Scan barcode
sanjana_sub's review against another edition
emotional
relaxing
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
zkc1806's review against another edition
could not get into the story. did not like the pace and the sentence structure
aftaerglows's review
1.0
i can't believe people are actually saying this is a retelling of "a room of one's own"??? one of the most beautiful classics ever written ... compared to this ????????? this is like a style exercise that someone published by accident
msilkwolfe's review against another edition
4.0
Really interesting one. Took me a while to get into it (and it’s not that long
ovaltineplease's review against another edition
emotional
hopeful
inspiring
reflective
relaxing
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
vedha24's review against another edition
hopeful
inspiring
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? No
3.75
angelatian30's review
3.0
I thought that perhaps there would be some sort of revelation towards the end but there wasn’t, she just plots to leave her husband.
The characters name doesn’t get revealed until 100 pages in, which was interesting.
Solange’s love towards the husband was quite obvious, and I felt there were hints that the affair had started way earlier than Vitoria thought? Is that why Solange was so angry? That she secretly went behind Vitorias back to seduce the husband but turns out Vitoria didn’t want him anyway? That her efforts of some kind of ‘revenge’ didn’t hurt Vitorias feelings? Unsure.
The details were immersive but it got repetitive after a while since there wasn’t really a plot.
Won’t reread I think.
The characters name doesn’t get revealed until 100 pages in, which was interesting.
Solange’s love towards the husband was quite obvious, and I felt there were hints that the affair had started way earlier than Vitoria thought? Is that why Solange was so angry? That she secretly went behind Vitorias back to seduce the husband but turns out Vitoria didn’t want him anyway? That her efforts of some kind of ‘revenge’ didn’t hurt Vitorias feelings? Unsure.
The details were immersive but it got repetitive after a while since there wasn’t really a plot.
Won’t reread I think.
moonstonee's review against another edition
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
eyeowna's review against another edition
reflective
relaxing
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.75
This is a hard book for me to rate. It’s short and I read it basically in one sitting, so it for sure grabbed my attention. There are so many ideas and lines that I’ll think about for a while, but I’m not sure how I feel about the book as a whole. The book’s concept (it’s not really a plot) is that a cleaning woman at an art museum marries a rich husband in an unspecified time/place that reads as Victorian, maybe. The woman, Vitoria, wants to be a writer more than anything else and most of the novella consists of her reflections on writing: her descriptions of paintings that made an impression on her and her observations about friendship, marriage, and wealth.
The writing is sparse & easy to read with some killer lines. Much of Vitoria’s passion about books and writing is relatable, such as when she says “in books I found even more strongly my desire to write, to write back to them and their jagged, perfect words. I found life that ran close to my own” (20). I’ve always loved writing partly because it felt like a conversation with whatever was inspiring me. Vitoria is an interesting character because she has so much to say, she’s our narrator writing in this confessional/diary style, and yet she has this deep conflict with communicating her ideas or true personality with the people around her. If this book has any plot or conflict, I would say it’s Vitoria’s progress on expressing and living as her inner/writer self.
The emotional distance makes the narrative feel dream-like. There’s some commentary on art, gender, class, etc., all of which feel like this book is meant to read like a classic literary work. I think maybe my problem with this book is that there was too much emotional distance? As our narrator character, Vitoria even admits she’s afraid of being fully honest in her writing. I wanted more from this book in most of the things it was trying to do, and that’s not even because of how it ended. To scratch this itch I have now, I want to go reread the Yellow Wallpaper or some Emily Dickinson poetry or Wide Sargasso Sea (which Cain took inspiration from and says she used short passages in this book—not sure where).
The writing is sparse & easy to read with some killer lines. Much of Vitoria’s passion about books and writing is relatable, such as when she says “in books I found even more strongly my desire to write, to write back to them and their jagged, perfect words. I found life that ran close to my own” (20). I’ve always loved writing partly because it felt like a conversation with whatever was inspiring me. Vitoria is an interesting character because she has so much to say, she’s our narrator writing in this confessional/diary style, and yet she has this deep conflict with communicating her ideas or true personality with the people around her. If this book has any plot or conflict, I would say it’s Vitoria’s progress on expressing and living as her inner/writer self.
The emotional distance makes the narrative feel dream-like. There’s some commentary on art, gender, class, etc., all of which feel like this book is meant to read like a classic literary work. I think maybe my problem with this book is that there was too much emotional distance? As our narrator character, Vitoria even admits she’s afraid of being fully honest in her writing. I wanted more from this book in most of the things it was trying to do, and that’s not even because of how it ended. To scratch this itch I have now, I want to go reread the Yellow Wallpaper or some Emily Dickinson poetry or Wide Sargasso Sea (which Cain took inspiration from and says she used short passages in this book—not sure where).