Scan barcode
tereoleneva's review against another edition
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
2.0
shanaqui's review against another edition
challenging
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.0
It's rare that I give a British Library Crime Classic a really low rating, but Margot Bennett is one of those writers I don't really get on with... and Someone from the Past got on my last nerve. The introduction is all about what a fine book it was thought and how amazing it is, but I found it really tiresome.
The main reason was that the main character does some completely daft stuff, lies badly, tries to be witty and fails, and then tries to run away to Ireland like the police don't know all the tricks and all the ways you might try to skip the country. She has these long dialogues with people that Martin Edwards (the editor of the British Library Crime Classics series) thinks are great, and which to me just end up being set pieces for the sake of showing off how oh-so-wittily Bennett thinks she writes dialogue.
One or two scenes like that might be okay, but I just don't believe this character has a braincell in her head, and I'm not interested in her sparring with people. And then the book goes and ends with a get together where the man in question literally spends the whole book manipulating her "for her own good", and sometimes being physically threatening to the point of terror for her. And I'm supposed to believe that's a happy end?
Maybe not: maybe the point is to look at Nancy getting back on the merry-go-round of stupid and think "oh boy". But it felt more like an attempt to tidy up loose ends, to let the reader feel like things are going to be okay now -- and either way, I just didn't enjoy it.
The main reason was that the main character does some completely daft stuff, lies badly, tries to be witty and fails, and then tries to run away to Ireland like the police don't know all the tricks and all the ways you might try to skip the country. She has these long dialogues with people that Martin Edwards (the editor of the British Library Crime Classics series) thinks are great, and which to me just end up being set pieces for the sake of showing off how oh-so-wittily Bennett thinks she writes dialogue.
One or two scenes like that might be okay, but I just don't believe this character has a braincell in her head, and I'm not interested in her sparring with people. And then the book goes and ends with a get together where the man in question literally spends the whole book manipulating her "for her own good", and sometimes being physically threatening to the point of terror for her. And I'm supposed to believe that's a happy end?
Maybe not: maybe the point is to look at Nancy getting back on the merry-go-round of stupid and think "oh boy". But it felt more like an attempt to tidy up loose ends, to let the reader feel like things are going to be okay now -- and either way, I just didn't enjoy it.
krobart's review against another edition
5.0
See my review here:
https://whatmeread.wordpress.com/2024/01/19/review-2301-someone-from-the-past/
https://whatmeread.wordpress.com/2024/01/19/review-2301-someone-from-the-past/
timbuckle81's review against another edition
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.25
glowe2's review
mysterious
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Quirky murder mystery story told from the viewpoint of a prime suspect. Winner of the Crossed Red Herring award in 1958. The characters are only skin deep but still a fairly amusing whodunit.
More...