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19_juha_89's review against another edition
adventurous
dark
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.75
reneerubiano's review against another edition
3.0
3.5
the first 200 pages were rough
the last 300 were worth it
the first 200 pages were rough
the last 300 were worth it
luciliamint's review against another edition
adventurous
challenging
dark
emotional
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
earkjgahgrsertjsyr's review against another edition
3.0
Overall good story and unique ideas. However I felt there was little chemistry between the protagonist and love interest, and had some gripes with the writing.
_aquamarin3_'s review against another edition
dark
emotional
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
ninisheaven's review against another edition
adventurous
dark
emotional
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
alsahm's review against another edition
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? N/A
2.0
I think that Death should not be allowed to have a penis. Or a clitoris, I don't care, just do Not let Death fuck.
OK gang! Here's the conundrum I present you with today: Let's say you're a young, twenty-year-old girl. Everyone you have ever loved, or who has taken care of you in any sense of the word, has died. When you <i>should</i> have died, you didn't. So ever since you can remember, you can see the Reaper and you can see ghosts. You have seen Death, the very real being, over and over again, and he has seen you; you decide you will be rid of him.
You take a dose of poison–the titular belladonna–and Death appears before you, hulking, a predator. He calls you "Little Bird".
You run at him with a knife.
It seeps through him, and he laughs. The ruckus alerts your cruel aunt, who appears at your door and tries to strangle you. You should die there, but you don't; she does. Death disavows the reaping. He says he is not your enemy. He says that he will prove it to you in two days' time.
Two days later, an invitation to a new home is offered to you, and a young, handsome stable boy arrives to pick you up. His shoes are too clean to be a stable boy, and it appears improper that a young man should be sent alone to pick up a young lady, especially according to your late mother's etiquette book. You learn that the Hawthorne estate is in troubling times because its matriarch has recently passed away from illness, its patriarch is lost in wine and sorrow, its son lost also in his grief and frustration, and daughter dying of the same illness as her mother.
Also, Lillian Hawthorne's twisted ghost haunts the estate, seeking to protect her daughter from the murderer that killed her.
Now!
As you solve the murder mystery alongside them, should you get with Sylas–the mysterious, handsome, peasant man who escorted you here–or Death himself, whose powers it seems you share?
If you, like me, tend to envision Death as an ageless, sexless being, when main character Signa (yep) starts being attracted to Death–who has been watching and protecting her since she was a baby–and Death <i>reciprocates</i>, you said aloud, "Big yikes!" My only consolation was that there were more potential romantic interests, so maybe Death would eventually refuse her for Being Death reasons, except then the book solves the potential love triangle by having Sylas be Death in disguise. Which explains why he's so curiously around and then absent at seemingly random times, I guess, but also adds to the Yikes! factor because it's just Death grooming and manipulating Signa all the way down.
<img src="https://i.imgur.com/UTYyvoul.png">
I could get into how the other parts of the book are flat–none of the main cast have engaging personalities and too much time is spent at tea parties and talking about scones, plus there's constant talk of "pieces falling into place" in the "puzzle" Signa is solving–but most of my energy is lost in the fucking of Should-Be-Your-Grandfather Death. Don't do that. At least he asked for consent every time I guess.
I read this book because it was a Goodreads Nominee for Best Young Adult Fantasy & Science Fiction. I surmise that when there is a young adult-ish protagonist (such as twenty-year-old-yet-to-debut Signa here) and the writing and story are Just Okay, publishers shove it into YA. The audiobook performance by Kristin Atherton is the source of 2 stars.
Oh also a big shout out to the like three instances of the shadow lesbians who are always making out in the corners 10/10 queer rep
OK gang! Here's the conundrum I present you with today: Let's say you're a young, twenty-year-old girl. Everyone you have ever loved, or who has taken care of you in any sense of the word, has died. When you <i>should</i> have died, you didn't. So ever since you can remember, you can see the Reaper and you can see ghosts. You have seen Death, the very real being, over and over again, and he has seen you; you decide you will be rid of him.
You take a dose of poison–the titular belladonna–and Death appears before you, hulking, a predator. He calls you "Little Bird".
You run at him with a knife.
It seeps through him, and he laughs. The ruckus alerts your cruel aunt, who appears at your door and tries to strangle you. You should die there, but you don't; she does. Death disavows the reaping. He says he is not your enemy. He says that he will prove it to you in two days' time.
Two days later, an invitation to a new home is offered to you, and a young, handsome stable boy arrives to pick you up. His shoes are too clean to be a stable boy, and it appears improper that a young man should be sent alone to pick up a young lady, especially according to your late mother's etiquette book. You learn that the Hawthorne estate is in troubling times because its matriarch has recently passed away from illness, its patriarch is lost in wine and sorrow, its son lost also in his grief and frustration, and daughter dying of the same illness as her mother.
Also, Lillian Hawthorne's twisted ghost haunts the estate, seeking to protect her daughter from the murderer that killed her.
Now!
As you solve the murder mystery alongside them, should you get with Sylas–the mysterious, handsome, peasant man who escorted you here–or Death himself, whose powers it seems you share?
If you, like me, tend to envision Death as an ageless, sexless being, when main character Signa (yep) starts being attracted to Death–who has been watching and protecting her since she was a baby–and Death <i>reciprocates</i>, you said aloud, "Big yikes!" My only consolation was that there were more potential romantic interests, so maybe Death would eventually refuse her for Being Death reasons, except then the book solves the potential love triangle by having Sylas be Death in disguise. Which explains why he's so curiously around and then absent at seemingly random times, I guess, but also adds to the Yikes! factor because it's just Death grooming and manipulating Signa all the way down.
<img src="https://i.imgur.com/UTYyvoul.png">
I could get into how the other parts of the book are flat–none of the main cast have engaging personalities and too much time is spent at tea parties and talking about scones, plus there's constant talk of "pieces falling into place" in the "puzzle" Signa is solving–but most of my energy is lost in the fucking of Should-Be-Your-Grandfather Death. Don't do that. At least he asked for consent every time I guess.
I read this book because it was a Goodreads Nominee for Best Young Adult Fantasy & Science Fiction. I surmise that when there is a young adult-ish protagonist (such as twenty-year-old-yet-to-debut Signa here) and the writing and story are Just Okay, publishers shove it into YA. The audiobook performance by Kristin Atherton is the source of 2 stars.
Oh also a big shout out to the like three instances of the shadow lesbians who are always making out in the corners 10/10 queer rep
thebookishmae's review against another edition
adventurous
challenging
emotional
informative
inspiring
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75