Reviews tagging 'Fire/Fire injury'

Übertretung by Louise Kennedy

31 reviews

mraddd's review against another edition

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dark emotional slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

3.75


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katewhite77's review against another edition

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challenging dark emotional reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Stunning, Just Stunning. Especially For A Debut.

It could be argued that you have to suspend your disbelief plot wise but I can forgive it. Oh god can I forgive it because otherwise this story could not have been told and it needed to be told. It could also be said that this novel is less about plot and more about the frailties of human nature in extreme circumstances. 

The novel tells the story of one women's elicit affair during the early days of the Troubles in Belfast. The writing is exquisite. 

Yes Cushla makes questionable decisions at times but don't we all. Sometimes they are just part of being being human and a good one at that. 

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ramreadsagain's review against another edition

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challenging dark reflective sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No

4.0

 “Booby trap. Incendiary device. Gelignite. Nitroglycerine. Petrol bomb. Rubber bullets. Saracen. Internment. The Special Powers Act. Vanguard. The vocabulary of a 7-year-old child now.” 

Cushla, a young Catholic school teacher, lives in a 'mixed' (but largely Protestant) town near Belfast, in the 70's amid The Troubles. She becomes a bit too involved in the life of Davy, a boy in the class she teaches, from a poor Catholic family living in a Protestant estate. She becomes much too involved with Michael, an older, highly educated, married Protestant barrister. While these actions might only have personal consequences in other times and places, they put her in a very precarious position within her divided community. 

I am ashamed to admit that most of my knowledge of this part of Northern Ireland's history comes from Derry Girls, so I feel like I've learnt a lot here. 

This is one of those books you come out of in a bit of a daze. It's a proper slowburn, then the final quarter just throws everything at you. The author has done an amazing job at immersing the reader into the time period, with descriptions of clothing, food, and overall mood creating an atmospheric 70's working class time capsule. 

It's very well-written and pulls no punches. I did find the plot itself a bit... predictable? Essentially, it's exactly what I would expect from a literary book of this kind. Ticks boxes, I suppose. I was also not entirely convinced by the romance. 

However, I know I'll remember this book for a long time, and I'm very happy to have read it. Absolutely a recommendation from me!

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bookmaddie's review against another edition

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emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No

4.0

the ending… i cry :-( 
-
Cushla teaches at a Catholic elementary school during the Troubles in Northern Ireland, and works at her family bar, where she meets an older man and begins an affair. I feel like this book is sold as a love story, but I found that to be the least compelling aspect of the story. Instead, I think of this novel as a coming-of-age in a confining community during a time of random, unceasing violence. Cushla gets involved in the life of one of her students, and has a stumbling, charming friendship with one of her fellow teachers. Both of these relationships felt like gems sparkling amongst the dust and darkness of the rest of the story, and I relished the moments I spent with them.

Even if I didn't find the love story that captivating, I think it was necessary to help Cushla come into her adulthood and understand a different part of her life, especially within a deeply segregated, yet small, community. Kennedy's writing is without flourish, yet unflinching, honest, and surprisingly funny at times. Cushla's clever comebacks always surprised and delighted me—they felt unstudied yet precise.

Full of tenderness and mundane catastrophe, with vivid characters who light up every page, this novel is powerful even in its quietest moments. I look forward to reading what Kennedy writes next!

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_inge's review against another edition

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I loved how Irish this was. The characters all felt really real. Father Slattery was hilariously awful, I could practically smell the pub and hear the banter inside, and the Irish phrases used I could sometimes ‘hear’ on paper. 

The story mostly focuses on how The Troubles influenced people in their daily lives. This was visible at the start of every second chapter or so, for instance. It would start by summarising news from the area, and sometimes you’d get to hear how this news impacts the protagonist or if it’s connected to her in any way, yet other times this isn’t brought on as there’s no connection between her and the news whatsoever. This really showed how odd it must’ve been to live during this period; if the news doesn’t broadcast anything on someone you may now, you’d still be wary that this might happen another day. People try to go on with their daily lives but current affairs always seep through. I found this perspective refreshing. 

The style of writing included a lot of shifts. Sometimes you’d not hear what a character is up to, but it would be alluded to it. Someone might stand in front of a house, for instance, but the next sentence describes how the doorknob feels. This character would be inside the house in the sentences that follow. So you don’t read about them twisting the doorknob themselves, or even stepping inside, but from the next few lines you get that they must now be inside the house. Every chapter started at a completely different point of the story too. In the previous chapter you may have read about the protagonist leaving one place, but the next chapter would cut to her being somewhere entirely different. This fragmented style sometimes means you have to actively work out what’s happening. It’s never too difficult, but I have had times where I got lost in the details of a certain place and got confused at the location of the next scene. The author doesn’t use quotation marks either, but because there’s quite a few characters in this you might have to work out who’s speaking, too. 

I did find it interesting how every character is referred to by their first name. Even Cushla’s mum or brother are never referred to as being that to her. This makes for interesting writing concerning the affair; just like the protagonist you don’t know who Michael is to her. I don’t know whether this was a fully conscious choice, but I did like it.  

This could’ve been a hard read, and I could get that this character focused story could make that even more so for some, but there was hope found within the pages. People were as horrible as they were kind to each other. Throughout reading you’re never too sure what the intentions of each character are, and if their actions are wrong or right. That makes for an interesting read.  

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madamelacy's review against another edition

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challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

4.5

Set in Northern Ireland during the 1970s the story follows Cushla, a Catholic teacher and occasional bartender, as she embarks on a relationship with Michael, a married, Protestant barrister. Their relationship happens to a backdrop of The Troubles, with people trying to live normal lives despite daily acts of terror occurring in their communities. 

Cushla befriends a Catholic family in need after the father of one of her pupils is severely beaten. The two strands of her life, as a teacher and as Michael’s lover, become inextricably linked.

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ineedmorecoffee's review against another edition

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challenging dark emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Damn you, Louise Kennedy, for making me feel things.

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kjb2003's review against another edition

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dark emotional reflective sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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suzsta's review against another edition

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emotional reflective tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.75

A winding tale of life in Troubles-era Belfast, Trespasses offers an intimate image of an affair across political divides and it's fallout. Concerned at it's core with love, our choices, and the grey areas of morality in which life is lived, this book is in turns gut wrenching and painfully familiar. A loving yet stark portrayal of family life, addiction, and the complexities of relationships that could at any point be tainted by sectarian violence and prejudice, this book is a solid read for anyone with an interest in the day to day lives of those living in the shadow of the Troubles. 

Thanks to NetGalley and the publishers for access to this ARC.

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amys_hygge_reads's review against another edition

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dark emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

3.75

Trespasses by Louise Kennedy was the @tiredmammybookclub January book. Unfortunately I didn’t make it to the Zoom, so missed the chats on this one!

The Story 📚
Set in Northern Ireland during the time of the Troubles, we meet Cushla - a young Catholic, primary school teacher. In her family’s bar, Cushla meets Michael, an older, married, Protestant man. The pair begin to develop a relationship, as we follow the events that follow and how Cushla’s environment impacts her daily life. 

The Review 👩🏻‍💻
I really wanted to give this book a higher rating, but I didn’t enjoy the love story - and realistically it’s the main plot of the book. Honestly it gave me the ick! I really felt like there was no chemistry between Cushla and Michael. The large age gap, and how Michael treated Cushla, I just found it all a bit weird and unenjoyable as the main plot. Maybe we weren’t supposed to enjoy it, but it took away from the book for me. 

That being said, I loved the book otherwise, and would have preferred more time spent on the subplots. The descriptions of life in the North during the Troubles were incredible. I felt like I was there in each moment. Horrible events which the author bluntly and brutally depicts, constantly lurking in the background of every aspect of Cushla’s life. 

The other characters in the novel were brilliant, especially Davy! The relationship Cushla formed with Davy and his family was equally special and complex. Also the dynamic between Cushla’s immediate family, and her relationship with her coworker Gerry. 

I recently bought Kennedy’s book The End of the World is a Cul de Sac when I found it on sale in a bookstore here in Copenhagen. Really looking forward to reading it as I enjoyed her writing style. 

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