animal death, Drug use, Hate crime, Injury/Injury detail, Medical content, and Murder
Minor: Pregnancy, Car accident, Child death, and Suicidal thoughts