Reviews tagging 'Car accident'

The Final Girl Support Group by Grady Hendrix

79 reviews

itsheyfay's review against another edition

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adventurous challenging dark emotional funny hopeful inspiring mysterious reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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apestforwrens's review against another edition

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adventurous challenging dark emotional funny mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

Slow start but worth it. Our heroine takes a little time to warm up to, but do not let that discourage you. This is coming from someone who does not like horror: I loved this book.

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sammyb's review against another edition

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dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? N/A

2.75


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annagoodman's review against another edition

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adventurous dark inspiring tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0


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cammiem8's review against another edition

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dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

1.5

Total letdown. This book had nothing to say about trauma that Scream and Scream 2 didn’t already say. Not one character is sympathetic, they are all frustrating and make terrible decisions. 

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hapalyn's review against another edition

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dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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capybooks's review

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adventurous challenging dark emotional hopeful mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.25

I enjoyed this book but did sometimes find it difficult to carry on reading. I like how Hendrix creates such complex characters with harrowing backstories. Each character represents different ways to cope with trauma, which I think is really important to recognise. I believe that the premise of the plot is brilliant, but I think it could have been carried out slightly better. 

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lonareads's review against another edition

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medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? No
  • Flaws of characters a main focus? It's complicated

2.25


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anoveldestination's review against another edition

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dark reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

I was intrigued when I first started this book, but I wasn't sold until the ending. At the beginning, I struggled to understand the character's motivations and questioned the choice of Lynette as the narrator over other girls in the book, but by the end, Gary Hendrix had once again made me fall in love with all of the characters and their journeys. There's so much that happens in this book and so much to unpack, that I'm honestly still processing it. However, Grady Hendrix is a talented writer, and he juggles so many complex themes, characters, and plot points with ease. The writing and story are both emotionally impactful and suspenseful and entertaining. 

With all that being said, I thought the pacing was off. The story starts with a bang, but I thought the whodunnit plot dragged in the middle, and the scenes at the police station, while important for Lynette's character backstory and growth, felt like they didn't add anything to the plot and were an unnecessary interruption. I also think that while each character was developed well in the story, there were too many characters. I don't think we needed to see Michelle in the story. I also think some of the themes could've still been communicated without having both Garrett and Stephanie in the book. I wasn't sure if Garrett needed to be an actual character in the book or just someone we heard about through Lynette. Also, Pax, while essential to the plot, I don't think the story needed him and that Gary Hendrix could've found a way to make the plot work without Pax. Still, I was never overwhelmed by the number of characters. I just think some of the characters and their purposes felt too similar. 

Despite my issues with the book, I love the way everything comes together at the end. The book is also engaging, with great moments of suspense. It's a true thriller that you won't want to put down. Within this entertaining plot, Grady Hendrix manages to insert truly original characters and communicate important feminist themes. The book is the perfect balance of reading for pleasure and reading for enrichment. 

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seawarrior's review against another edition

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dark emotional hopeful mysterious reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Having only read Hendrix's first novel, I didn't have high hopes for the quality of writing within this one. Thankfully Hendrix has impressively grown as a writer over the years, and most of my qualms about the characterization, or lack thereof, I might find within the book were settled. Lynnette is an interesting and whirlwind protagonist for many reasons. She's intensely paranoid but makes one poor decision after another, resulting in a ricocheting plot that hardly allows the reader to catch their breath. She's also immensely unlikable, but despite her selfish, judgmental and avoidant nature I found myself understanding and forgiving one of her mistakes after another. 

Hendrix has a lot to say about horror franchises and their repetitive, exploitative and misogynistic nature, most of which is done through the characterization and dialogue of Lynnette and the other woman of the Final Girl Support Group. In between chapters various fictional archival interviews and journal articles are plastered to the pages, adding to the realism of the story and to the mythology surrounding this group of survivors and their monsters. For the most part I felt this was done very well. I only felt dissatisfied with Heather's characterization; she serves as a stereotypical "junkie" figure and is widely disrespected by both the characters within the book and the narrative that gave them life. What she survived and how is also defined the least, which only becomes more disappointing as the book continues. The other women's stories are revealed in segments, by their own admissions, Lynnette's memories, or their respective archives. Since each of them were inspired by an existing horror franchise most readers can assume the bulk of the violence they witnessed and endured, negating the need to force the women to rehash the most traumatic moments of their lives. Lynnette is the only character who has in depth flashbacks of her encounters with her monster after a tortuous accusation of who was truly responsible for her family's slaughter. 

The book primarily focuses on Lynnette's efforts to survive in the present, while attempting to solve the mystery of who wants the Final Girls finally gone. Pieces of this puzzle were fairly obvious to me, while others came as a surprise. Ultimately though, the villains, their motivations, and their weapon of choice, all serve to make a statement about mass violence and horror franchises as a whole. This is a love letter to horror, but a scathing one, fully aware of its flaws and refusing to hold back. 

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