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jackie_marion's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Sexual content
Moderate: Abandonment, Alcohol, Gaslighting, Colonisation, Alcoholism, and Fire/Fire injury
Minor: Homophobia, Kidnapping, and Racial slurs
lauragodin's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Animal death, Abandonment, and Alcoholism
yaoipaddle's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
I picked this book up because I saw Margaret Atwood recommend it, I'm interested in reading more books by indigenous authors, and I love werewolf adjacent creatures. (The one in this story is a rogarou.)
The setting and the scenes between Joan (main character) and her family are so well written and make me perfectly visualize everything. The small details in character interactions and the places they visit or live in make everything feel so alive and immersive.
One thing I had to get used to is that at least early on the author uses so many pronouns when we're still being introduced to the large cast of characters. I had to reread passages a few times to organize in my head who was doing what or saying what. I'm not sure if the writing got better about naming who did what or if I just got used to it as the book went on.
If you read this book please be aware of the large amount of sexual content most of which is quite graphic. The sheer amount of it in what is a mystery novel surprised me and tbh annoyed me. Everyone other than the kid characters are constantly talking about sex, thinking about sex, or having sex. To the point where I'm just waiting for it to be mentioned yet again in every chapter. Everyone is so freaking horny and most of it is so purposeless to me. Even if you like having sexual content in anything you read, the content in this book feels so out of place so often.
The pacing for most of the book was pretty good. The plot is interesting and gives just enough mystery to make you feel interested but not overwhelmed. And just when I thought the pacing was going too fast I realized that it was pretty well planned!
However by the last few chapters of the book it felt very rushed and everything was a bit to convenient just to wrap the story up.
I also felt let down and like some important characters were introduced too late with zero prep and just gone as soon as they came. (No pun intended considering all the sex in this book).
Overall an immersive setting and cast with a fun mystery to keep you on your toes. This all is dragged down by out of place sex and rushed pacing at the end.
Graphic: Sexual content, Religious bigotry, Grief, Death, Misogyny, Death of parent, Infidelity, Colonisation, Animal death, and Alcohol
Moderate: Sexism, Fire/Fire injury, Racism, and Alcoholism
Minor: Trafficking, Stalking, Murder, Sexual violence, and Kidnapping
solenekeleroux's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Sexual content, Racism, Death, Animal death, Violence, Grief, Religious bigotry, Blood, Alcohol, and Colonisation
Moderate: Sexual assault, Body horror, Child abuse, Alcoholism, and Abandonment
caseythereader's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75
- This book is full of messy characters (some of whom I thought could have stood to have a little more page time) and you're rooting for Joan the whole way. I was turning pages as fast as I could, and the final showdown had me gripped.
- The ending seems to have people split, and I can see why - if you read this book, come talk to me about what you think happens!
Graphic: Abandonment, Addiction, Alcohol, Alcoholism, Animal cruelty, Animal death, Blood, Body shaming, Child abuse, Colonisation, Cursing, Death, Death of parent, Domestic abuse, Drug abuse, Drug use, Emotional abuse, Fire/Fire injury, Gore, Mental illness, Misogyny, Murder, Racism, Religious bigotry, Sexual content, and Violence
Minor: Ableism, Domestic abuse, Fatphobia, Homophobia, Sexual assault, and Suicidal thoughts
pinecone43's review against another edition
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Moderate: Addiction, Alcoholism, Blood, Grief, and Kidnapping
Minor: Body shaming, Fatphobia, Sexual assault, and Vomit
tachyondecay's review against another edition
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Nearly a year ago, Joan’s husband, Victor, walked out on her and suddenly went missing. In the tight-knit, predominantly Métis town of Arcand, Ontario, this was a big deal for a long time, especially given that Victor’s entrance into Jean’s life finally allowed her to settle down in a way that her community never thought she would. Now, Jean stumbles across Victor—except he is the Reverend Eugene Wolff, preacher for a small group of touring Christian revivalists led by the enigmatic, entirely-too-slick Thomas Heiser. Reverend Wolff claims he doesn’t know Jean, isn’t Victor at all—yet Jean is convinced he is her husband. Her resolution to get to the truth leads her into the woods of magic and shadows, even as Victor tries to find the way out of his own woods.
What stands out for me about Empire of Wild is the characters. There are so many interesting characters here: Joan, Zeus, Ajean, Victor, Heiser, Cecile—all of them are significant and, in turn, receive plenty of development from Dimaline. Yet even minor characters, like Jimmy Fine, take on this larger-than-life quality that make this book feel like a kind of modern fairy tale. Joan has gone off the path into the woods, and the people she encounters along the way aren’t just people but parables for her education.
Joan’s relationship with Zeus, the way he tags along like a sidekick but she ultimatly decides she doesn’t want to put him in harms way, is adorable. I enjoy the complex interplay of the characters here, whether it’s the way Joan’s mom and brother give her tough love, or Zeus’ complicated teenage relationship with his mom. Perhaps the most surprising character for me was Cecile, whom I assumed was going to be a one-dimensional minion for the side of the antagonists. Dimaline instead gives us an entire backstory that makes her into an interesting, three-dimensional character whose betrayal both of Joan and of Heiser makes the book all the more fascinating.
Then we have Heiser, whose rapport with canines forms the basis for the supernatural aspects of the book. Heiser isn’t just the leader of a small group of Christian revivalists—he is mainly a consultant for development projects that want to move north. Empire of Wild lays bare the depressing but not surprising ways in which mining companies, other similar corporate outfits, will use religion as a way to captivate and manipulate Indigenous communities whose land they want to develop or exploit. In this way, Dimaline illustrates how colonialism in Canada is ongoing. This book is pointed social commentary about the fact that neither government nor corporations truly treat First Nations, the Inuit, or Métis as sovereign nations. Their consent to development projects is seen as an obstacle to overcome rather than a collaboration to be earned. Heiser is a toxic, irredeemable character—not because he is a white man of European descent, but because he is a white man of European descent who willingly steeps himself in colonial tactics of control and exploitation for his own advancement.
The inclusion of the rogarou mythos precludes reading this story as a simplistic tale of “settler = bad, Indigenous = good” though. Rather, Dimaline stresses (especially through the mouthpiece of Ajean) that there must be balance among the forces of nature. A rogarou is the most extreme example of someone who is out of balance, a man who succumbs to his most atavistic self until it consumes him and leaves him nothing but a beast. Without going into spoilers, the way that Dimaline portrays characters’ internal struggles against their rogarous is fascinating, and while it isn’t always straightforward to follow what’s happening, these dream-like sequences create an important backbone to the novel. They underlie the theme that connection is what is most important. The characters in this novel who succumb to the infection of the rogarou are characters who, in their hearts, feel disconnected as a result of their actions and the actions of others.
This is more than a thriller. It’s a carefully crafted mystery laced with the supernatural the way a chef seasons a soup with the finest of spices. I became very invested in Joan’s quest to get Victor back, and the abrupt and shocking ending—which invites but does not promise a sequel—feels oddly fitting for a book that is simultaneously punk rock and rockabilly/blues. When you read Empire of Wild you need to grab and hold on, but if you manage to do so, this book will take you places.
Originally posted at Kara.Reviews.
Graphic: Alcoholism, Violence, Racism, and Confinement
Moderate: Child abuse, Death, Torture, and Kidnapping
Minor: Racial slurs and Genocide