Scan barcode
emmasnowball's review against another edition
adventurous
dark
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
2.0
I took quite a bit of time to reflect on my experience reading this before before writing a review. My feelings remain complicated, and unfortunately, quite negative. I found this to be a particularly frustrating read because James develops such a promising concept that felt needlessly sabotaged by certain stylistic and narrative choices. I also think this book was wildly mismarketed: this is not an "African Game of Thrones", and readers seeking epic fantasy may be disappointed.
James builds and explores a vivid, remarkably original folklore inspired by African mythology. I was captivated by the first page and wanted to learn more about the societies James constructed and the truly menacing monsters that plagued them. Stakes (at first) felt high, dangers real, and consequences material. The dialogue and humor, when used, was fast-paced and effective.
That is where my positive experience ended. In terms of structure and style, the prose varied inconsistently between beautifully evocative in some parts to wildly incoherent in others, especially during action sequences. As the book uses non-linear storytelling, the constant use of passive sentence structure burdens clarity of plot. I've read that James deliberately did not follow arcs to reflect the messiness of life and topple fantasy tropes---whether true or not, my ability to 'track' the action suffered for it. The characters themselves seemed to quickly lose interest in the plot , which ultimately lost urgency and became an afterthought in favor of meandering side quests.
The most offputting aspect of the book, however, was the gratuitous (often sexual) violence, scatology so ubiquitous it became boring, blatant misogyny, and characterization of queerness that was insensitive at best and offensive at worst. As a disclaimer, I recognize upfront that the narrator is a unreliable (and unlikable). I also flag that I do not balk at including graphic, traumatic themes in literature when done intentionally and cautiously. This was neither.
Graphic scenes of sexual violence seemed to be included more for shock value than narrative purpose. Physical descriptions of objects and people so often included comparisons to bodily excretions or genitalia (especially female bodies) that they became tedious. While recognizing the narrator has a sexist vantage that colors the writing, the way women were characterized was both objectifying and unpleasant. The few women included are either victims or villains, often falling into shallow tropes. While I've read in interviews that James intended to include gender fluidity in his worldbuilding, the only non-conforming characters were portrayed as sexual predators who violently assault the protagonist, traditional gender roles take precedence, and women are framed as "weak" with being feminine treated as an insult. Likewise, the narrator's exploration of his own sexuality includes internalized and externalized homophobia in ways that seemed like they were intended to shock rather than interrogate.
In brief, I wanted very much to like this book. However, I could only give two stars because the flaws outweighed the positives. By the end of the book, the frequency of graphic sexual violence and scatological language seemed like cheap and juvenile attempts at shock value. The prevalent misogyny and homophobia were deeply unpleasant to read. None of the characters were likeable, not in a way that created conflict and character development, but in a way that detracted from my personal investment in them. Since I finished reading a few months ago, I found the positive aspects of the book slipped from my memory while the sour aftertaste lingers.
James builds and explores a vivid, remarkably original folklore inspired by African mythology. I was captivated by the first page and wanted to learn more about the societies James constructed and the truly menacing monsters that plagued them. Stakes (at first) felt high, dangers real, and consequences material. The dialogue and humor, when used, was fast-paced and effective.
That is where my positive experience ended. In terms of structure and style, the prose varied inconsistently between beautifully evocative in some parts to wildly incoherent in others, especially during action sequences. As the book uses non-linear storytelling, the constant use of passive sentence structure burdens clarity of plot. I've read that James deliberately did not follow arcs to reflect the messiness of life and topple fantasy tropes---whether true or not, my ability to 'track' the action suffered for it. The characters themselves seemed to quickly lose interest in the plot , which ultimately lost urgency and became an afterthought in favor of meandering side quests.
The most offputting aspect of the book, however, was the gratuitous (often sexual) violence, scatology so ubiquitous it became boring, blatant misogyny, and characterization of queerness that was insensitive at best and offensive at worst. As a disclaimer, I recognize upfront that the narrator is a unreliable (and unlikable). I also flag that I do not balk at including graphic, traumatic themes in literature when done intentionally and cautiously. This was neither.
Graphic scenes of sexual violence seemed to be included more for shock value than narrative purpose. Physical descriptions of objects and people so often included comparisons to bodily excretions or genitalia (especially female bodies) that they became tedious. While recognizing the narrator has a sexist vantage that colors the writing, the way women were characterized was both objectifying and unpleasant. The few women included are either victims or villains, often falling into shallow tropes. While I've read in interviews that James intended to include gender fluidity in his worldbuilding, the only non-conforming characters were portrayed as sexual predators who violently assault the protagonist, traditional gender roles take precedence, and women are framed as "weak" with being feminine treated as an insult. Likewise, the narrator's exploration of his own sexuality includes internalized and externalized homophobia in ways that seemed like they were intended to shock rather than interrogate.
In brief, I wanted very much to like this book. However, I could only give two stars because the flaws outweighed the positives. By the end of the book, the frequency of graphic sexual violence and scatological language seemed like cheap and juvenile attempts at shock value. The prevalent misogyny and homophobia were deeply unpleasant to read. None of the characters were likeable, not in a way that created conflict and character development, but in a way that detracted from my personal investment in them. Since I finished reading a few months ago, I found the positive aspects of the book slipped from my memory while the sour aftertaste lingers.
Content Warnings
Graphic: Sexual content, Violence, Excrement, Misogyny, Sexual assault, Animal cruelty, Torture, Physical abuse, Body horror, Death, Homophobia, Gore, Rape, Sexism, and Child abuse
bitter_critter's review against another edition
adventurous
challenging
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Animal death, Blood, Pregnancy, Confinement, Excrement, Child abuse, Torture, Sexual violence, Addiction, Stalking, Sexual harassment, Rape, Domestic abuse, Fire/Fire injury, Sexual content, Murder, Injury/Injury detail, Gore, Misogyny, Suicidal thoughts, Abandonment, Adult/minor relationship, Alcohol, Child death, Death of parent, Violence, Sexism, Grief, Body horror, War, Trafficking, Slavery, Sexual assault, Physical abuse, Pedophilia, Kidnapping, and Cursing
hello_kara's review against another edition
challenging
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
If you have any triggers, just imagine this book as one big red flag. Horribly brutal and violent. Cruel and gruesome. Intensely graphic and crass. Disorienting and unnerving.
This is not a comfortable or easy read. But content riddled with trauma should not be comfortable. Gratuitous mention of shit, piss, blood, rape, gang rape, genital mutilation, child abandonment and sacrifice, kidnapping, corruption, slavery, torture, dismemberment, and murder. Is the overall story still intriguing though? Yes. Not a book I could ever rate on a simple scale though.
“There was always someone or some two or some three who will grab me like a stick and break me, grab me like wet cloth, and wring everything out of me. And that was just the way of the world. That was the way of everybody’s world.”
Took me forever to get through this one, and I didn’t feel invested until about a third of the way through. That’s also about how long it takes to get to the advertised plot of the book. I was drawn in by the premise of an epic quest of a group of people each with different supernatural gifts, knowledge, or skill, with the goal of finding a missing child of prophecy. The story is told from the point of view of Tracker, The Red Wolf, and is being told to the Inquisitor questioning him regarding this quest. Rooted in African inspired mythologies and folklore, this quest takes them to several different cities, through cursed lands and hidden doorways, and they cross paths with a plethora of terrifying creatures.
This book is the first in a planned trilogy, with each book more companion than sequel, telling the story from different points of view. I think it’s a very interesting concept, especially with unreliable narrators, a plot thick with political intrigue, characters with supernatural gifts and some with unnaturally long life spans. At times the writing was rich and easily immersive, other times disorienting with a stream-of-consciousness-mania. The style was so unlike other books I’ve read.
Audiobook performance was excellent, but with the writing style it was difficult at times to tell when characters switched back and forth during dialogue. I did read along with the ebook for most of this which helped. There are also several maps and character lists at the beginning of the book.
“We don't own truth. Truth is truth and nothing you can do about it even if you hide it, or kill it, or even tell it. It was truth before you open your mouth and say, That there is a true thing.”
This is not a comfortable or easy read. But content riddled with trauma should not be comfortable. Gratuitous mention of shit, piss, blood, rape, gang rape, genital mutilation, child abandonment and sacrifice, kidnapping, corruption, slavery, torture, dismemberment, and murder. Is the overall story still intriguing though? Yes. Not a book I could ever rate on a simple scale though.
“There was always someone or some two or some three who will grab me like a stick and break me, grab me like wet cloth, and wring everything out of me. And that was just the way of the world. That was the way of everybody’s world.”
Took me forever to get through this one, and I didn’t feel invested until about a third of the way through. That’s also about how long it takes to get to the advertised plot of the book. I was drawn in by the premise of an epic quest of a group of people each with different supernatural gifts, knowledge, or skill, with the goal of finding a missing child of prophecy. The story is told from the point of view of Tracker, The Red Wolf, and is being told to the Inquisitor questioning him regarding this quest. Rooted in African inspired mythologies and folklore, this quest takes them to several different cities, through cursed lands and hidden doorways, and they cross paths with a plethora of terrifying creatures.
This book is the first in a planned trilogy, with each book more companion than sequel, telling the story from different points of view. I think it’s a very interesting concept, especially with unreliable narrators, a plot thick with political intrigue, characters with supernatural gifts and some with unnaturally long life spans. At times the writing was rich and easily immersive, other times disorienting with a stream-of-consciousness-mania. The style was so unlike other books I’ve read.
Audiobook performance was excellent, but with the writing style it was difficult at times to tell when characters switched back and forth during dialogue. I did read along with the ebook for most of this which helped. There are also several maps and character lists at the beginning of the book.
“We don't own truth. Truth is truth and nothing you can do about it even if you hide it, or kill it, or even tell it. It was truth before you open your mouth and say, That there is a true thing.”
Content Warnings
Graphic: Abandonment, Cannibalism, Child death, Death of parent, Excrement, Grief, Misogyny, Sexism, Sexual content, Torture, Violence, Ableism, Bullying, Rape, Sexual assault, Sexual violence, Slavery, Vomit, Adult/minor relationship, Kidnapping, Animal death, Blood, Body horror, Body shaming, Child abuse, Cursing, Death, Gore, Homophobia, Injury/Injury detail, Murder, Toxic relationship, and Toxic friendship
literarygrooves's review against another edition
Really wanted to love this book but it just wasn’t working for me. Lengthy sections of dialogue not indicating who was speaking with more than 2 characters involved. Jumping timelines that made it difficult for me to get and stay involved in the main storyline. Usually these are things that work just fine for me, but in this case were executed in such a way that left me consistently confused. That on top of what felt like consistent misogyny, graphic violence & SA - If I was more invested in the story or characters, I would’ve probably found it worth my time to push through my issues but I found myself just not caring enough to push through another 400+ pages. Please check content warnings before reading this book!
Content Warnings
Graphic: Excrement, Body horror, Blood, Rape, Sexual assault, Death, Child abuse, Child death, Violence, Domestic abuse, Murder, Sexual violence, Slavery, Torture, Gore, Injury/Injury detail, and Pedophilia
5aru's review against another edition
adventurous
challenging
dark
mysterious
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
I have very conflicted feelings about this book.
On the one hand, I loved the story, which weaves an impressive, multifaceted, intriguing plot. The twists are built up to but never predictable. The characters feel distant from the reader due to Tracker's wilfully detached narration, but they never once fall flat. And the worldbuilding! It builds such a perfectly wild, unpredictable, intricate world around the characters, full of myth continually intruding upon the realistic. Truly flawless work in that regard.
On the other hand, the novel is full of gore and violence, sexual and otherwise. It is ever-present and it is inescapable; definitely go over the content warnings. In particular, there is so much rape in this book, you can hardly go a chapter without a passing mention or a threat of it. Hell, you can hardly go a page without reading the word fuck. I'm not particularly squeamish about what I read, and don't mind profanity, but James' world is so defined by and constructed around senseless violence that it truly gets hard to stomach sometimes. If I hadn't been so intrigued by the plot, I would've probably stopped reading at chapter 8; even then, I find it difficult to justify. I can understand the decision to narrate violence of all kinds, but at times it really was so naturalized, so mindless, that it felt like simple shock value that added nothing to the narrative.
I cannot recommend this to everyone; it is a hard book to read even if the premise interests you. Go in with a warning — but I'd say, if able, go in anyway. It really is one of a kind.
On the one hand, I loved the story, which weaves an impressive, multifaceted, intriguing plot. The twists are built up to but never predictable. The characters feel distant from the reader due to Tracker's wilfully detached narration, but they never once fall flat. And the worldbuilding! It builds such a perfectly wild, unpredictable, intricate world around the characters, full of myth continually intruding upon the realistic. Truly flawless work in that regard.
On the other hand, the novel is full of gore and violence, sexual and otherwise. It is ever-present and it is inescapable; definitely go over the content warnings. In particular, there is so much rape in this book, you can hardly go a chapter without a passing mention or a threat of it. Hell, you can hardly go a page without reading the word fuck. I'm not particularly squeamish about what I read, and don't mind profanity, but James' world is so defined by and constructed around senseless violence that it truly gets hard to stomach sometimes. If I hadn't been so intrigued by the plot, I would've probably stopped reading at chapter 8; even then, I find it difficult to justify. I can understand the decision to narrate violence of all kinds, but at times it really was so naturalized, so mindless, that it felt like simple shock value that added nothing to the narrative.
I cannot recommend this to everyone; it is a hard book to read even if the premise interests you. Go in with a warning — but I'd say, if able, go in anyway. It really is one of a kind.
Content Warnings
Graphic: Sexual violence, Violence, Torture, Sexual assault, Rape, Physical abuse, Misogyny, Injury/Injury detail, Excrement, Domestic abuse, Death, and Child death
Moderate: Trafficking, Pedophilia, Slavery, Animal cruelty, and Animal death
starrynight's review against another edition
challenging
dark
slow-paced
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
1.0
Content Warnings
Graphic: Incest, Violence, Sexual violence, Child abuse, Death, Cursing, Pedophilia, Excrement, Sexual content, Gore, Rape, and Sexual assault
kaseyd's review against another edition
adventurous
dark
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
2.0
I really wanted to like this book, but finishing it was an absolute chore. I knew very early on I disliked it but powered through to give it a chance. The audiobook was 24 hours long and truly maybe six of those hours were actually necessary to the plot. So much of this massive novel was unconnected random stories that were gross, repetitive, and a drag. I fell asleep listening to this, didn’t go back to listen to what I’d missed, and at no point was confused because nothing in the entire hour I slept was actually important to the story. I hate when authors think that for their fantasy to be taken seriously they have to make it disgusting, crass, and disturbing to read. This book is not worth all the time it takes.
Content Warnings
Graphic: Excrement, Cursing, Sexual assault, Gore, Injury/Injury detail, Rape, Blood, Violence, and Death
Moderate: Child abuse, Kidnapping, and Misogyny
Minor: Body horror, Ableism, Slavery, Confinement, Homophobia, and Cannibalism
haddy's review against another edition
adventurous
challenging
dark
emotional
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
It took me 15 months to read this book. A lot of it was quite a slog, I didn’t understand nearly anything that happened, and honestly I just think I’m too stupid for the way this book was written??
Having said that I have SO MANY feelings about how it ended !!?!?!
Having said that I have SO MANY feelings about how it ended !!?!?!
Content Warnings
Graphic: Sexual assault, Sexual violence, Abandonment, Blood, Cannibalism, Child abuse, Child death, Death, Death of parent, Excrement, Gore, Rape, Misogyny, Body horror, Murder, Physical abuse, Torture, and Violence
sapphire_mayo's review against another edition
A bit too dark/vulgar in language for me. I might have been able to carry on but nothing was really gripping me yet
Content Warnings
Graphic: Excrement, Sexual content, Gore, Murder, Body horror, and Blood
magehydrate's review against another edition
adventurous
challenging
dark
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
Wow this one took awhile because it’s so…. vile? Captivating? Pretentious? I feel really complicated about this book. It’s shocking to me that 1)it got published 2) it has so much hype. It’s literally on the featured shelf of the local feminist anarchist book store and I wonder if they have any idea what takes place in the book?
Marlon James is clearly a talented writer, and also seemed to have done a lot of research into African (I believe specifically west african? could be wrong) legends and myths, but still this book was at times nearly impassable. Every type of extreme sexual violence is written about in great detail, including pedophelia, beastiality, sexual torture. The list goes on—I’ve actually seen a list going around of all the “triggers” in this book. The main characters are all foul people, even in the depths of their love or flaws, they reek. Tracker, the teller of the tale, may to be blame for that, for he is a man overcome with anger and nothingness and everything is through his eyes. Even when a violent act is not being done, the characters never have kind things to say, and often their dialogue is a threat, typically sexual in nature. Aside from the sheer amount of violence, James tries too hard to make the plot complex, and loses the thread for most of the book. What could have been a cool search party journey turns into something at times totally illegible because he’s trying so hard? The dialogue is almost exclusively nonsensical riddles, which at first is sort of engaging and requires close reading, but eventually one realizes that the riddles are not opening doors to greater meaning, but rather putting off meaning entirely. (Which might actually be on purpose? So much of the book is about stories and lies, the absence and construction of truth and story. What would a character who is without any meaning at all think of meaning?)Somehow, despite all that…I read the whole thing and was drawn into the world which was huge and imaginative. The monsters are interesting, and so are the enchantments and magics, though they’re all cruel and disgusting (but shouldn’t magic be kind of unpleasant??)and I did find myself invested. It is hard to say what kind of development happens for the characters—for instance , Tracker hates women and that is brought to his attention almost 80% of the way thru the book, but the resolution is two vague sentences about finally seeing his mom again and crying at her feet. In fact it makes one wonder if James himself hates women, because he does address how little choice and mobility women have, even in this fictional non western fantasy realm, but there isn’t a single woman in the book who isn’t conniving, selfish and evil… But again, Tracker sort of admits at the beginning of the book that he might be lying, and we are reminded that this entire tale is through his lens. Man. this is a crazy book. There is so much to say about it and I know I will be thinking about it for a long time. Not sure if I will read the others in this series. Might write another review after some time, when I’ve had more time to think about it.
Marlon James is clearly a talented writer, and also seemed to have done a lot of research into African (I believe specifically west african? could be wrong) legends and myths, but still this book was at times nearly impassable. Every type of extreme sexual violence is written about in great detail, including pedophelia, beastiality, sexual torture. The list goes on—I’ve actually seen a list going around of all the “triggers” in this book. The main characters are all foul people, even in the depths of their love or flaws, they reek. Tracker, the teller of the tale, may to be blame for that, for he is a man overcome with anger and nothingness and everything is through his eyes. Even when a violent act is not being done, the characters never have kind things to say, and often their dialogue is a threat, typically sexual in nature. Aside from the sheer amount of violence, James tries too hard to make the plot complex, and loses the thread for most of the book. What could have been a cool search party journey turns into something at times totally illegible because he’s trying so hard? The dialogue is almost exclusively nonsensical riddles, which at first is sort of engaging and requires close reading, but eventually one realizes that the riddles are not opening doors to greater meaning, but rather putting off meaning entirely. (Which might actually be on purpose? So much of the book is about stories and lies, the absence and construction of truth and story. What would a character who is without any meaning at all think of meaning?)Somehow, despite all that…I read the whole thing and was drawn into the world which was huge and imaginative. The monsters are interesting, and so are the enchantments and magics, though they’re all cruel and disgusting (but shouldn’t magic be kind of unpleasant??)and I did find myself invested. It is hard to say what kind of development happens for the characters—for instance , Tracker hates women and that is brought to his attention almost 80% of the way thru the book, but the resolution is two vague sentences about finally seeing his mom again and crying at her feet. In fact it makes one wonder if James himself hates women, because he does address how little choice and mobility women have, even in this fictional non western fantasy realm, but there isn’t a single woman in the book who isn’t conniving, selfish and evil… But again, Tracker sort of admits at the beginning of the book that he might be lying, and we are reminded that this entire tale is through his lens. Man. this is a crazy book. There is so much to say about it and I know I will be thinking about it for a long time. Not sure if I will read the others in this series. Might write another review after some time, when I’ve had more time to think about it.
Content Warnings
Graphic: Homophobia, Toxic relationship, Cannibalism, Fire/Fire injury, Incest, Adult/minor relationship, Blood, Body horror, Rape, Trafficking, Transphobia, Child abuse, Child death, Sexual assault, Cursing, Emotional abuse, Misogyny, Excrement, Grief, Injury/Injury detail, Kidnapping, Murder, Death, Gore, Pedophilia, Physical abuse, Sexual violence, Slavery, and Torture