dark reflective fast-paced
Plot or Character Driven: Plot
Strong character development: Yes
Loveable characters: No
Diverse cast of characters: Yes
Flaws of characters a main focus: No
dark tense fast-paced
Plot or Character Driven: Plot
Strong character development: Complicated
Loveable characters: Yes
Diverse cast of characters: Complicated
Flaws of characters a main focus: Yes
dark tense
Loveable characters: No
Diverse cast of characters: No
dark emotional tense medium-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Complicated
Flaws of characters a main focus: Complicated

I have a mouth and I must scream about how misogynistic this was
challenging dark mysterious tense fast-paced
Plot or Character Driven: A mix
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

I hadn't read this before tonight. Now I've listened to five different readings of it, including the intriguingly different radio play with Harlan Ellison as Am.

I don't know if it's more the depression that has struck like a hammer after having a week or so that wasn't dark, and the neurodivergent hyperfixation, my experience with chronic physical and mental conditions, being mostly housebound, and being a big, fat, tranny in a country and a world becoming hateful and dangerous for us, or some fun concoction of all of that, but I feel strangely seen and oddly soothed by the truly horrifying story.

If it wasn't for the misogyny, and specifically misogynoir, as well as the complete lack of understanding of women, sex, and homosexuality that is, frankly, incel in its ignorant hate and contemptuous disregard, this would easily be top marks. But I just can't do that. I don't have the mental capacity to full get into it right now, but if you are unable to see the sexism, racism, and homophobia in the group dynamic and how the characters are written, you need to check in with yourself. I totally understand how others have been so put off and effected by this grossness, which is genuinely one of the most uncomfortable and weird things in this story, which is saying something.

The nightmare dystopia of Skynet killing everyone save five people it decides to torture with inchoate abandon, driven into an eternal hateful fugue at being given sentience and no way to experience life as humans do, is truly horrifying. The torturer, Am, is oddly human and zealous in its gleeful hate. The protagonist is left strangely inhuman, eternally alone and safe from death in hell with the eponymous lines left on his lack of lips.

This is one of those stories you can project whatever you want on because it's pure nightmare. It's capitalism, authoritarianism, transphobia, chronic pain, depression, and none of these things. I think it is kinda abhorrently beautiful and comforting, aside from the fucking weird incel shit, and I can absolutely see why this is both seen as an absolute classic and among the luminaries of sci-fi and horror, and that how people think it's an overhyped, ugly, problematic mess. For me, it's both.

This would have been a wonderful piece of literature. BUT the mc’s blatant misogyny (which I believe is mirroring the author’s sexism) and the somewhat poor execution of the idea kind of ruins it.

I need to think about this for a bit before rating it. It’s tame by modern standards but I can see how this must have been insane in the 1960’s. 20 page read and I can see why this became so influential in works of sci-fi and body horror, the premise is pretty terrifying. I do think “I have no mouth and I must scream” is one of the most unsettling sentences I’ve ever read. Is this the first story about artificial intelligence killing us all?
dark emotional tense fast-paced
Plot or Character Driven: Character
Strong character development: Complicated
Loveable characters: Complicated
Diverse cast of characters: Yes
Flaws of characters a main focus: Yes

Beautifully disturbing. Best paired with Harlan Ellison's dramatic reading.

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