Reviews

An interesting concept, but could have benefitted from (many) extra rounds of editing. Everything that happened was way too convenient, which made me feel like there were no stakes because the ight thing would always happen next often without sufficient built-up to explain why/how it happened. Where Dalcher did play with tension, the plot dragged and dragged, especially as the plot was always pretty predictable. Considering it's a book centred around feminism, I thought that concepts of gender and equality were explored poorly and without much nuance.

lottie1803's review against another edition

Go to review page

dark emotional tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? No

3.25

okevamae's review against another edition

Go to review page

4.0

Femlandia takes place in the near future during the next great depression, some kind of financial apocalypse situation. The point of view switches between Miranda, a recently widowed mother whose husband left her with massive debt and no way to provide for her teenage daughter, and flashbacks from the point of view of Win, Miranda’s late estranged mother and the radical feminist founder of a string of self-sufficient women-only communes. Miranda, who swore she would never set foot in Femlandia, has no choice but to flee there. But once she’s there, she finds that her mother’s feminist utopia is hiding some dark secrets.

I knew going into this book that the author had a reputation for some pretty dark and disturbing content in her books, but man. Parts of this book were really hard to get through. This book reminded me of The Road in some pretty significant ways, and the journey on foot to Femlandia is the least of them. I will say that it ends on a hopeful note, though.

Mother-daughter relationships are a major theme in this book. The relationship between Win and Miranda is beyond fraught – there is toxic resentment and genuine hatred on both sides. The relationship between Miranda and her daughter Emma seems, at first, to be close and very loving, though it turns out to be very complicated, especially once Win’s adopted daughter Jen enters the picture. Jen is the perfect hyperfeminist daughter Win always wanted Miranda to be – a fact which Win made known to Jen and Miranda both.

Both of our POV characters have biases (understandable ones, but still biases) coloring their narration - Win is far worse than Miranda, but Miranda still has her blind spots - so if you’re a person who can’t deal with an unreliable narrator, this is probably not the book for you.

TW: Suicide, rape, child abuse, child molestation, violence, gore, transphobia, misogyny, misandry, cult environment, psychological torture, gaslighting

I received an ARC of this ebook from NetGalley in exchange for an honest review.

readingwithrebs's review against another edition

Go to review page

challenging dark medium-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? No

3.0

More...