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heather_freshparchment's review against another edition
adventurous
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Content Warnings
Graphic: Sexual content
Moderate: Classism, Murder, Blood, Vomit, Violence, and Cursing
ehmannky's review against another edition
adventurous
emotional
funny
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
A delight from beginning to end. A Restless Truth manages to stand on its own as a complete story and move along the overall plot of the series. Maud and Violet are such a fun pair of characters, and their sex scenes are so well written. I loved loved loved their emotional journey and that it ends with a happy for now ending (though I feel like they're going to get a HEA) and that matches the two characters' development throughout the book. Marske also does an excellent job setting up the third novel in this book, and I truly cannot wait to read it in November.
Content Warnings
Moderate: Death and Violence
offbrandclubsoda's review against another edition
adventurous
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
Content Warnings
Graphic: Sexual content
Moderate: Death, Murder, and Violence
Minor: Confinement, Cursing, Alcohol, and Kidnapping
khourianya's review against another edition
adventurous
dark
emotional
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
3.5
Content Warnings
Graphic: Violence, Murder, and Sexual content
raptorq's review against another edition
adventurous
emotional
funny
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Sexual content
Moderate: Violence, Murder, and Blood
thecourtofreading's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
as usual, i still prefer the first book. that shit slapped. this one also slapped, but considerably less than the first one slapped. violet was definitely my favourite, even from the beginning. she was really amusing and funny and i loved her sort of friendship with hawthorn. also the fact that this took place on a ship as well added a nice dynamic that i liked actually, and it was nice to be back in this world and read about familiar and unfamiliar characters again. it seems like the third book is going to be about hawthorn, which is exciting because i'm now wondering how this whole thing is going to wrap up.
Content Warnings
Graphic: Murder, Death, and Sexual content
Moderate: Blood and Violence
Minor: Vomit and Sexual harassment
booksthatburn's review against another edition
adventurous
emotional
lighthearted
mysterious
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
A witty and enchanting follow-up, A RESTLESS TRUTH follows Maud Blyth as she tries to secure a piece of the Last Contract.
This continues the general mission of collecting the pieces of the Last Contract and securing them to protect the other magicians of Britain, it also follows Maud (Robin's sister) who briefly appeared in A MARVELLOUS LIGHT. It doesn't completely wrap up anything left hanging from the first book, but it does move forward on a variety of plot points in a way that's suitable for the second book in a trilogy. There's an entirely new storyline related to Maud and Violet, as well as the mostly self-contained issue of the murder and Last Contract piece on the cruise ship. The restricted location makes this feel like a bottle episode in a way I wasn't expecting but is pleasant to read. Oftentimes the middle book in a trilogy can feel a bit neglected, existing only to bridge between the beginning and the finale, but partly because it changed narrators and has an entirely new location this feels fresh and can almost entirely stand on its own. Several major things are introduced and resolved, including but not limited to the immediate issue of figuring out who committed the murder and how to keep them from achieving their broader aims.
The plot is a mix of complicated hijinks and social navigation as they try to find a missing item and solve a murder, all while avoiding the attention of the culprits even when they haven't yet figured out who is involved. This would mostly make sense to someone who hadn't read the first book, the relevant backstory is explained as needed and generally avoids feeling like infodumping. The corollary is that it doesn't spend much time explaining what happened in the first book, since at a certain point that isn't crucial to Maud's experience since it happened to her brother instead of her. Maud and Violet are new narrators to the series, and their perspectives feel very distinct. Violet is guarded even in her own head, in a way that means I came away understanding the shape of her reticence more than the details of her history.
Maud and Violet's relationship has a lot of care and deliberate exploration of them as people. Maud wants to know everything about Violet, but Violet is a much more guarded person and isn't ready to show more of herself to someone she just met a few days ago. I appreciate how their levels of physical and emotionally intimacy are treated as two distinct things, both needing attention but not necessarily lining up precisely.
My favorite character is Lord Hawthorn (due mostly to my personal preferences and not implying any fault with the others), I was excited to see him playing more of a role here than he did in the first book, and I'm very hyped for the forthcoming third book which stars him and Alan Ross.
This continues the general mission of collecting the pieces of the Last Contract and securing them to protect the other magicians of Britain, it also follows Maud (Robin's sister) who briefly appeared in A MARVELLOUS LIGHT. It doesn't completely wrap up anything left hanging from the first book, but it does move forward on a variety of plot points in a way that's suitable for the second book in a trilogy. There's an entirely new storyline related to Maud and Violet, as well as the mostly self-contained issue of the murder and Last Contract piece on the cruise ship. The restricted location makes this feel like a bottle episode in a way I wasn't expecting but is pleasant to read. Oftentimes the middle book in a trilogy can feel a bit neglected, existing only to bridge between the beginning and the finale, but partly because it changed narrators and has an entirely new location this feels fresh and can almost entirely stand on its own. Several major things are introduced and resolved, including but not limited to the immediate issue of figuring out who committed the murder and how to keep them from achieving their broader aims.
The plot is a mix of complicated hijinks and social navigation as they try to find a missing item and solve a murder, all while avoiding the attention of the culprits even when they haven't yet figured out who is involved. This would mostly make sense to someone who hadn't read the first book, the relevant backstory is explained as needed and generally avoids feeling like infodumping. The corollary is that it doesn't spend much time explaining what happened in the first book, since at a certain point that isn't crucial to Maud's experience since it happened to her brother instead of her. Maud and Violet are new narrators to the series, and their perspectives feel very distinct. Violet is guarded even in her own head, in a way that means I came away understanding the shape of her reticence more than the details of her history.
Maud and Violet's relationship has a lot of care and deliberate exploration of them as people. Maud wants to know everything about Violet, but Violet is a much more guarded person and isn't ready to show more of herself to someone she just met a few days ago. I appreciate how their levels of physical and emotionally intimacy are treated as two distinct things, both needing attention but not necessarily lining up precisely.
My favorite character is Lord Hawthorn (due mostly to my personal preferences and not implying any fault with the others), I was excited to see him playing more of a role here than he did in the first book, and I'm very hyped for the forthcoming third book which stars him and Alan Ross.
Content Warnings
Graphic: Grief, Death, Sexual content, Blood, Violence, and Murder
Moderate: Classism, Cursing, and Injury/Injury detail
Minor: Pregnancy, Mental illness, Vomit, Car accident, Suicide, Slavery, and Death of parent
wilybooklover's review against another edition
adventurous
mysterious
medium-paced
4.5
While this didn’t quite live up to the first book for me, I still found it gorgeously enchanting. Freya Marske’s prose is as lush and evocative as ever. Sometimes beautiful prose can get in the way of the narrative and leave the reader (at least, this reader) confused about what’s actually going on, but this was eminently readable.
I’ve found that many sapphic romances are lacking in the tension and sexiness that you find in other romances — not so in this book! This book was delightfully horny. Violet and Maud are both deeply flawed and almost mirror images of each other, in a way; where Maud is naive on the surface and unwaveringly strong inside, Violet is confident and sophisticated on the outside but soft and scared on the inside. I especially loved Violet’s characterisation: how she used illusion and artifice as a shield, how she was all defensive sharp edges whenever someone tried to get close to the real Violet, which in turn made it all the sweeter when she dropped those defences and let Maud in. Their story ends on a very satisfactory HFN note that felt right for the characters and their short acquaintance.
While I missed the magical houses and murderous mazes of the first book, I did enjoy the ship setting, and I thought the magical world and its rules were deftly expanded. The reveal at 50%, that Maud is a medium was a really fun addition and took me by genuine surprise. The mystery was fun and engaging, mostly due to the hijinks and banter of Maud’s assembled group of investigators but also in part to some very creepy villains. The comparison to Knives Out was a very apt one.
I think (hope!) that the next book will feature Hawthorn and Ross, because they both made fantastic side characters in this.
Content Warnings
Graphic: Sexual content, Blood, Death, Grief, and Murder
Moderate: Injury/Injury detail, Kidnapping, Violence, Torture, Sexism, Confinement, and Misogyny
Minor: Homophobia, Classism, Fire/Fire injury, Racism, Death of parent, and Sexual harassment
meromenesko's review against another edition
adventurous
dark
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.5
Content Warnings
Graphic: Violence and Misogyny
takemetomilos's review against another edition
adventurous
funny
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
A compelling mystery and an astonishing portrayal of what it is to love women, in its many forms. The clumsy beginnings, the hypersexuality hiding pain, women who hurt eachother with sharp words, women who love eachother as lovers, but will never be more than friends, women learning to trust one another. It has it all. Always toeing the line between friendship and love, pushing away and yearning.
The characters are fantastic:
Ross is based as fuck. Fuck the rich fr.
Hawthorn is shitty but devilishly intriguing, he is more sympathetic than I expected (especially knowing how he treated Edwin in book 1).
Maude is my dear stubborn darling, whose sharp morality is endearing, not imposing.
Violet, is smart and clever and dazzling and was forced to grow up too fast- she deserves the world. I will not be taken criticism these r my beloved babies
Violet, is smart and clever and dazzling and was forced to grow up too fast- she deserves the world. I will not be taken criticism these r my beloved babies
Content Warnings
Graphic: Sexism, Murder, Kidnapping, and Violence