Reviews with content warning for Body shaming - If We Were Villains

Reviews tagging 'Body shaming'

If We Were Villains by M.L. Rio

43 reviews

alyxandrathegr8's review against another edition

dark emotional mysterious medium-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

2.75

Spoilers-Fine but not for me. If you liked “the secret history” you’ll like this. They are essentially the same. Notable differences are a lack of incest and instead of being obsessed with the Greeks, these kids are the obsessed with Shakespeare. Both books include incredibly absent parents or parents that don’t give the kids what they think they deserve, the person you love being in love with someone else (that person also being your friend) main characters being elite in some way, substance abuse, suicide, and an“accidental death”/murder. This book
However is set in a more realistic world with more realistic situations than in the secret history.

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dom_brlw's review against another edition

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dark reflective sad slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

This is a hard book to read. The amount of content warnings alone is a sign of it. It can be so dark at times and the characters are so twisted. This book shouldn’t be read when you are in a bad state of mind, it might make it worse.

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galena19's review against another edition

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challenging dark emotional mysterious reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

This book reminds me of the play Cat on a Hot Tin Roof by Tennessee Williams

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arbramirez's review

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dark emotional mysterious sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

3.5

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scottsland_yard's review against another edition

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challenging dark emotional mysterious sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

This book was really good! The writing was very poetic and the inclusion of many Shakespeare quotes was accurate to the characters as well as a great way to really draw the reader into the world. A bit difficult to get the nuance of the Shakespeare quotes chosen if you aren't well-versed in shakespearean theater though. I'm sure there were references I missed.

SPOILER AHEAD!!

The ending really upset me and I don't think in the way the author intended. While it was very poetic and intense, creating a huge tension that just ramped up and up toward the last page, I feel like the ending didn't justify the means. While ostensibly a story about murder and passion and rage, it was also obviously a story about love and self discovery. I think having the main character be bi-sexual and technically in a relationship with both Meredith and James (in a way) was really smart story telling to showcase the difficulty he feels in trying to figure out who he is, not only as an actor, but as a lover. What I didn't appreciate (and it's not really Rio's fault so much as it's a tired and hurtful trope shares by many authors) is that the majority of stories that feature a gay couple require that they go through torturous and heart-wrenching levels of trauma in order to move the story along. As a gay man, reading the tension between Oliver and James over and over with little to now pay off didn't feel exciting, it felt like torture. I was being led along like a horse with a carrot, the promise of the possibility of Oliver and James professing their feelings for each other or ending up together, only to constantly be whipped with sex scenes with Meredith and violence with Richard. In the end, when you think Oliver might finally get yo be happy with James, we're slapped in the face with the blunt honesty of Phillipa letting us know that James killed himself after not being able to bare the weight of the guilt of killing Richard (in self defense, btw) and his lover taking the blame for it. So Oliver once again ends up with Meredith and I was left furious. And the last page does little to bandage those wounds.

I was left feeling empty, tense beyond belief, and with a heavy pit in my stomach. While the story was very good and the book was extremely well written, I am sick of this trope. I'm sick of gay characters being used as the martyrs in stories or being included only to drive the trauma train. (OH, also include the only canonically gay character overdosing and almost dying too)

I yearn for stories of gay couples/characters that include all the tense will-they-won't-they that straight romances have, but for once, I'd like them to actually end up together. I've learned this is not the book for that.

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lexnicole's review against another edition

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dark emotional mysterious sad tense medium-paced

4.0

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star_oats's review against another edition

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slow-paced

Plot- or character-driven? Character
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

1.0

Wasted my time with this book. I had to slog through the endless sexism and slutshaming only for none of them to have any semblance of character depth and development and for the plot twist and ending to be so underwhelming.

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