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kaynova's review against another edition
3.5
Content Warnings
Graphic: Forced institutionalization, Transphobia, Injury/Injury detail, Confinement, and War
renicula's review against another edition
adventurous
challenging
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Death and Xenophobia
Moderate: Transphobia, Sexism, and Violence
ford_defect's review against another edition
adventurous
challenging
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Le Guin’s writing is fantastic. I seek out sci-fi to get transported to other worlds, and man, can this woman worldbuild. I could easily picture Winter/Gethen despite it being so foreign. The effort put into the culture, politics, history, and characters is something one doesn't see often (and keeping a coherent storyline, too???). Even within the genre. It almost felt like reading an anthropology book about real people.
However, I was a little disappointed on how the relationship with the two main characters ended. I can only blame my friend who hyped this up as some kind of LGBT-adjacent romance, which it is and isn't simultaneously. Still, this book has given me a lot to reflect on when it comes to our gendered, heteronormative society. It's something I'll certainly have to re-read in the future.
There were a couple things that rubbed me the wrong way, though. CW: incest, sexism, misogyny, transphobiaFor one, incest is somewhat acceptable in Gethenian culture, which was certainly a choice. The main character also had inherently sexist views since he came from a gendered society and seemed to get uncomfortable when Gethenians displayed femininity. (Albeit, he does grow). Lastly, I found it a little problematic when they wrote about Gethenian procreation like they were animals mating instead of regular people having sex. It comes off as a little transphobic, but I do understand why it's there.
But overall, my discomfort didn't sour this book for me. The uncomfortable parts had their place in the story. It's still an amazing work that certainly deserves a spot in SF history.
4.75/5
There were a couple things that rubbed me the wrong way, though. CW: incest, sexism, misogyny, transphobia
But overall, my discomfort didn't sour this book for me. The uncomfortable parts had their place in the story. It's still an amazing work that certainly deserves a spot in SF history.
4.75/5
Content Warnings
Graphic: Suicide, Suicide attempt, Incest, Sexual content, Sexism, Misogyny, and Xenophobia
Moderate: Transphobia and Pregnancy
ocheeva's review against another edition
adventurous
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Content Warnings
Moderate: Transphobia
Minor: Torture
kaziaroo's review against another edition
emotional
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Synopsis: an envoy is sent from a vast, interplanetary alliance to a wintery planet to recruit its inhabitants, a people of no gender whose bodies instead develop sexual organs for just a few days each month; in his quest, the envoy becomes embroiled in the politics both within and between two feuding countries, while being drawn to one figure in particular.
This was very interesting to read, especially from a 21st century perspective where we are accustomed to the boundaries of the gender binary being pushed, twisted, and ignored in wonderful diversity. We are also mostly familiar with, and accepting of, the gender neutral pronoun "they" being used exclusively to refer to a particular person.
In The Left Hand of Darkness, the main character, Genly Ai, is a poor representative of planet Earth in this respect; he is frequently disgusted by the Gethenians' bodies and attitudes towards sex and constantly tries to fit them and their characteristics into gendered boxes. He refers to the Gethenians using masculine pronouns, and seems to reject their femininity; it is only when one of them cries, or flirts, or is distressed, that he thinks "Ah ha! There is his femininity!" when it has been there all along. Genly's awkwardness around the Gethenians' sex and even his own fumbling description of what defines a woman, paired with the fact that he is the minority, the alien, on this planet, betray the notion that perhaps it is us earthlings who are the silly ones, forcing divides and highlighting differences between genders where there are none, and believing ourselves superior because of it. The Gethenians have no gender, yet they also have so far had no testosterone-fueled war or sexism (although they are not perfect; some parts of the book had strong echoes of 1984). On the other hand, the society of Earth that we see glimpses of is cisnormative and allonormative; at the beginning of the book, Genly cannot fathom a sexless and genderless society and yet by the end he is in the beginnings of what I would tentatively call a queerplatonic relationship with no sex and no gender roles .
I enjoyed this book a lot, and although I would have liked an earlier explanation of certain concepts (mostly kemmer), once I understood them I could fully immerse myself in the world. The Gethenians' societies and customs felt incredibly detailed and well thought out for such a short novel. It was interesting reading from the perspective of both the alien visitor and the visited, except this time it's us earthlings who are the visitors. I particularly loved the scenes journeying across the icy landscape. I highly recommend this book, but it's important to remember the publication date before complaining about the intricacies of gender politics – it was ahead of its time.
This was very interesting to read, especially from a 21st century perspective where we are accustomed to the boundaries of the gender binary being pushed, twisted, and ignored in wonderful diversity. We are also mostly familiar with, and accepting of, the gender neutral pronoun "they" being used exclusively to refer to a particular person.
In The Left Hand of Darkness, the main character, Genly Ai, is a poor representative of planet Earth in this respect; he is frequently disgusted by the Gethenians' bodies and attitudes towards sex and constantly tries to fit them and their characteristics into gendered boxes. He refers to the Gethenians using masculine pronouns, and seems to reject their femininity; it is only when one of them cries, or flirts, or is distressed, that he thinks "Ah ha! There is his femininity!" when it has been there all along. Genly's awkwardness around the Gethenians' sex and even his own fumbling description of what defines a woman, paired with the fact that he is the minority, the alien, on this planet, betray the notion that perhaps it is us earthlings who are the silly ones, forcing divides and highlighting differences between genders where there are none, and believing ourselves superior because of it. The Gethenians have no gender, yet they also have so far had no testosterone-fueled war or sexism (although they are not perfect; some parts of the book had strong echoes of 1984). On the other hand, the society of Earth that we see glimpses of is cisnormative and allonormative; at the beginning of the book, Genly cannot fathom a sexless and genderless society
I enjoyed this book a lot, and although I would have liked an earlier explanation of certain concepts (mostly kemmer), once I understood them I could fully immerse myself in the world. The Gethenians' societies and customs felt incredibly detailed and well thought out for such a short novel. It was interesting reading from the perspective of both the alien visitor and the visited, except this time it's us earthlings who are the visitors. I particularly loved the scenes journeying across the icy landscape. I highly recommend this book, but it's important to remember the publication date before complaining about the intricacies of gender politics – it was ahead of its time.
Content Warnings
Graphic: Blood, Medical trauma, Transphobia, Xenophobia, Death, Kidnapping, Grief, Incest, Acephobia/Arophobia, and Medical content
Moderate: Sexual content, Suicide, Gun violence, Sexism, Excrement, Miscarriage, Fire/Fire injury, and Schizophrenia/Psychosis
Minor: Pregnancy, Rape, Child death, and War
lastonedown's review against another edition
adventurous
emotional
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Incest, Suicide, Transphobia, and Death
Minor: Homophobia and Violence
blazingquill's review against another edition
challenging
hopeful
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This is an older book written in a classical science fiction style - which is to say, sometimes a slog to get through. In addition, while it takes several meaningful steps to deconstruct the gender binary, it does so in a way which is very accessible, and therefore doesn’t push as far at it perhaps could, as Le Guin herself commented on several times.
That being said, it’s a very profound look into the difference between things that are societally decided and things that are innately human, in a way that thoughtfully offers solutions to the world we currently live in rather than just pointing out the bad. (From what I understand, this is often a core tenant of Le Guin’s work, and makes me excited to read more.) At it’s core, despite the way it sometimes reads, it’s a story about friendship and love. The line, “I do not know if we were right,” inflicted psychic damage upon me, and just barely manages to push the heavy queer coding into explicitly queer.
If you have experience reading dense science fiction, and don’t mind it, I would highly recommend.
That being said, it’s a very profound look into the difference between things that are societally decided and things that are innately human, in a way that thoughtfully offers solutions to the world we currently live in rather than just pointing out the bad. (From what I understand, this is often a core tenant of Le Guin’s work, and makes me excited to read more.) At it’s core, despite the way it sometimes reads, it’s a story about friendship and love. The line, “I do not know if we were right,” inflicted psychic damage upon me, and just barely manages to push the heavy queer coding into explicitly queer.
If you have experience reading dense science fiction, and don’t mind it, I would highly recommend.
Content Warnings
Graphic: Xenophobia, Grief, Incest, Misogyny, and Trafficking
Moderate: Torture, Violence, Vomit, and Police brutality
Minor: Murder, Transphobia, and War
erebus53's review against another edition
adventurous
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The premise of this book is that a man comes from outer-space, to a world different to ours, on a peaceful mission of communication; as is often the case when worlds collide, it's more about the journey than the destination.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
Content Warnings
Graphic: Gun violence, Death, Confinement, Deportation, Forced institutionalization, Grief, Ableism, Sexism, and Transphobia
Minor: Vomit, Pregnancy, Racism, Incest, Suicide, and Physical abuse
bl4m3s's review against another edition
adventurous
emotional
hopeful
informative
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
I have a very complicated relationship with this book. We are thrown straight into the world of Gethen, with it's own language and terms and weather that is only explained as you read. This made the first half of the story difficult to get through and I had to Google the meaning of several words multiple times in order to understand what was actually happening. However, once I became familiar with the language the second half of the novel was much smoother sailing. It's definitely a read that requires your full attention and focus.
Other reviews have mentioned that this is much more of a speculative fiction novel than a science fiction one, and while this is true I don't believe it is a bad thing. The weather, politics and species being something we can relate back to earth and the human race allows greater focus to be placed on what does differentiate humans from gethenians. The societies on Winter are very similar to that on earth: with Orgoreyn having a communist government similar to that of the USSR in the 60s, and Karhide having a government closely resembling a monarchy. The benefits and drawbacks of both nations are discussed throughout the novel, which in term is a criticism of earthly governments.
Other reviews have mentioned that this is much more of a speculative fiction novel than a science fiction one, and while this is true I don't believe it is a bad thing. The weather, politics and species being something we can relate back to earth and the human race allows greater focus to be placed on what does differentiate humans from gethenians. The societies on Winter are very similar to that on earth: with Orgoreyn having a communist government similar to that of the USSR in the 60s, and Karhide having a government closely resembling a monarchy. The benefits and drawbacks of both nations are discussed throughout the novel, which in term is a criticism of earthly governments.
What I find most interesting is the discussion of gender. Gethenians are androgynous people and only present with male or female genitals for 6 days each month. Anyone can become pregnant and anyone can impregnate - the father of one child can be the mother of another. This then means that all Gethenian societies are not influenced by gender. No one is expected to be the stay at home house wife, and no one is expected to be the breadwinner. Connotations such as "strength, courage, assertiveness = masculinity" and "sensitivity, gentleness, fragility = femininity" simply do not exist on Gethen. Most intriguingly, this has led to a world that has never once experienced war, as there is no pride or greed that is associated with male dominance. Gethenians are also very in touch with their emotions and experience no shame in outwardly expressing grief, anger and joy. It's very entertaining to watch Gently Ai, our male human protagonist, come to terms with and understand Gethenian biology and how he desperately tries to relate each person back to what is traditionally masculine and femine throughout the story.
"My efforts took the form of self-consciously seeing a Gethenian first as a man, then as a woman, forcing him into those categories so irrelevant to his nature and so essential to my own"
These notions are gradually broken down as the story progresses and eventually Ai reaches a point where seeing men and women of his own race is more alien and off-putting than the gethenians - the real aliens to him.
While the writing is strange and the pacing somewhat hard to make sense of, the messages and topics discussed in this novel are compelling and reflective. While there are some parts that have perhaps not aged so well, to say this novel was written in the 60s it is relatively progressive and innovative for its age, and the ideas put forward within it are topics still widely discussed and relevant to this day. I'd absolutely recommend reading this novel, especially as a queer person. Incredibly insightful and has left me with much to think about.
Content Warnings
Graphic: Kidnapping, Xenophobia, Slavery, Grief, and Transphobia
Moderate: Incest and Emotional abuse
Minor: Death and Suicide
valereads's review against another edition
dark
emotional
hopeful
inspiring
reflective
sad
slow-paced
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The Left Hand of Darkness was a beautifully written character-driven novel filled with amazing prose and a fantastically realised world more reminiscent of a high quality fantasy novel that your typical sci-fi.
I loved the world this story was set it, it was original and felt truly real. I especially loved some of the short stories in between the main story chapters which told some stories from the world in which it was set and gave the whole thing more depth.
I shall definitely be rereading this book soon and I highly recommend it even (especially?) if science fiction isn’t typically your genre.
Content warnings: exorsexism, sexism, anti-intersex slur, abuse (specifically abuse of prisoners), incest
I loved the world this story was set it, it was original and felt truly real. I especially loved some of the short stories in between the main story chapters which told some stories from the world in which it was set and gave the whole thing more depth.
I shall definitely be rereading this book soon and I highly recommend it even (especially?) if science fiction isn’t typically your genre.
Content warnings: exorsexism, sexism, anti-intersex slur, abuse (specifically abuse of prisoners), incest
Content Warnings
Graphic: Confinement, Death, Gore, Gun violence, Physical abuse, Torture, and Violence
Moderate: Incest and Transphobia
Minor: Infertility
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