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sunsetcity's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Graphic: Death, Forced institutionalization, Abandonment, Blood, Child abuse, and Grief
flyfarther79's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Graphic: Fire/Fire injury, Confinement, and Death
Minor: Kidnapping, Murder, Violence, Abandonment, and Panic attacks/disorders
jessicaludden's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
This was an interesting read. I loved the magic system and the whole concept of spirits, nuns, and relics, but I think the world building is lacking. The world in this story feels bigger than one book to me. There were many times while reading that I found myself confused on the logistics of the world and the possibilities of the magic. There were also many times I wished for more detail and backstory. For example, I would’ve loved more time learning about the origins of the revenants and the Old Magic that is constantly referenced throughout the book. It just didn’t feel like the way things happen in this world was explained very clearly at the beginning.
I think the central issue of the story and the big bad was underwhelming. I liked the plot twist that Leander actually had no idea about Sarathiel and it was actually the Divine who was helping him, but I think Sarathiel’s overall purpose got lost in translation between the soldier spirits, him killing the Divine, and the rituals that Artemisia needed to do to save the world (at least I think that’s what she was trying to do). The stakes never felt very high to me and I think it’s due to the lack of detail I had with the world building.
I also think the side characters fell a little flat. The seeds of character complexity were there, but it felt like something was missing in their connection to Artemisia. I think their friendships could’ve been used a lot better and been more important in her story.
What I loved about this story was the dynamic between Artemisia and the revenant. They had really good banter and were both very blunt with each other. The revenant was hilarious, but I also loved seeing it’s softer side as the story progressed. I loved seeing their relationship build and the trust get developed. I especially loved the ending where Artemisia realized Rathanael had decided to sacrifice himself in order to save her and destroy Sarathiel. Their connection was the best part of this book and it’s what occurred for most of the story, which makes sense because she was literally a vessel for it. Overall, I enjoyed reading this. It could’ve been better in terms of the world building, but Artemisia and the revenant’s relationship made it enjoyable.
Favorite Quotes:
“‘You miss feeling things. You like being in a human body.’
‘That doesn’t mean I want to be in yours!’”
“‘Have you ever considered that your body carries you?’”
“‘No, and I don’t see why it matters. Humans are so tedious. Oh, you have dangly bits. Congratulations, you’re going to put on armor and swing a sword about. Oh, you’ve ended up with the other kind. Too bad—time to either have babies or become a nun.’”
“‘I’ll remind you,’ it said finally. ‘Rather than expecting you to remember on your own. When you need to eat, when you’re sick or hurt, and whether it’s serious enough to seek help. But you have to promise that you’ll listen to me.’”
“…the longing I had felt that day and many days since was homesickness. Homesickness for a place I had never been, for the answers to questions I carried in my heart but for which I had no words. I hadn’t recognized it then, because I hadn’t understood what it felt like to have a home.”
“‘I’ll have you know that I’m very good-looking by undead standards…’”
“‘You are the worst vessel I’ve ever had…’”
“If power we’re a measure of worth, Charles wouldn’t have needed me at all.”
“I glanced around at her, Charles, Jean. The people in the hall. I felt the revenant, bristling with impatience. And I realized she was mistaken—I hadn’t been alone, not for some time.”
“Perhaps this was how history treated saints. It didn’t matter what was real, what had truly happened. Even as they lived, their lives passes into legend.”
“…I found myself crouched in an alley with my heart hammering, feeling like an idiot as the revenant flitted through my body searching for injuries, finding nothing.
‘What happened?’ it demanded for the fourth or fifth time. ‘What’s wrong with you?’”
“‘I’m not going to let anyone hurt you again.’”
“I knew then that we really were going to be all right, because I had survived it before, and I would survive it again.”
“The world was radiant. My thoughts were silver fire.”
“‘I don’t want to do it, which in my experience is the surest sign that I need to.’”
“‘Stop drying,’ I told him. A faint smile touched his lips. ‘Is that all?’”
Minor: Blood, Suicide, Panic attacks/disorders, Abandonment, Fire/Fire injury, Child abuse, and Eating disorder
snowwhitehatesapples's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
5.0
It’s been a while since I’ve read a fantasy YA novel that doesn’t star some conventionally pretty main character who’s more morally white than grey, so, hello breath of fresh air that is Vespertine !
The story centres around Artemisia, a young woman with a troubled past who’s training to be a Gray Sister (a nun who cleanses the bodies of the dead so that their souls can pass on and not rise as spirits that hunger for the living). She’s socially awkward, very introverted and 100% not looking forward to a life other than the predictable one of a Gray Sister. Unfortunately for her, she’s our main character so the Lady has other plans in store. Artemisia’s convent gets attacked and she awakens the revenant bound to a high relic. Thus, beginning her journey where she and the revenant must work together to save the kingdom of Loraille—all while unravelling the mystery and truths between the saints, magic and the spirits.
We move from one event to another rather quickly as the action never stops in Vespertine and that makes the book un-put-down-able. To complement this, there is no romance and instead, we’re given this delightful focus on Artemisia’s growth. I wholeheartedly adore this focus as we get to witness her coming out of her shell and leaving her comfort zone, navigating people and relationships, realizing things and just…growing in general.
Other than that, I enjoyed the dynamics between Artemisia and the revenant. The way they conversed and worked with each other was at times, entertaining and at others, heart-wrenching as one of them is a recluse who didn’t know how to connect and communicate, and the other, a snarky tsundere. However, I must admit that I was initially thrown off by how the revenant speaks. For a pretty ancient being that’s been locked up for quite a while and hasn’t actually conversed with others, he talks rather ‘modern’ (in Artemisia’s time).
I also greatly enjoyed how there’s actual communication between the characters. It’s not just talking, but proper attempts to really understand the other, especially after misunderstandings happen. This particular aspect shines in Vespertine and I love it.
The worldbuilding for this book provides a nice foundation for us to understand the simple yet well-thought-out magic system. Of course, there’s room for improvement and expansion, but since this is only the first book of the series, I’m excited to see how the world and the magic system expand in the sequel. I’m also excited to see where the story goes and how the relationship between Leander and Artemisia further develops since we’ve got this oddly anticlimactic but hopeful ending that foreshadows their potential reunion.
All in all, Vespertine is the kind of YA novel that I’m always looking forward to reading. A BAMF heroine who isn’t immediately powerful in her own right but becomes a bigger BAMF as the story progresses, no romance, and the multilayered theme of humans VS monsters all in one book? 10/10 my heart is sold.
Thank you so much Pansing for sending me a copy of this in exchange for an honest review! Vespertine by Margaret Rogerson is available at all good bookstores.
Moderate: Child abuse, Confinement, Death, Blood, Abandonment, Gore, and Fire/Fire injury
nnniro411's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.5
The world felt lived in and the world building was well done. We didn’t need exposition and instead taken into the world where we picked up the mythology as the adventure unfolded. I would not mind going back into this world if Roberson ever decided to continue the story.
Graphic: Violence, Panic attacks/disorders, Self harm, Blood, Body horror, Murder, Bullying, War, Abandonment, Torture, and Gore
clairew97's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Bullying, Ableism, Injury/Injury detail, Suicide, Abandonment, Body horror, Animal death, Blood, Fire/Fire injury, Panic attacks/disorders, and Violence
shrimpasta's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Moderate: Abandonment, Fire/Fire injury, Self harm, Panic attacks/disorders, and Injury/Injury detail
Minor: Animal cruelty, Injury/Injury detail, and Physical abuse
lillythebluepaladin's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
I loooved the world setting, the plot and the CHARACTERS!
I was told that this was gonna be a Venom by Marvel for teenage girls, and yeah it kinda is, but it is so much more!
My traumatised ass cried to this a few times, because I could relate a lot to what our main character Artemisia and our reverent has experienced, and this book genuinely felt like a long overdue hug.
MARGARET ROGERSON, WITH MADELINE MILLER AND TAMORA PIERCE, ARE THE QUEENS OF FEMALE FANTASY
Graphic: Abandonment, Blood, and Self harm
Moderate: Ableism, Animal death, Bullying, and War
Minor: Child death and Vomit
bibliomania's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Minor: Child abuse, Death of parent, Child death, Murder, and Abandonment
valpyre's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
when i started the book, i was immediately taken in by the protag, artemisia -- so much of her inner monologue was relatable, in the way that she was blunt and didn't socialize or act how others expected her to. i admit that i got a little annoyed when it was revealed how much she had assumed/ignored about the people around her later on, just pushing the boundaries of her surface level "not-like-other-girls" behaviour that i think rogerson had skirted well for most of the book. i think rogerson does a great job of showing us who people are in her books -- there are always wonderful little details dropped throughout, little dots to be connected. i also felt pretty touched as artemisia gained support throughout the book, as she is someone who is so used to being or feeling like she is alone.
the concept of the undead was really interesting to me as well. i often find rigid hierarchies/categories of fantastical beings to grow old quickly, but i think rogerson had enough variety in her undead that i didn't get tired of reading encounters with them. i'm intrigued to see where she will take artemisia and the revenant after this installment -- i loved how their relationship grew as the book went on, and i'm really curious if the revenants origins will ever be revealed.
Graphic: Fire/Fire injury
Moderate: Self harm, Child abuse, Abandonment, Death, Eating disorder, Violence, Panic attacks/disorders, and Medical content