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bookfortbuilder's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
being_b's review against another edition
1.0
Spoiler
in the end he decides to "out" her as the translator of a piece of the Kama Sutra, despite the fact that she had told him that if he did that, her translation would be disregarded and it was important to her to contribute to the scholarly community. He tells the other scholars, they immediately stop complimenting her translation and start doubting it until he offers to donate some money (which he only has because she had a huge dowry, he was broke) to their new roof. And they walk off together,with her reflecting on how much she luuuurves him. A whole book of him respecting her as a person undone by one stupid act of disregarding her professional judgment. UGH.
jody_diou's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.5
aqtbenz's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.25
Graphic: Forced institutionalization, Sexism, Mental illness, and Sexual content
kerrythefire's review against another edition
3.5
Alice was my kind of heroine - smart, determined, confident, curious, intellectual, kind and compassionate... And we need more heros like Nick who just roll with that kind of heroine and enjoy her as a person.
I never got fully sucked into this story, but it could have been partially the narration (it wasn't bad, it just wasn't immersive). I think this story would be great adapted into a movie or miniseries where the imagery could round out the story more.
patricia_anna's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
llamallamacallurmama's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
2.75/5
Audio (Beverly A Crick)
Summary: Nicholas, rake (and secretly devoted son and protector of many), finds himself engaged to fiery bluestocking Alice as part of her parents’ social climbing aspirations. Concerned that he may one day suffer the same mental decline as his father, Nicholas resists his affection for Alice despite their marriage of convenience and intense chemistry, while she resists her increasing attachment to him (as she is concerned that marriage and love may interfere with her Kamasutra translating).
Stats: HR, M/F, open door, part of a series but stands alone.
Notes: This was kind of all over the place. The historical details make no sense and are woefully anachronistic at times. The construction is a bit odd - Sex tutor, marriage of convenience, a bunch of random side plots… The FMC avoids NLOG-status, but it’s occasionally a near miss, though nice to have an HR FMC who is interested in sex (though how that interest developed is a bit odd). The MMC is charming but not a particularly well developed character, but the plot relies on their inability to consistently communicate well. There’s some exoticism and saviour stuff going on with the Kamasutra and asylum plot lines (which I found slightly unpleasant and a bit… stale?). The pace was plodding and then so rushed, I finished, it wasn’t awful, the performance was okay, but I don’t have much desire to return to the series.
iskanderjonesiv's review against another edition
4.0
Have you heard?
The future Duke of Barrington has just been gambled away by his father. To an heiress!
The delicious details thus far...
Nicolas, Lord Hatherly, never intended to marry—nor add to the “mad” Hatherly line—but now he must honor his father’s debt to a social-climbing merchant or lose the family estate.
A notoriously wild marquess, won by her father at a game of cards, is the very last thing Miss Alice Tombs wants. She’s spent the last three seasons repelling suitors in spectacular fashion so she’d be at liberty to explore the world. She’ll just have to drive this one away as well.
Until Nick proposes an utterly tempting arrangement: one summer together to prove the legitimacy of their union, then Alice is free to travel while Nick revels in the time he has left before the Hatherly Madness takes hold.
It will be easy to walk away after a few months of make-believe wedded bliss—won’t it? Alice and Nick are about to find out...one sultry night at a time.
This ought to be fun . . .