Reviews with content warning for Xenophobia - Dune

Dune follows Paul Atreides, heir to his father's title, as his family moves to the planet Arrakis and is plunged into chaos.

My biggest complaints about the novel come from how minority characters are depicted and treated. Women in Dune are subservient to men, very manipulative, and are often depicted as slightly less intelligent than their male counterparts. While some of this can be explained by Paul's youth and the wickedness of some characters, none of the female characters are treated as equal and it does make the book harder to enjoy as a woman. The Fremen are more often that not depicted as mystical fanatics with outdated, or even primitive ways of living. Without their existence the entire plot would fall apart, and yet they are not treated with the respect they deserve, both as fictional people and as those based on an actual minority group. My final, and perhaps greatest issue, is with the Baron Harkonnen. It cannot be denied that he is a wicked, evil man--facts easily gleaned from his attempts to exterminate the House Atreides and his treatment of other characters. the inclusion of his penchant for young boys is wholy unnecessary to show just how evil he is. This is especially compounded by the fact that he is the only character we see to have same sex attraction.

I have a love/hate relationship with this book, though it does lean more towards love. I found the politics of the novel to be fascinating and the character motivations keep me guessing at who to trust at every turn. While the style of writing, lore introduced, and involved of the spice lends itself more similarly to high fantasy, it thrives as a solid science fiction novel. The time jumps and perspective changes could be a bit confusing at times, and I often found myself a little perplexed as to the importance of some characters, but I would still recommend this to anyone who loves works like Lord of the Rings, The Wheel of Time, or Brian Sanderson.

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lanid's review against another edition

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adventurous mysterious

Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

5.0

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claudiamacpherson's review against another edition

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adventurous challenging emotional tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Embarking on the odyssey that is this book, my only expectation was that I would be confused, having been warned (correctly) by Booktok that Herbert’s worldbuilding is of the variety that throws you in the deep end and expects you to figure it out. With Zendaya and Timothee Chalamet as my motivation, however, I flew through the first hundred pages or so (which, in my opinion, were the most confusing), and was quickly sucked into the world of Arrakis. The first 100-or-so pages of confusion aside, the worldbuilding was incredible—not only did the scientific explanations in this science fiction novel make sense (as a former biochemist, poorly researched or explained science is one of the biggest reasons I rarely read this genre), but I also found myself becoming extremely conscious of my own water use. In the (likely not-too-distant) future, water will be a much rarer and more valuable resource. This made me wonder whether Herbert suspected as much when Dune came out, or if this all came from his imagination.

I’ve heard about a lot of controversy surrounding the content of the novel, and I’m still not sure where I fall in the debate. My initial impression was that this is a classic white savior story (it definitely gave me blue-people-Avatar vibes), and Herbert definitely uses some orientalizing imagery—yikes. On the other hand, Paul doesn’t seem to be the glorified hero that so many stories have; in fact, as the story progresses, he becomes more and more clearly flawed. If this was Herbert’s intention (and I confess, I don’t know enough about Herbert or the historical context of the novel to determine whether or not it was), then the novel could be a critique of the white savior narrative. But then again, if it’s not obvious enough, then this message is lost of many readers and will be used to justify that which it critiques. To me, the much more obvious problems were the rigid gender roles (this man really wrote a novel set far in the future and thought men would still be in charge of everything?). Of course, the Bene Gesserit have power, and I did find that whole concept fascinating (not the eugenics, but the idea that they planted folktales and prophecies in various communities that could be used as protection for their own whenever they might need it). But despite their power, they have all taken a backseat role, and besides their order, we meet only a few other named female characters. I also don’t like the concept of multiple wives/concubines (again, this feels problematically orientalizing).

The added information at the beginning of each chapter (usually from Princess Irulan) was interesting (though sometimes confusing). I have never minded spoilers in the way that some people do, so I kind of liked that Dune essentially spoils itself with this framing.

I was surprised, however, when we learn (somewhere around halfway through the novel) that Princess Irulan is actually alive concurrently with Paul—I had been imagining her as a scholar farther in the future, recording this history a generation or two later.

As a side note, I found it very funny that Herbert named whole planets and invented multiple new civilizations, but named his main characters Paul and Jessica (rather along the lines of Tolkein coming up with several entire languages, but calling the location of the story’s climax “Mount Doom”).

Happy ending meter (no specific spoilers, just the general vibe of the ending):

I don’t know that this could really be called a happy ending, though it’s honestly better than I was expecting (I wouldn’t have put it past Herbert to kill Paul in the end). It’s not exactly a cliffhanger, but definitely feels unfinished, and I’ve already put the sequel on hold at my library!

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msib129's review against another edition

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adventurous challenging dark tense slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

3.75

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darkpizza's review against another edition

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adventurous challenging dark emotional hopeful mysterious reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

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super_panda's review against another edition

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adventurous challenging dark tense slow-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? No

3.0

I understand the impact this book had when it was published. But now, I find it just okay? While a bit difficult to get into at first, I enjoy the world building and political intrigue in this book. But we're more of an observer of the main character than that we can really feel what he feels. He's not relatable and because of some of the decisions he makes, unlikeable. There are also some very sexist and fatphobic things in this book, alongside with some situations that border on white saviourism, orientalism and racism. Overall I liked the story, but I won't be continuing the series.

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