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acemummerz's review against another edition
adventurous
challenging
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
5.0
Content Warnings
Moderate: Torture, Deportation, Death, Gun violence, and Physical abuse
Minor: Violence, Torture, Child death, Pregnancy, Murder, Kidnapping, Injury/Injury detail, Grief, War, Suicide, Excrement, Medical trauma, and Incest
sunn_bleach's review against another edition
adventurous
challenging
mysterious
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
I read "The Left Hand of Darkness" in 2018 and didn't really get it. Yeah, I got the subversion of man-as-default, but I didn't get some of the deeper considerations Le Guin was going for regarding societies that previously did not know war and totalitarian systems that don't match one-for-one to our earthly systems. I also found Genly and Estraven's trip over the icefield monotonous - but after four years of serious mountaineering pursuits, it's anything but that, and Le Guin masterfully captured the sheer stress of being on the run for one's lives while also underneath the beauty of the stars. I'm tempted to argue that the gender fiction aspect falls prey to TVTropes' "Seinfeld is Unfunny" given how much has progressed in half a century (like the he/him pronoun aspect not being as radical), but the fact it still makes me think shows it's relevant 25 years into the new millennium. Masterful book, and a good example of "the worst criticism I have is that it could be longer"... and the ending felt a little saccharine, losing the conceit of it being a report. But still!
Content Warnings
Graphic: Medical trauma, Forced institutionalization, and Death
Moderate: Incest, Violence, and Gun violence
Minor: Child death, War, Pregnancy, and Sexism
cdc95's review against another edition
challenging
emotional
mysterious
reflective
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Moderate: Xenophobia
Minor: Kidnapping, Medical content, Torture, Forced institutionalization, Murder, and Medical trauma
kaziaroo's review against another edition
emotional
mysterious
reflective
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.75
Synopsis: an envoy is sent from a vast, interplanetary alliance to a wintery planet to recruit its inhabitants, a people of no gender whose bodies instead develop sexual organs for just a few days each month; in his quest, the envoy becomes embroiled in the politics both within and between two feuding countries, while being drawn to one figure in particular.
This was very interesting to read, especially from a 21st century perspective where we are accustomed to the boundaries of the gender binary being pushed, twisted, and ignored in wonderful diversity. We are also mostly familiar with, and accepting of, the gender neutral pronoun "they" being used exclusively to refer to a particular person.
In The Left Hand of Darkness, the main character, Genly Ai, is a poor representative of planet Earth in this respect; he is frequently disgusted by the Gethenians' bodies and attitudes towards sex and constantly tries to fit them and their characteristics into gendered boxes. He refers to the Gethenians using masculine pronouns, and seems to reject their femininity; it is only when one of them cries, or flirts, or is distressed, that he thinks "Ah ha! There is his femininity!" when it has been there all along. Genly's awkwardness around the Gethenians' sex and even his own fumbling description of what defines a woman, paired with the fact that he is the minority, the alien, on this planet, betray the notion that perhaps it is us earthlings who are the silly ones, forcing divides and highlighting differences between genders where there are none, and believing ourselves superior because of it. The Gethenians have no gender, yet they also have so far had no testosterone-fueled war or sexism (although they are not perfect; some parts of the book had strong echoes of 1984). On the other hand, the society of Earth that we see glimpses of is cisnormative and allonormative; at the beginning of the book, Genly cannot fathom a sexless and genderless society and yet by the end he is in the beginnings of what I would tentatively call a queerplatonic relationship with no sex and no gender roles .
I enjoyed this book a lot, and although I would have liked an earlier explanation of certain concepts (mostly kemmer), once I understood them I could fully immerse myself in the world. The Gethenians' societies and customs felt incredibly detailed and well thought out for such a short novel. It was interesting reading from the perspective of both the alien visitor and the visited, except this time it's us earthlings who are the visitors. I particularly loved the scenes journeying across the icy landscape. I highly recommend this book, but it's important to remember the publication date before complaining about the intricacies of gender politics – it was ahead of its time.
This was very interesting to read, especially from a 21st century perspective where we are accustomed to the boundaries of the gender binary being pushed, twisted, and ignored in wonderful diversity. We are also mostly familiar with, and accepting of, the gender neutral pronoun "they" being used exclusively to refer to a particular person.
In The Left Hand of Darkness, the main character, Genly Ai, is a poor representative of planet Earth in this respect; he is frequently disgusted by the Gethenians' bodies and attitudes towards sex and constantly tries to fit them and their characteristics into gendered boxes. He refers to the Gethenians using masculine pronouns, and seems to reject their femininity; it is only when one of them cries, or flirts, or is distressed, that he thinks "Ah ha! There is his femininity!" when it has been there all along. Genly's awkwardness around the Gethenians' sex and even his own fumbling description of what defines a woman, paired with the fact that he is the minority, the alien, on this planet, betray the notion that perhaps it is us earthlings who are the silly ones, forcing divides and highlighting differences between genders where there are none, and believing ourselves superior because of it. The Gethenians have no gender, yet they also have so far had no testosterone-fueled war or sexism (although they are not perfect; some parts of the book had strong echoes of 1984). On the other hand, the society of Earth that we see glimpses of is cisnormative and allonormative; at the beginning of the book, Genly cannot fathom a sexless and genderless society
I enjoyed this book a lot, and although I would have liked an earlier explanation of certain concepts (mostly kemmer), once I understood them I could fully immerse myself in the world. The Gethenians' societies and customs felt incredibly detailed and well thought out for such a short novel. It was interesting reading from the perspective of both the alien visitor and the visited, except this time it's us earthlings who are the visitors. I particularly loved the scenes journeying across the icy landscape. I highly recommend this book, but it's important to remember the publication date before complaining about the intricacies of gender politics – it was ahead of its time.
Content Warnings
Graphic: Blood, Medical trauma, Transphobia, Xenophobia, Death, Kidnapping, Grief, Incest, Acephobia/Arophobia, and Medical content
Moderate: Sexual content, Suicide, Gun violence, Sexism, Excrement, Miscarriage, Fire/Fire injury, and Schizophrenia/Psychosis
Minor: Pregnancy, Rape, Child death, and War
emilo's review against another edition
emotional
mysterious
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Moderate: Medical trauma, Incest, Torture, and Murder
katastrophism's review against another edition
challenging
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Moderate: Physical abuse
Minor: Incest and Medical trauma
swampmonster's review against another edition
challenging
dark
emotional
hopeful
informative
reflective
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
A story very focused on political intrigue, the concept of home and humanity, and, most of all, nationalism and it's impacts. Not my favorite on a personal level, but well-done.
Content Warnings
Graphic: Blood, Child death, Confinement, Death, Drug abuse, Forced institutionalization, Genocide, Gun violence, Kidnapping, Medical content, Medical trauma, Murder, Physical abuse, Police brutality, and Pregnancy
surelyinthefountain's review against another edition
dark
emotional
inspiring
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Love this book; it's the romance of the century, though I admit I have so much personal attachment to it because of the care and nuance with which Le Guin writes nonbinary characters. Estraven is the nonbinary rep we all deserve, and Genry's growing understanding of who they were outside of the gender binary was just SO formative for me and helpful in my own journey. There's a lot of wisdom there and at least in my opinion, not very dated. The use of "he/him" for androgynous characters perhaps isn't what Le Guin might have chosen had she been writing today, but it's well-justified, I think, based on who Genry Ai is that he would use that pronoun set when writing his report. A couple of passages seem rooted in a more overtly sexist society, but to be honest, we unfortunately still live in a world where many people still fundamentally believe those things, even if they know what they're "supposed to" say, and those attitudes still do great harm out in the world. So this book is more relevant than ever, I think.
But then, maybe I'm just biased. This book is beautiful and I'm not afraid to gush forever about it! A world where people aren't seen as male or female, just as human beings -- what's not to love??
But then, maybe I'm just biased. This book is beautiful and I'm not afraid to gush forever about it! A world where people aren't seen as male or female, just as human beings -- what's not to love??
Content Warnings
Moderate: Forced institutionalization, Medical trauma, and Kidnapping
Minor: Sexism
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