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Graphic: Rape, Sexual violence
Moderate: Gore, Incest, Antisemitism
Graphic: Rape, Sexual assault
Moderate: Antisemitism
Graphic: Animal cruelty, Animal death, Child abuse, Death, Gun violence, Incest, Misogyny, Physical abuse, Rape, Sexual assault, Sexual violence, Torture, Violence, Blood, Antisemitism, Kidnapping, Car accident, Murder, Injury/Injury detail
Moderate: Adult/minor relationship, Alcoholism, Drug use, Infidelity, Mental illness, Sexual content, Dementia, Trafficking, Grief, Car accident, Alcohol
SPOILERS:
In all seriousness this is one of the best stories I've ever read in my life. The nuance and starkness with which it tackles the issue of extreme violence against women & girls is POWERFUL. Lisbeth Salander is a FORCE. The most masterful is the way that the women discuss and react to violence against women vs how the men do. The well-meaning men still ultimately trust the authorities and make excuses/invent explanations for violent misogyny. But the women do what needs to be done. The most salient quote comes from Lisbeth, when she and Mikael are making breakthroughs about the serial rapist/killer. She says, "It's not a serial killer who read his Bible wrong. It's just a common bastard who hates women." In wider cultural discussions about extreme violence against women we tend to fantasticize these acts as if they are removed from our society, committed by deranged individuals, when in reality, the problem is simple: there are men who hate women, and our society goes to great lengths to allow this. Absolutely brilliant.
Graphic: Animal death, Child abuse, Child death, Death, Domestic abuse, Gore, Hate crime, Incest, Infidelity, Mental illness, Misogyny, Pedophilia, Physical abuse, Rape, Sexual assault, Sexual violence, Torture, Toxic relationship, Violence, Police brutality, Kidnapping, Stalking, Murder, Injury/Injury detail
Moderate: Addiction, Adult/minor relationship, Animal cruelty, Child abuse, Child death, Confinement, Domestic abuse, Drug use, Gun violence, Incest, Forced institutionalization, Blood, Antisemitism, Car accident, Death of parent, Fire/Fire injury, Gaslighting
Graphic: Rape, Sexual assault, Violence
Moderate: Antisemitism, Murder
The story is built upon a solid foundation of strong, believable, and compelling characters, with complex interpersonal relationships and motivations. Uncertainty around their individual interests and incentives helps sell the mystery, but also builds a story where half the narrative has next-to-no plot going on but still feels strong and satisfying. Its open approach to characters' sexuality, including polyamory and bisexuality, feel like natural and core parts of their identity, without coming across as voyeuristic—it's uncommon to see such representation in mainstream media from the mid '00s.
Eventually the plot picks up very strongly, with small pieces of the background story satisfyingly clicking into place with little (though not without) contrivance. Behind it, a powerful message about misogyny and violence against women, for which the story holds little back, with some deeply unsavoury characters and moments of grim savagery and coercion. There's a minor secondary message against capitalistic greed and the error of conflating economic success with that of the financial market.
Originally published in Swedish under the more direct title "Män som hatar kvinnor" ("Men who hate women"), the English translation reads brilliantly, feeling quaintly Swedish while introducing the right idioms—serious kudos to the translator Steven T. Murray, and though it was a shame to hear about his editorial disagreements with the publisher there's no denying the quality of the result!
Overall a slow and characterful read, with great prose and a genuine Scandinavian feel, building a compelling mystery which creeps up on you gradually but doesn't let up once it comes together.
Graphic: Misogyny
Moderate: Animal cruelty, Animal death, Confinement, Incest, Physical abuse, Rape, Sexual assault, Sexual violence, Murder
Minor: Antisemitism, Car accident, Abortion
Graphic: Death, Rape, Sexual violence, Torture, Antisemitism
The main character one Mikael Blomkvist was not who I thought this book would be about. But the way Larsson crafted his character through the actions he took was fantastic. I had seen complaints that all he did was this, or all he did was that, but through these actions he became a character. Lisbeth Salander, the girl with the dragon tattoo, was a fascinating character, having a starkly contrasted view to Blomkvist in which they worked together well.
The only complaint I have about is how Blomkvist seem to attract every single woman he came across.
Although I absolutely loved the sexual fluidity of these characters. Salander's refusal to put a label on what she is and Berger's and Blomkvist open relationship. These people feel a lot more real in their sex than the myriad of carbon copied queer fluffy characters that seem to be pumped out today.
Graphic: Animal cruelty, Animal death, Rape, Sexual assault, Antisemitism
Moderate: Emotional abuse, Misogyny, Sexism, Sexual violence, Religious bigotry, Stalking
Graphic: Incest, Misogyny, Rape, Antisemitism
Graphic: Child abuse, Incest, Misogyny, Pedophilia, Rape, Violence, Antisemitism, Murder