Scan barcode
ka_cam's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Injury/Injury detail, Confinement, Death, Forced institutionalization, and Misogyny
Moderate: Pregnancy
maryellen's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
Moderate: Confinement, Death, Grief, Gun violence, Murder, Child death, Physical abuse, and Incest
Minor: Kidnapping, Torture, Misogyny, Gun violence, Incest, Injury/Injury detail, Police brutality, Sexism, Suicide, Confinement, Grief, Murder, Physical abuse, Pregnancy, Child death, and Death
aurora_noriealis's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
the pacing varies quite a bit throughout.
that said, some of the depictions of cultures and gender are dated, discomforting at times. noting this less as a deterrent and more to bear in mind going into reading.
as someone who doesn't typically read fiction, I greatly enjoyed it.
Graphic: Death, Abandonment, and Forced institutionalization
Moderate: Confinement, Forced institutionalization, and Sexual content
Minor: War
much of the imagery parallels pieces of the cold war - era states. collectivization, imprisonment, and exile are presented in ways reminiscent of Stalinist and McCarthyist states.coolfijiwater's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Death, Confinement, and Torture
Moderate: Suicide, Misogyny, and Incest
tigger89's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
What everyone knows about this story is that it's the one where the aliens are gender-neutral, except for once a month when they become either male or female — varying from month to month — in order to engage in sexual intercourse. Frankly, in 2023, that's not the most interesting part of this story. I don't know if it's because Seinfeld is Unfunny(tvtropes) or because of our conversations around and understanding of gender evolving, but it doesn't feel terribly groundbreaking. At times, the binary themes even felt regressive, though I understand that they had a different cultural significance in 1969. Rather, what I found to be far more timeless were the cultural misunderstandings and Genly's struggle, first to salvage his mission and then to survive.
Le Guin's descriptions of the various landscapes were incredible. Let me tell you, I felt the wind on that glacier! And her explorations of the cultural institutions — such as Shifgrethor, Kemmer, and the Foretellers — were SF/F at its best. I'd never heard this book praised for its world before and that's a shame, because those who read to experience fantastical lands and cultures unlike our own(hi!) will find plenty to dig into here.
Something that I really struggled with was the extensive use of male-as-neuter language throughout the text. I found it very difficult to remember that the characters were meant to be androgynous when all the pronouns were he/him. Yes, I know the language is a 1969 thing(see also: "bisexual society", which is way less of a party than it sounds). But that doesn't make it any easier on the reader. The edition I read had an afterword by Charlie Jane Anders, in which she proposed the idea that Genly himself is an unreliable narrator of sorts, expressing his own misogyny through his use of male pronouns for the Gethenians. I really liked that idea, and have adopted it as my own headcanon.
Moderate: Alcohol, Confinement, Death, Incest, Misogyny, Suicide, and Gun violence
Minor: Pregnancy, Xenophobia, Fire/Fire injury, and Mental illness
imrereads's review against another edition
4.0
There are certain things I wish were done differently, particularly the use of he/him pronouns on the Getheran people, and I've since read that Le Guin regretted that decision herself. I think a neutral pronoun would have been a better decision, but I will admit that he/him does tell us something about our narrator and it does make some sense.
All in all I'm very glad I read this book. Not only does it give me some insight into the history of the genre, but it was also a genuinely good reading experience.
Graphic: Confinement, Grief, Incest, Blood, and Death
tiredcreature's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
And so, Genly Ai, a man from Earth, preoccupied with his masculinity, and passively misogynistic by upbringing, comes to the planet Gethen, where the people are both male and female and also neither, and the duality of the sexes doesn't exist. He is an alien in many senses here, but his journey and the bond he forms with Estraven along the way leave him changed, until he feels more familiar with the Gethenians than with his fellow Earthlings. When the story comes full-circle, the world has, largely, stayed the same; it is Genly who returns a different man.
Moderate: Forced institutionalization and Confinement
Minor: Misogyny and Sexism
smolren's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Forced institutionalization, Injury/Injury detail, and Death
Moderate: Blood, Confinement, and Grief
Minor: Drug abuse, Animal death, Vomit, Incest, Suicide, Misogyny, and Sexual content
erebus53's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
Graphic: Gun violence, Death, Confinement, Deportation, Forced institutionalization, Grief, Ableism, Sexism, and Transphobia
Minor: Vomit, Pregnancy, Racism, Incest, Suicide, and Physical abuse
dawntin's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Confinement, Death, and Torture
Moderate: Incest and Sexism
Minor: Suicide