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Reviews tagging 'Forced institutionalization'
The Left Hand of Darkness by Ursula K. Le Guin
28 reviews
subrosian's review against another edition
challenging
emotional
reflective
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Content Warnings
Graphic: Forced institutionalization and Death
Moderate: Torture
Minor: Incest
aurora_noriealis's review against another edition
adventurous
hopeful
inspiring
reflective
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
3.5
the book epitomizes le guins' anarchist ideas toward states and solidarity and freedom in a loving way. it toys with trust and relationship building, and plays heavily with Themes (recognizing trust, building trusting and supportive relationships). I love it for this.
the pacing varies quite a bit throughout.
that said, some of the depictions of cultures and gender are dated, discomforting at times. noting this less as a deterrent and more to bear in mind going into reading.
as someone who doesn't typically read fiction, I greatly enjoyed it.
the pacing varies quite a bit throughout.
that said, some of the depictions of cultures and gender are dated, discomforting at times. noting this less as a deterrent and more to bear in mind going into reading.
as someone who doesn't typically read fiction, I greatly enjoyed it.
Content Warnings
Graphic: Death, Abandonment, and Forced institutionalization
Moderate: Confinement, Forced institutionalization, and Sexual content
Minor: War
much of the imagery parallels pieces of the cold war - era states. collectivization, imprisonment, and exile are presented in ways reminiscent of Stalinist and McCarthyist states.barry_x's review against another edition
challenging
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
I don't know if this reflects on me as a reader or on the book, but after reading I am still not sure if this is a re-read from years ago.
One of my reading challenges this year is to read more speculative fiction that can loosely address LGBTQ themes, have notable LGBTQ characters or if the author isn't cis-het. One of the things I have been struck with is in the space of a month I've read two books which feature non-heterosexual reproduction and I have another one lined up next month (the other books are Ammonite and A Door Into Ocean). This book also counts for another of my reading goals which is to read more fiction by anarchists or books which address anarchism and non-hierarchical forms of living (Ursula Le Guin was a well known anarchist in her lifetime).
This book feels like something I've been looking forward to reading for some time but I have been left a little underwhelmed by it. I kind of feel I have read an important book, but I am not sure I have been entertained, or especially moved by it.
The premise is that an alien called Genly Ai, lands on the planet Gethen with a mission to introduce humanity to Gethen and invite them into the Ekumen, the Ekumen being a non-hierarchical co-ordinating body of human inhabited planets to support trade and the sharing of knowledge, histories and experiences. The planet Gethen is a planet going through a kind of ice age, with the geo-politic dominated by two neighbours Karhide and Orgoreyn in a state of almost Cold war between them with border tensions.
I'm interested in the Ekumen because in the voice of Ai it is nothing but a form of benevolence, there are laws and agreements but the perception is that it is consensual. Ai lands alone in a show of peace, and the Gethenians are invited to join humanity, not colonised or forced. And yet, when we look through the eyes of Ai, it rarely leaves me that there is a sense that Gethen is 'undeveloped' and backward. I also think that Le Guin portrays the fears of Gethen well, but because they are captured through the eyes of Ai, they almost seem irrational. It did make me think, because this could easily be viewed as a novel about colonisation despite all the text saying something different. I think Le Guin is quite clever because so many readings of the Ekumen can be seen as a positive but she allows the voice of the Genthenians to shine. I think I may be giving Le Guin a free pass though, because so much of Ai's voice is critiquing these inhabitants for not knowing what is good for them and I am left with the notion that the Ekumen are colonisers and may standardise humanity rather than celebrate it's diversity.
The other thing I found notable was the not to subtle inferences as to the cultures of the two neighbouring states. Karhide is clearly a monarchy modelled on a parliamentarian nation with significant inequality, whereas Orgoreyn is clearly modelled on an over-officious 'everyone has a job but nothing gets down' communist state, complete with secret police. It's obvious now and would have been more stark then, and I can see Le Guin poking fun at both monarchies with an illusion of governance and communist states.
Le Guin's father was an anthropologist and I think it shows in much of her work. I was reading on a forum this week and one commented that Le Guin is distant from her characters and it resonated with me. One never feels the characters are loved by her as an author, or that she is part of the book. Her writing can be detached, she observes. That distance lets one reflect, and see the bigger picture but I wonder if some of the heart of the story is missing writing this way?
This detachedness, this removal from the characters is important for me, because no matter how insightful the themes are, no matter how beautiful the descriptions are, the reader always feels somewhat like an alien. I guess this puts us in Ai's shoes, but it does make things tricky. Concepts and terminology is introduced but doesn't really get explained - you have to work it out for yourself. Certain things are only explained quite late in the novel. For instance there is the concept of an honour code, of not losing face called shifgrethor. It's never really explained, Ai, the alien does not comprehend it, and so the reader does not either. The concept is loosely based on trade of grace and favour underpinned by manners - I think. The problem was, reading the book, I often checked back thinking I had missed a page, or not paid attention. There is quite a pivotal event that happens to Ai, and I am still not sure I understood why I understood why it happened. I guess this is why I have rated it as only average - reading for pleasure, I shouldn't feel like I am checking back or lost. The first third of the book was a real slog and I just wasn't enjoying it. It's mostly the reputation of the book that kept me going.
I suppose the thing that most people know about this book is it's treatment of gender, and how ground-breaking this book was in 1969. On Gethen humans have not evolved as male or female, they are simply people. In something 'sort of' akin to a menstrual cycle every 20 or so days or so they enter a stage called kemmer. In this state they are not expected to work, but are in a state of sexual arousal and have a need for sexual intimacy. It is portrayed as very much an immediate biological need like eating or sleeping. In the state of kemmer, humans who are effectively in a couple with each other have intimate sexual relations with each other, whilst others go to kemmerhouses where they effectively make love to whoever is there free from ties and obligations. One can see the influence of the free love movement of the sixties here I think!
What's interesting is that when two adults bond in kemmer, one assumes temporarily male physiology and another assumes female physiology and in effect copulate as a heterosexual couple. If the person with female genitalia is pregnant they maintain some female physiology in the course of their pregnancy before reverting back to their androgynous self. What's sad about this book is there is a small acknowledgment of what we would consider same sex attraction where both partners assume male or female genitalia but they are considered perverts. Similarly, fraternal kemmer raises eyebrows as does incest but I kind of feel these are lumped in with what to us looks like non-straight intimacy. I'm not saying the book is homophobic, because in many respects the humans are sexual, without definition, rather than hetero or even bi and I imagine it was such an important book at the time for breaking down gender norms.
Whilst this is interesting, they key point are that first of all the Gethenians think Ai is 'permanently in kemmer' because he has a penis and it's considered distasteful, second, because sexual needs and intimacy needs are treated as a biological need there is no sense of shame, and subsequently it is inferred that sexual violence is non-existent. However, the most important thing is Ai's worldview. He continues to see the Gethenians as male in the absence of another world. He misgenders them throughout the book because he can't imagine another way. And as a reader it tricked me, because quite often I thought of the characters as men, on a planet where women did not exist and I checked myself thinking how easy it is to erase people when we misgender them. Ai was the only man on the planet, everyone else are people.
What this leads to is Ai continually trying to ascribe male and female attributes to characters, particularly the Karhide Prime Minister Estrevan. Estrevan is such an important character in the book as he advocates for the world Ai promises, sees the values of opening up his world.
And I guess this is the heart of the book for me. A significant proportion of the last third of the book is mostly Estrevan and Ai together in their story. This part of the book was beautiful, whether it was the description of the landscapes, the growing love between them, that awareness of intimacy, friendship and support that all good relationships have. It genuinely touched my heart. And finally Ai gets it, he stops seeing Estrevan as either male or female, but just as a whole person in their right. Seeing how some get so tied up in gender constructs now, I am touched by the notion of, 'what if I stop trying to classify, and see someone as their whole self'. It troubles Ai because he realises that Estrevan, or anyone's behaviour can't be ascribed to their gender, but to the person and their character. We are just 'us'
I am glad I read the book, it has relevance to the struggles non cis-het people face today. It just felt like to hard a slog early on to rate any higher.
One of my reading challenges this year is to read more speculative fiction that can loosely address LGBTQ themes, have notable LGBTQ characters or if the author isn't cis-het. One of the things I have been struck with is in the space of a month I've read two books which feature non-heterosexual reproduction and I have another one lined up next month (the other books are Ammonite and A Door Into Ocean). This book also counts for another of my reading goals which is to read more fiction by anarchists or books which address anarchism and non-hierarchical forms of living (Ursula Le Guin was a well known anarchist in her lifetime).
This book feels like something I've been looking forward to reading for some time but I have been left a little underwhelmed by it. I kind of feel I have read an important book, but I am not sure I have been entertained, or especially moved by it.
The premise is that an alien called Genly Ai, lands on the planet Gethen with a mission to introduce humanity to Gethen and invite them into the Ekumen, the Ekumen being a non-hierarchical co-ordinating body of human inhabited planets to support trade and the sharing of knowledge, histories and experiences. The planet Gethen is a planet going through a kind of ice age, with the geo-politic dominated by two neighbours Karhide and Orgoreyn in a state of almost Cold war between them with border tensions.
I'm interested in the Ekumen because in the voice of Ai it is nothing but a form of benevolence, there are laws and agreements but the perception is that it is consensual. Ai lands alone in a show of peace, and the Gethenians are invited to join humanity, not colonised or forced. And yet, when we look through the eyes of Ai, it rarely leaves me that there is a sense that Gethen is 'undeveloped' and backward. I also think that Le Guin portrays the fears of Gethen well, but because they are captured through the eyes of Ai, they almost seem irrational. It did make me think, because this could easily be viewed as a novel about colonisation despite all the text saying something different. I think Le Guin is quite clever because so many readings of the Ekumen can be seen as a positive but she allows the voice of the Genthenians to shine. I think I may be giving Le Guin a free pass though, because so much of Ai's voice is critiquing these inhabitants for not knowing what is good for them and I am left with the notion that the Ekumen are colonisers and may standardise humanity rather than celebrate it's diversity.
The other thing I found notable was the not to subtle inferences as to the cultures of the two neighbouring states. Karhide is clearly a monarchy modelled on a parliamentarian nation with significant inequality, whereas Orgoreyn is clearly modelled on an over-officious 'everyone has a job but nothing gets down' communist state, complete with secret police. It's obvious now and would have been more stark then, and I can see Le Guin poking fun at both monarchies with an illusion of governance and communist states.
Le Guin's father was an anthropologist and I think it shows in much of her work. I was reading on a forum this week and one commented that Le Guin is distant from her characters and it resonated with me. One never feels the characters are loved by her as an author, or that she is part of the book. Her writing can be detached, she observes. That distance lets one reflect, and see the bigger picture but I wonder if some of the heart of the story is missing writing this way?
This detachedness, this removal from the characters is important for me, because no matter how insightful the themes are, no matter how beautiful the descriptions are, the reader always feels somewhat like an alien. I guess this puts us in Ai's shoes, but it does make things tricky. Concepts and terminology is introduced but doesn't really get explained - you have to work it out for yourself. Certain things are only explained quite late in the novel. For instance there is the concept of an honour code, of not losing face called shifgrethor. It's never really explained, Ai, the alien does not comprehend it, and so the reader does not either. The concept is loosely based on trade of grace and favour underpinned by manners - I think. The problem was, reading the book, I often checked back thinking I had missed a page, or not paid attention. There is quite a pivotal event that happens to Ai, and I am still not sure I understood why I understood why it happened. I guess this is why I have rated it as only average - reading for pleasure, I shouldn't feel like I am checking back or lost. The first third of the book was a real slog and I just wasn't enjoying it. It's mostly the reputation of the book that kept me going.
I suppose the thing that most people know about this book is it's treatment of gender, and how ground-breaking this book was in 1969. On Gethen humans have not evolved as male or female, they are simply people. In something 'sort of' akin to a menstrual cycle every 20 or so days or so they enter a stage called kemmer. In this state they are not expected to work, but are in a state of sexual arousal and have a need for sexual intimacy. It is portrayed as very much an immediate biological need like eating or sleeping. In the state of kemmer, humans who are effectively in a couple with each other have intimate sexual relations with each other, whilst others go to kemmerhouses where they effectively make love to whoever is there free from ties and obligations. One can see the influence of the free love movement of the sixties here I think!
What's interesting is that when two adults bond in kemmer, one assumes temporarily male physiology and another assumes female physiology and in effect copulate as a heterosexual couple. If the person with female genitalia is pregnant they maintain some female physiology in the course of their pregnancy before reverting back to their androgynous self. What's sad about this book is there is a small acknowledgment of what we would consider same sex attraction where both partners assume male or female genitalia but they are considered perverts. Similarly, fraternal kemmer raises eyebrows as does incest but I kind of feel these are lumped in with what to us looks like non-straight intimacy. I'm not saying the book is homophobic, because in many respects the humans are sexual, without definition, rather than hetero or even bi and I imagine it was such an important book at the time for breaking down gender norms.
Whilst this is interesting, they key point are that first of all the Gethenians think Ai is 'permanently in kemmer' because he has a penis and it's considered distasteful, second, because sexual needs and intimacy needs are treated as a biological need there is no sense of shame, and subsequently it is inferred that sexual violence is non-existent. However, the most important thing is Ai's worldview. He continues to see the Gethenians as male in the absence of another world. He misgenders them throughout the book because he can't imagine another way. And as a reader it tricked me, because quite often I thought of the characters as men, on a planet where women did not exist and I checked myself thinking how easy it is to erase people when we misgender them. Ai was the only man on the planet, everyone else are people.
What this leads to is Ai continually trying to ascribe male and female attributes to characters, particularly the Karhide Prime Minister Estrevan. Estrevan is such an important character in the book as he advocates for the world Ai promises, sees the values of opening up his world.
And I guess this is the heart of the book for me. A significant proportion of the last third of the book is mostly Estrevan and Ai together in their story. This part of the book was beautiful, whether it was the description of the landscapes, the growing love between them, that awareness of intimacy, friendship and support that all good relationships have. It genuinely touched my heart. And finally Ai gets it, he stops seeing Estrevan as either male or female, but just as a whole person in their right. Seeing how some get so tied up in gender constructs now, I am touched by the notion of, 'what if I stop trying to classify, and see someone as their whole self'. It troubles Ai because he realises that Estrevan, or anyone's behaviour can't be ascribed to their gender, but to the person and their character. We are just 'us'
I am glad I read the book, it has relevance to the struggles non cis-het people face today. It just felt like to hard a slog early on to rate any higher.
Content Warnings
Moderate: Forced institutionalization
Minor: Murder and Incest
tiredcreature's review against another edition
adventurous
challenging
hopeful
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This is my second readthrough, the first having been many years ago now. It's a difficult book, that doesn't only speak of a different world, but is itself from a different world - the country called the past. I've read a fair bit of classical sci-fi, but no other book so far has given me such a keen feeling of its age as The Left Hand Of Darkness. Perhaps because how personal its themes are to me. For all of its difficulty, I found it less frustrating when I reminded myself of that.
And so, Genly Ai, a man from Earth, preoccupied with his masculinity, and passively misogynistic by upbringing, comes to the planet Gethen, where the people are both male and female and also neither, and the duality of the sexes doesn't exist. He is an alien in many senses here, but his journey and the bond he forms with Estraven along the way leave him changed, until he feels more familiar with the Gethenians than with his fellow Earthlings. When the story comes full-circle, the world has, largely, stayed the same; it is Genly who returns a different man.
And so, Genly Ai, a man from Earth, preoccupied with his masculinity, and passively misogynistic by upbringing, comes to the planet Gethen, where the people are both male and female and also neither, and the duality of the sexes doesn't exist. He is an alien in many senses here, but his journey and the bond he forms with Estraven along the way leave him changed, until he feels more familiar with the Gethenians than with his fellow Earthlings. When the story comes full-circle, the world has, largely, stayed the same; it is Genly who returns a different man.
Content Warnings
Moderate: Forced institutionalization and Confinement
Minor: Misogyny and Sexism
thecriticalreader's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? N/A
- Flaws of characters a main focus? It's complicated
4.5
Blurb:
Genly Ai is a human envoy from an interstellar organization called Ekumen that coordinates communication, trade, transportation, and cultural exchange between anthropoid planets sent to the planet of Gethen to convince the planet’s government to join Ekumen. Gethen is an extremely cold planet with near-constant wintery weather. Another notable aspect of the planet is that its inhabitants belong to a singular, fluid sex. Their physiology is androgynous and asexual except for when they find themselves in heat, at which point they couple with another person in heat. When coupling, one person’s anatomy and hormones closely resemble that of a human male; the other, that of a human female. Genly Ai struggles as he fights to accomplish his goal on a planet that he finds strange, confusing, and inhospitable.
Review:
The Left Hand of Darkness is a science fiction novel that is often spoken about for its exploration of gender and sex, but it would be unfair to limit one’s assessment of the novel here, because The Left Hand of Darkness also delves into themes of patriotism, war, human nature, and cultural anthropology. The book’s main strengths lie in world-building, philosophical thought, and thematic explorations: since it reads like a cultural anthropology report, Le Guin’s highly imaginative world stands out but remains rather remote from the adventure, unique characterizations, and gripping plots that some expect from the science fiction genre. Nevertheless, she expertly evokes an icy atmosphere, both in terms of Gethen’s physical conditions and in the bewildering incomprehensibility its society presents for Genly Ai. The language and descriptions are so vivid, in fact, that I felt distinctly chilly every time I picked up the book. Although the plot moves slowly and takes place on another world, the story at the book’s center is a very human one.
The book’s imaginative worldbuilding and profound philosophical discussions make it a worthwhile and enjoyable read, but it would be incorrect to call The Left Hand of Darkness a ‘timeless classic,’ as several aspects of its thematic exploration betray it as a product of its time. For one, the book’s concern with the nature of patriotism and war reflects anxieties over America’s division over the Vietnam War, although these discussions still hold relevance today. On the other hand, its central optimism, rather unquestioning faith in institutions of open trade and cultural exchange, and lack of concern surrounding ecological destruction seem rather naïve to a twenty-first-century reader. Similarly, Le Guin’s narrative brushes against but never fully embraces the idea of gender and sex as social constructions, ultimately unable to fully escape a bio-essentialist understanding of gender. Her exclusive use of he/him pronouns to describe the ambisexual Getherians—despite their nonbinary conception of gender—particularly undercuts the impact of her commentary. The Left Hand of Darkness would have certainly been radical in the middle of the second wave of feminism, but now appears rather outdated in the face of subsequent scholarship in the field of gender and sexuality studies.
The Run-Down:
You will probably like The Left Hand of Darkness if:
· You enjoy cerebral, philosophical science fiction in the vein of Star Trek
· You are a fan of cultural anthropologys
You might not like The Left Hand of Darkness if:
· You are looking for an action-packed, adventurous story with fascinating characters
Content Warnings
Graphic: Forced institutionalization
Moderate: Sexism, Death, and Incest
Minor: Pregnancy, Sexual assault, Sexual content, Violence, War, and Miscarriage
finn_1312's review against another edition
adventurous
emotional
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: War and Forced institutionalization
Minor: Incest
smolren's review against another edition
adventurous
challenging
emotional
hopeful
inspiring
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I didn't expect this. I started reading it and thought it was going to be a lot of hard work for little reward, but I was wrong. I'm so grateful to have read about the beautiful friendship at the core of this book.
Content Warnings
Graphic: Forced institutionalization, Injury/Injury detail, and Death
Moderate: Blood, Confinement, and Grief
Minor: Drug abuse, Animal death, Vomit, Incest, Suicide, Misogyny, and Sexual content
erebus53's review against another edition
adventurous
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The premise of this book is that a man comes from outer-space, to a world different to ours, on a peaceful mission of communication; as is often the case when worlds collide, it's more about the journey than the destination.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
As is often the case with hard science fiction, we break into this story feeling like and Alice (in Wonderland). We don't know what half the words mean and we are a little out of our depth, but through the ignorance of the protagonist, we learn our way around by their experiences. Despite having a world with some different names for things, and a slightly different calendar and clock, the new world is fairly easy to understand once you get over the initial shock, and I think that's pretty much the point of it. Our protagonist comes at this new place with curiosity, but with his own preconceptions, some of which slowly grow and change over the course of the book.
The core of this book explores a premise whereby there can be no "battle of the sexes" if there are no distinctly different sexes. This story tells of a people who go through a monthly fertile time, during which they become either male or female depending on the conditions. They have no sexual need outside of that fertile time, and their society is arranged to accommodate it. In coupling either of the partners could be the child-bearer so there is no division of labour as we have in out "bi-sexual" society. I can see how this would be a popular read today, as our society's friction over accepting non-binary gender identities becomes even more prominent.
As an aside, I find it amusing that the people in the new world can't pronounce the protagonist's name properly, and the Audiobook narrator has a tiny lisp. It's barely noticable but, when he has to say a soft "th" sound he uses an "ff" sound.. so death becomes deff, breath becomes breff. Typically this sort of thing annoys me, but I just think it's quite charming in such an alien story. ... aaaanyway.
There is an incisive foreword from the author at the start of the audiobook, where Ursula Le Guin says some valuable things about the roles and lying ways of speculative fiction writers, and how they are not to be trusted, or treated as though they are experts, profits or sages.
Without the relationship building in this story, it might have been quite a dry affair. After helping to introduce the protagonist to those in charge of the land, his main contact is exiled as a traitor, and the two of them are caught in the wheels and machinations of the politics of the place. They undertake a journey to find friends, and need to work together to survive the hostile climate. I was reminded of the film Enemy Mine (1985 w. Louis Gosset Jnr, Dennis Quaid) and I find it hard to imagine that a film like that (based on a 1979 novella by Barry B. Longyear) was made without the influence of this 1969 book.
The story is quite an adventurous tale, one of exploration and survival and understanding. I think the style in which it is written may be an acquired taste, but it's a must-read Classic for any fans of science fiction.
Content Warnings
Graphic: Gun violence, Death, Confinement, Deportation, Forced institutionalization, Grief, Ableism, Sexism, and Transphobia
Minor: Vomit, Pregnancy, Racism, Incest, Suicide, and Physical abuse
dhiyanah's review against another edition
adventurous
challenging
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Diverse cast of characters? It's complicated
4.0
I tried reading this a few years ago, excited by the hype of it, a gender-smashing sci-fi adventure promised by the synopsis. I didn't get past the first few chapters that time. Picked it back up this year out of a nostalgia for classic sci-fi, more readily aware of the slow pace and dense narration that comes with the territory.
I appreciate Ursula's treatment of imaginative concepts, how easily she weaves a story that serves as a potent reflection for real-life considerations. The frustrations and complications of gender showcased through this slow interplanetary adventure is both intriguing and irritating. I enjoyed the melding-together of landscape, political science, and character growth in this story.
I appreciate Ursula's treatment of imaginative concepts, how easily she weaves a story that serves as a potent reflection for real-life considerations. The frustrations and complications of gender showcased through this slow interplanetary adventure is both intriguing and irritating. I enjoyed the melding-together of landscape, political science, and character growth in this story.
Content Warnings
Graphic: Sexism and Forced institutionalization
Moderate: Torture, Suicide, and Body horror
Minor: Death and Violence
beereads27's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Moderate: Forced institutionalization
Minor: Incest and Misogyny