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hailey_ezra's review against another edition
challenging
dark
hopeful
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
damn_marina's review against another edition
It was due in the library. Couldn't finish it for the life of me, although I had it for three months. It's just not my stuff I guess.
eaven's review against another edition
4.0
m-am uitat la un rezumat pe youtube ca e cam greu sa citesti atata religious fanfiction also i think that dante was in love with virgil and no one can change my mind
vayeate's review against another edition
dark
inspiring
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Было очень сложно читать это произведение из-за того, что все сноски и персонажи, которые упоменаются мне ьыли мало знакомы или вообще не знакомы. Постоянно приходилось читать дополнительные объяснения, что в свою очередь занимало время.
Должен признаться, я врядли уловил смысл, но было местами очень интересно.
Интерено так же было бы почитать в оригинале, но боюсь - это крайне мало вероятно.
Но труд вложенный всё равно удослось оценить и ясно становиться почему это такое известное произведение.
Должен признаться, я врядли уловил смысл, но было местами очень интересно.
Интерено так же было бы почитать в оригинале, но боюсь - это крайне мало вероятно.
Но труд вложенный всё равно удослось оценить и ясно становиться почему это такое известное произведение.
100reads's review against another edition
challenging
dark
emotional
informative
inspiring
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
Will reread. Most things went over my head.
lilliangrey's review against another edition
adventurous
challenging
dark
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
This is probably the funniest non-funny book I have read. Do not interpret my understanding in the wrong way, there were parts of this book that left me horrified and sitting on my bed thinking what have we done. But in retrospect, the premise of the novel is truly something else: a dead roman poet guides a medieval man through different levels of hell, purgatory, and heaven, and in every level the medieval man gives a passing comment on Florentine politics. Despite its... oddities... I will say that I am enticed by this novel, and I should very much like to do some extra research as to why Dante felt the drive to write such a book. Inferno felt like a fever dream, I am not really sure what happened or why it happened, nevertheless I thoroughly enjoyed it - perhaps that is indicative of Dante's writing abilities. Purgatorio, however, was byfar my favourite poem, and maybe that is an unpopular opinion, but I felt puragtorio more, that it to say I connected with it more (and perhaps that is indicative of my catholic upbringing but thats another story for another day). Paradiso lost me a little, but there were moments where I was held capitve. All in all it was a wild ride, and I have the impression that it is one of those books that I will have to read again and again to fully comprehend.
dijana_1's review against another edition
dark
emotional
hopeful
mysterious
reflective
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
5.0
heavino's review against another edition
4.0
A TRILOGY REVIEW:
The Divine Comedy by Dante Alighieri is a remarkable work of art that has surpassed its medieval roots to become a fundamental piece of Western literature. Written in the early 14th century, this significant piece of writing is more than just a long poem - it is a deep investigation into philosophy and theology that guides readers on a voyage through the realm after death. The trilogy consists of three separate but interconnected parts: Inferno, Purgatorio, and Paradiso. Each part provides a distinct perspective on the concepts of sin, redemption, and divine grace.
Inferno: Hell
Inferno acts as the terrifying beginning to Dante's adventure. It shows the underworld, a complex maze with nine concentric circles symbolizing various types of wrongdoing. Dante, led by the Roman poet Virgil, journeys through this horrifying terrain where sinners endure punishment based on the severity of their transgressions.
The vivid and often grotesque imagery is what sets Inferno apart, making it particularly compelling. Dante's limitless creativity creates a world that is simultaneously terrifying and oddly poetic. The sinners, suffering according to their earthly sins, include historical figures and people known to Dante, providing personal and political reflections. As an example, Dante includes renowned individuals such as Julius Caesar and Cleopatra in the levels of hell, where they are punished according to the nature of their sins.
The design of Inferno is carefully constructed, with each circle assigned to a particular sin: the lustful, the gluttonous, the greedy, the wrathful, and others. The text acts as an allegory for the moral outcomes of sin and also as a criticism of the societal and political problems of Dante's era. In these interactions, Dante portrays a intricate moral world where justice is dispensed with divine accuracy.
The second part of Dante's Divine Comedy, where souls are purified before entering Paradise.
Purgatorio: Purgatory
Unlike the desolation found in Inferno, Purgatorio presents a hopeful and redemptive vision. It shows Mount Purgatory, a peak emerging from the sea, divided into seven levels, with each one symbolizing a different one of the seven deadly sins. Souls in this place are purifying themselves as they ascend towards redemption. This part of Dante's adventure transitions from the stagnant and bleak setting of Inferno to a livelier and optimistic story.
In Purgatorio, the souls are not being punished but are instead undergoing a process of change, seeking redemption through atoning for their sins. Climbing Mount Purgatory signifies a journey, both bodily and mentally, from the shadow of wrongdoing to the brightness of mercy. This action represents the potential for transformation in people and forgiveness from the divine. The penances of the souls reveal the specific characteristics of their sins, enabling a deeper examination of good and bad qualities.
Dante's meetings with different souls on Mount Purgatory provide a diverse compilation of thoughts on regret, absolution, and the capabilities of humans. Every terrace showcases a unique type of penance created to make up for certain sins. The design of Purgatorio highlights the concept of purification and the notion that redemption is a gradual journey, not a sudden change.
The conversations and connections Dante has with the souls in Purgatorio demonstrate a deeper, more caring side of divine justice. This part of the Divine Comedy emphasizes the changing influence of repentance and the idea that even the most serious sins can be pardoned through genuine remorse.
In conclusion,
Paradiso
is the culmination of Dante's spiritual voyage, providing a glimpse of heaven that is both surpassing and deep. Led by Beatrice, Dante rises through the heavenly orbs, each symbolizing a distinct aspect of divine harmony and goodness. The design of Paradiso mirrors the hierarchical layout of heaven, progressing from the earthly realm, passing through the planets, and ultimately reaching the Empyrean, where God's ultimate presence is seen.
Paradiso is organized based on the idea of heavenly spheres, with each one symbolizing a unique virtue and aligning with different celestial bodies. While transitioning from one sphere to another, Dante meets souls who demonstrate these virtues and gains understanding of their significance in the divine structure. The main objective of Paradiso is to uncover the indescribable essence of God and the complete harmony among all creations.
Dante's depiction of heaven focuses more on philosophical and theological reflection rather than on colorful imagery. The language becomes more intricate and abstract, mirroring the deep essence of divine reality. Readers are required to interact with the text on a deeper intellectual level due to the complex allegories and metaphysical debates used.
The ultimate sight in Paradiso, where Dante sees the Beatific Vision of God, is both impressive and difficult to grasp. It embodies the concept of divine love as the highest truth and the origin of everything that exists. The intricacy of this idea highlights the bounds of human comprehension in light of God's infinite nature.
In summary, The Divine Comedy is a significant piece of literature that explores hell, purgatory, and heaven with deep symbolic significance and insightful theological perspectives. Dante's examination of wrongdoing, salvation, and heavenly justice provides lasting insights into human nature and the concept of divine mercy. The trilogy remains important because it combines engaging storytelling with profound philosophical and spiritual exploration, solidifying its place in Western literature and theology.
The Divine Comedy by Dante Alighieri is a remarkable work of art that has surpassed its medieval roots to become a fundamental piece of Western literature. Written in the early 14th century, this significant piece of writing is more than just a long poem - it is a deep investigation into philosophy and theology that guides readers on a voyage through the realm after death. The trilogy consists of three separate but interconnected parts: Inferno, Purgatorio, and Paradiso. Each part provides a distinct perspective on the concepts of sin, redemption, and divine grace.
Inferno: Hell
Inferno acts as the terrifying beginning to Dante's adventure. It shows the underworld, a complex maze with nine concentric circles symbolizing various types of wrongdoing. Dante, led by the Roman poet Virgil, journeys through this horrifying terrain where sinners endure punishment based on the severity of their transgressions.
The vivid and often grotesque imagery is what sets Inferno apart, making it particularly compelling. Dante's limitless creativity creates a world that is simultaneously terrifying and oddly poetic. The sinners, suffering according to their earthly sins, include historical figures and people known to Dante, providing personal and political reflections. As an example, Dante includes renowned individuals such as Julius Caesar and Cleopatra in the levels of hell, where they are punished according to the nature of their sins.
The design of Inferno is carefully constructed, with each circle assigned to a particular sin: the lustful, the gluttonous, the greedy, the wrathful, and others. The text acts as an allegory for the moral outcomes of sin and also as a criticism of the societal and political problems of Dante's era. In these interactions, Dante portrays a intricate moral world where justice is dispensed with divine accuracy.
The second part of Dante's Divine Comedy, where souls are purified before entering Paradise.
Purgatorio: Purgatory
Unlike the desolation found in Inferno, Purgatorio presents a hopeful and redemptive vision. It shows Mount Purgatory, a peak emerging from the sea, divided into seven levels, with each one symbolizing a different one of the seven deadly sins. Souls in this place are purifying themselves as they ascend towards redemption. This part of Dante's adventure transitions from the stagnant and bleak setting of Inferno to a livelier and optimistic story.
In Purgatorio, the souls are not being punished but are instead undergoing a process of change, seeking redemption through atoning for their sins. Climbing Mount Purgatory signifies a journey, both bodily and mentally, from the shadow of wrongdoing to the brightness of mercy. This action represents the potential for transformation in people and forgiveness from the divine. The penances of the souls reveal the specific characteristics of their sins, enabling a deeper examination of good and bad qualities.
Dante's meetings with different souls on Mount Purgatory provide a diverse compilation of thoughts on regret, absolution, and the capabilities of humans. Every terrace showcases a unique type of penance created to make up for certain sins. The design of Purgatorio highlights the concept of purification and the notion that redemption is a gradual journey, not a sudden change.
The conversations and connections Dante has with the souls in Purgatorio demonstrate a deeper, more caring side of divine justice. This part of the Divine Comedy emphasizes the changing influence of repentance and the idea that even the most serious sins can be pardoned through genuine remorse.
In conclusion,
Paradiso
is the culmination of Dante's spiritual voyage, providing a glimpse of heaven that is both surpassing and deep. Led by Beatrice, Dante rises through the heavenly orbs, each symbolizing a distinct aspect of divine harmony and goodness. The design of Paradiso mirrors the hierarchical layout of heaven, progressing from the earthly realm, passing through the planets, and ultimately reaching the Empyrean, where God's ultimate presence is seen.
Paradiso is organized based on the idea of heavenly spheres, with each one symbolizing a unique virtue and aligning with different celestial bodies. While transitioning from one sphere to another, Dante meets souls who demonstrate these virtues and gains understanding of their significance in the divine structure. The main objective of Paradiso is to uncover the indescribable essence of God and the complete harmony among all creations.
Dante's depiction of heaven focuses more on philosophical and theological reflection rather than on colorful imagery. The language becomes more intricate and abstract, mirroring the deep essence of divine reality. Readers are required to interact with the text on a deeper intellectual level due to the complex allegories and metaphysical debates used.
The ultimate sight in Paradiso, where Dante sees the Beatific Vision of God, is both impressive and difficult to grasp. It embodies the concept of divine love as the highest truth and the origin of everything that exists. The intricacy of this idea highlights the bounds of human comprehension in light of God's infinite nature.
In summary, The Divine Comedy is a significant piece of literature that explores hell, purgatory, and heaven with deep symbolic significance and insightful theological perspectives. Dante's examination of wrongdoing, salvation, and heavenly justice provides lasting insights into human nature and the concept of divine mercy. The trilogy remains important because it combines engaging storytelling with profound philosophical and spiritual exploration, solidifying its place in Western literature and theology.
mariaagm20's review against another edition
dark
informative
slow-paced
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
2.25