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antimonium's review against another edition
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
There was a lot going on in this book. I was listening to it on audio and if I zoned out for even a second I'd end up very confused. The world building was both too much (lots of exposition and telling) and too little (big gaps that should have been filled in). I wish the deviations had been explored more - still not sure what that was all about. The political machinations were very complex and somewhat hard to follow. The final villan reveal and twist didn't have much impact. I appreciate the coverage of many important topics that parallel our own world.
Content Warnings
Graphic: Death, Hate crime, Racism, Blood, Police brutality, Death of parent, Murder, Injury/Injury detail, and Classism
Minor: Child death
libraryofnyla's review against another edition
adventurous
dark
emotional
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
1.0
Thank you to NetGalley for providing an advanced reader copy in exchange for my honest review. All thoughts and opinions expressed are my own.
I was super excited to read this ARC as I'm always on the hunt for diverse fantasy and the premise of this book sounded exactly like the kind of story I would want/do read. An urban fantasy with diverse characters and gritty social-political commentary on real-world issues, plus, a stunning cover - what's not to love! Unfortunately, I didn't love it... at all.
To start, The Posions We Drink is marketed as YA which, in my opinion, is not the correct readership. I get that the YA label is an easier sell, but this book should have been a New Adult. The characters are not facing the kind of issues typical of a YA, the FMC is an established character whose main issue is dealing with providing financially for her family and protecting them whilst navigating political and criminal organizations in a world that is weighted with metaphors of real-life systems of oppression. I'm not saying YA readers can't read this material, I just don't see how that's the target audience. There is also frequent swearing, graphic violence, and sexual content - nothing egregious (I've read far worse) but, again, arguably not appropriate to be aimed at YA readers.
Secondly, the writing itself reads as very amateur. I understand this is a debut and an ARC, both of which could be contributing to the problem, but there is a number of copyedit issues. Such as: typos and awkward phrasing and repetitive prose. Beyond the opening chapter, which was very good, the rest of the book read like an early draft.
Thirdly, the storytelling is rough. The pacing is all over the place with long bouts of needless dialogue and interiority then back-to-back action interrupted by more clunky descriptions and dialogue. The book was just non-stop irregular pacing. Character development was also next to nothing, the FMC (and supporting cast) barely changed over the course of the entire book, despite the surplus of external circumstances that could have easily pushed character growth. The plot itself was also very predictable, even with the erratic story beats. I ended up checking the page count to see how much I had left to get through instead of hoping it wouldn't end.
Lastly, the worldbuilding... Ouch. The worldbuilding in the story had SO much potential and yet, it was so badly executed. Every chapter started with an excerpt from an article or a potion or the like outlining some aspect of the worldbuilding and magic system instead of having that information organically being fed to the reader through the story itself. This resulted in me literally skimming the majority and retaining none of that information whatsoever. Additionally, within the story, the worldbuilding isn't woven in but wedged into scenes via long-winded and clunky explanations. Honestly, the worldbuilding was the biggest disappointment because I really wanted this concept to work.
Overall, The Posions We Drink, was a huge miss for me. It had all the pieces to make a great diverse fantasy but unfortunately the execution really failed to bring this original and fresh idea to life
I was super excited to read this ARC as I'm always on the hunt for diverse fantasy and the premise of this book sounded exactly like the kind of story I would want/do read. An urban fantasy with diverse characters and gritty social-political commentary on real-world issues, plus, a stunning cover - what's not to love! Unfortunately, I didn't love it... at all.
To start, The Posions We Drink is marketed as YA which, in my opinion, is not the correct readership. I get that the YA label is an easier sell, but this book should have been a New Adult. The characters are not facing the kind of issues typical of a YA, the FMC is an established character whose main issue is dealing with providing financially for her family and protecting them whilst navigating political and criminal organizations in a world that is weighted with metaphors of real-life systems of oppression. I'm not saying YA readers can't read this material, I just don't see how that's the target audience. There is also frequent swearing, graphic violence, and sexual content - nothing egregious (I've read far worse) but, again, arguably not appropriate to be aimed at YA readers.
Secondly, the writing itself reads as very amateur. I understand this is a debut and an ARC, both of which could be contributing to the problem, but there is a number of copyedit issues. Such as: typos and awkward phrasing and repetitive prose. Beyond the opening chapter, which was very good, the rest of the book read like an early draft.
Thirdly, the storytelling is rough. The pacing is all over the place with long bouts of needless dialogue and interiority then back-to-back action interrupted by more clunky descriptions and dialogue. The book was just non-stop irregular pacing. Character development was also next to nothing, the FMC (and supporting cast) barely changed over the course of the entire book, despite the surplus of external circumstances that could have easily pushed character growth. The plot itself was also very predictable, even with the erratic story beats. I ended up checking the page count to see how much I had left to get through instead of hoping it wouldn't end.
Lastly, the worldbuilding... Ouch. The worldbuilding in the story had SO much potential and yet, it was so badly executed. Every chapter started with an excerpt from an article or a potion or the like outlining some aspect of the worldbuilding and magic system instead of having that information organically being fed to the reader through the story itself. This resulted in me literally skimming the majority and retaining none of that information whatsoever. Additionally, within the story, the worldbuilding isn't woven in but wedged into scenes via long-winded and clunky explanations. Honestly, the worldbuilding was the biggest disappointment because I really wanted this concept to work.
Overall, The Posions We Drink, was a huge miss for me. It had all the pieces to make a great diverse fantasy but unfortunately the execution really failed to bring this original and fresh idea to life
Content Warnings
Graphic: Bullying, Child abuse, Cursing, Death, Drug use, Emotional abuse, Gun violence, Hate crime, Racism, Self harm, Sexual content, Toxic relationship, Violence, Blood, Police brutality, Grief, Death of parent, Murder, Gaslighting, Abandonment, Colonisation, Injury/Injury detail, and Classism
quiteawful's review
dark
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I really loved the characters. The magic system was really solid, and quite different to many of the other series I’ve read.
I am certain I’m only thinking this due to recent escalation of events, but it felt like a somewhat naive but hopeful take on the current genocide happening to the Palestinian people. Oppressors oppressing (with violence, threats, extremely one sided laws that severely impact on the oppressed’s movements freedoms and lives). We follow the lives of complicated and imperfect people who are subjected to these rules and regulations, and how they try to work within the system to make changes (mirrored back through recollections and discoveries of their parents ultimately unsuccessful actions). Perhaps naive isn’t the word - innocent/optimistic/gentle. Might not exactly be the target audience! Overall I found there to be a wonderful depth to the well woven plot - a very politically intrigue that provides a steady hand to the characters (without simply shoving them to the next plot point).
I think the author also rushed past some parts to the writing’s detriment, in places. I kept needing to re-read sections, unclear how or what had been gently indicated. (Perhaps it was my comprehension skills? Lmao. Real possibility). Baptiste can only improve and I can’t wait to see where she takes us.
I am certain I’m only thinking this due to recent escalation of events, but it felt like a somewhat naive but hopeful take on the current genocide happening to the Palestinian people. Oppressors oppressing (with violence, threats, extremely one sided laws that severely impact on the oppressed’s movements freedoms and lives). We follow the lives of complicated and imperfect people who are subjected to these rules and regulations, and how they try to work within the system to make changes (mirrored back through recollections and discoveries of their parents ultimately unsuccessful actions). Perhaps naive isn’t the word - innocent/optimistic/gentle. Might not exactly be the target audience! Overall I found there to be a wonderful depth to the well woven plot - a very politically intrigue that provides a steady hand to the characters (without simply shoving them to the next plot point).
I think the author also rushed past some parts to the writing’s detriment, in places. I kept needing to re-read sections, unclear how or what had been gently indicated. (Perhaps it was my comprehension skills? Lmao. Real possibility). Baptiste can only improve and I can’t wait to see where she takes us.
Content Warnings
Graphic: Grief
Moderate: Death, Genocide, Hate crime, Violence, Blood, Police brutality, Medical trauma, Death of parent, Murder, Colonisation, Injury/Injury detail, and Classism
Minor: Panic attacks/disorders, Kidnapping, and Abandonment