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kaylokay_'s review against another edition
dark
emotional
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.75
I didn’t get *much* of a fairy tale vibe from this like many reviewers have said but it did hit all the gothic vibes I was looking for. I love how Alix Harrow writes and even at parts where the story dragged a bit, I was drawn to keep reading. One aspect that I LOVED was the different depictions of the lore of the Starling House Story and I really enjoyed how it all came together at the end. Harrow remains an autobuy for me.
Content Warnings
Moderate: Racism, Violence, and Child abuse
Minor: Adult/minor relationship
asoldenburg's review against another edition
adventurous
dark
emotional
hopeful
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
I felt the story was very captivating from the start, even if the excitement level was slow to build. Some of the story is predictable but in a way that is endearing. I like a twist on a classic bad power family tale and the whimsy of the house. It was well written and easy to get sucked into.
Content Warnings
Minor: Sexual content and Violence
greatgreyowl's review against another edition
challenging
dark
emotional
mysterious
slow-paced
- Plot- or character-driven? Character
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
This book was great up until the last chapter. It really disappointed at the end.
Content Warnings
Graphic: Grief and Violence
jowiththetbrshelves's review against another edition
adventurous
dark
emotional
hopeful
mysterious
reflective
tense
- Plot- or character-driven? A mix
- Flaws of characters a main focus? Yes
4.0
A welcome addition to the gothic haunted house trope, it reminded me of if Alice in Wonderland blended with Starless Sea. Utilizes the gothic trope to delve deeper into themes including class in rural Kentucky, inheritance both fantastical and literal, and family. Creepy and funny and satisfying.
Content Warnings
Moderate: Blood, Violence, Classism, and Car accident
Minor: Vomit, Grief, Sexual content, Car accident, Alcohol, and Death of parent
livlamentloathe's review against another edition
adventurous
dark
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I think both the beginning and ending of Starling House were strong, but the middle really dragged along. There was a lot of back-and-forth between Arthur and Opal that could've been pared down. Of the 2 weeks I spent reading this, the first 65% I read in a couple days. Then the remaining 35% took a week and a half. I do think the narrator was part of my issue though. I just wasn't engaged by her reading.
I also wanted more of the book to touch on the racism Jasper faced in Eden. I wanted Jasper to better scold Opal for the way she ignored about that part of him. She made a comment later on that alluded to her getting it in part. But she also definitely was very forgetful of his race. The book itself barely even acknowledged his race. It took until the middle of the book for me to determine his ethnicity - maybe that's my bad and I missed an early tell. But I think overall, this book wanted to hide details and it didn't always handle that well. It would be evasive and add extra page time instead of being a bit more upfront about things. Maybe that was purposeful too with Opal's personality. But it felt like it was just trying too hard.
The premise felt like a cross between The Hazel Wood and Book of Night. I thought it was meant to be horror, but it wasn't horror so much as gothic. More of a magical realism/low fantasy romance. This book could've been great but I think it needed further editing and less evasive plot points. I get it. Most details were meant for "reveals" later but it became excessive when I got lost wondering what the point of the book was. Or what was going on period.
P.S. I'd have loved more of a violent ending for the Gravely family and Elizabeth Bane.
I also wanted more of the book to touch on the racism Jasper faced in Eden. I wanted Jasper to better scold Opal for the way she ignored about that part of him. She made a comment later on that alluded to her getting it in part. But she also definitely was very forgetful of his race. The book itself barely even acknowledged his race. It took until the middle of the book for me to determine his ethnicity - maybe that's my bad and I missed an early tell. But I think overall, this book wanted to hide details and it didn't always handle that well. It would be evasive and add extra page time instead of being a bit more upfront about things. Maybe that was purposeful too with Opal's personality. But it felt like it was just trying too hard.
The premise felt like a cross between The Hazel Wood and Book of Night. I thought it was meant to be horror, but it wasn't horror so much as gothic. More of a magical realism/low fantasy romance. This book could've been great but I think it needed further editing and less evasive plot points. I get it. Most details were meant for "reveals" later but it became excessive when I got lost wondering what the point of the book was. Or what was going on period.
P.S. I'd have loved more of a violent ending for the Gravely family and Elizabeth Bane.
Content Warnings
Graphic: Fire/Fire injury, Abandonment, Blood, and Classism
Moderate: Death, Injury/Injury detail, Misogyny, Car accident, Stalking, Slavery, Racism, Sexism, Alcoholism, Bullying, Violence, Grief, and Police brutality
Minor: Homophobia, Hate crime, Sexual content, Sexual violence, Incest, Death of parent, Domestic abuse, and Animal death
aharrison_33's review against another edition
adventurous
dark
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Fire/Fire injury, Car accident, Violence, and Death
Moderate: Child abuse
moniquewrites's review
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
This booked sucked me in and I stayed for the vibes. I was really intrigued by the mystery of the house and the writing was really beautiful (although at times it broke the fourth wall). It had an unconventional structure, and I liked the interspersing of stories about the house and Eleanor Starling throughout, that got you closer and closer to the “truth.” The characters are not overly likeable but they all kept telling you that until you saw their soft spots and stopped believing them. The mythology was interesting, and brought history into it in a way that I felt honoured a truth about how people from a place would tell their story, but then showed you the layers underneath the fresh paint. I also appreciated that the Gravely’s past involving slave ownership and the reason for their success in the mines was named, and done in a way that came from the voice of a descendent (although fictionalized still felt like a thoughtful way to tell it). I also loved how the book felt like a fairy tale I wasn’t expecting.
Content Warnings
Graphic: Death of parent, Car accident, Violence, Slavery, and Death
Moderate: Racism
Minor: Homophobia and Child abuse
hagwife's review against another edition
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Starling House holds a special place in my heart among Alix E. Harrow's books. I love that she keeps some of her trademark elements (faerie tales, vibrant and flawed characters, fuck you's to the patriarchy, etc.) and this time mixes it with Southern Gothic and horror elements. The result is a brooding fantasy novel that combines family, monsters, the House, and the all-too-real violence of small-town nastiness into something biting and beautiful.
I love that the characters' flaws have rhyme and reason and the chance to change; morally grey characters are always one of my favourites, but neither Opal nor Arthur nor Jasper are flawed for the sake of being flawed. They're all aggregations of their lived experiences, of inherited traumas and expectations that they didn't ask for, even as they continue to perpetuate some of them.
I love that this is a haunted house mystery without the haunting necessarily being about the house. Harrow's Starling House is less in the company of Hell House or Hill House, but that of Mervyn Peake's Gormengast, Susanna Clarke's the "World" from Piranesi, Jeanette Winterson's Tanglewreck, Tilly Walden's castle in The End of Summer, and Diana Wynne Jones' Howl's Moving Castle. It has a life of its own, but it's not really a haunted house. The haunting is separate and the House merely does its best to contain it.
Concerning the end of the book, I wanted perhaps just a bit more. I understand that part of the healing process here is that while "angry gets shit done", in order for Opal, Jasper, and Arthur to move on with their lives, they, along with Eleanor, have to put down what they can. The finale allows for the main characters to get the time they need to carve out a life for themselves and dream about a future that has hope and not despair. I just wish that perhaps those who had it coming had a little more actually come to them.
For those who liked this book, especially the gothic and horror elements, I highly recommend Cherie Priest's The Toll.
I love that the characters' flaws have rhyme and reason and the chance to change; morally grey characters are always one of my favourites, but neither Opal nor Arthur nor Jasper are flawed for the sake of being flawed. They're all aggregations of their lived experiences, of inherited traumas and expectations that they didn't ask for, even as they continue to perpetuate some of them.
I love that this is a haunted house mystery without the haunting necessarily being about the house. Harrow's Starling House is less in the company of Hell House or Hill House, but that of Mervyn Peake's Gormengast, Susanna Clarke's the "World" from Piranesi, Jeanette Winterson's Tanglewreck, Tilly Walden's castle in The End of Summer, and Diana Wynne Jones' Howl's Moving Castle.
Concerning the end of the book, I wanted perhaps just a bit more.
For those who liked this book, especially the gothic and horror elements, I highly recommend Cherie Priest's The Toll.
Content Warnings
Moderate: Panic attacks/disorders, Abandonment, Death, Murder, Grief, Racism, Death of parent, Blood, Car accident, Violence, and Child abuse
mfmccoy0216's review against another edition
dark
emotional
mysterious
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
I really had a hard time getting into this one for some reason. I think the pacing was just a bit slow for me and some of the plot points fell through.
Content Warnings
Moderate: Death of parent and Violence
blacksphinx's review against another edition
dark
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Blood, Death of parent, Car accident, Grief, Classism, Injury/Injury detail, Fire/Fire injury, and Mental illness
Moderate: Violence, Adult/minor relationship, Incest, Racism, Slavery, Sexual content, and Alcohol
Minor: Religious bigotry, Vomit, Homophobia, Deportation, Bullying, and Child abuse
Once again, why doesn't Storygraph have a "drowning" warning???