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I'll be honest - I didn't finish this. I still added it just 'cause I only wanted to read The Curious Case Of Benjamin Button anyway and I DID finish that story, and the second one. But when I got half-way through the third I couldn't cope anymore an had to stop. Benjamin Button was good. It was really good actually. But the rest (or at least what I did read of it) were just awful. Maybe they're just not my thing, I don't know. But that's my excuse for not finishing.
This had some more than decent short stories and some very disappointing ones. F. Scott Fitzgerald is difficult to read because of how racist and sexist he was, and this collection demonstrates both -isms throughout. Still, certain stories, including "The Curious Case of Benjamin Button" and "The Lees of Happiness", were fresh and original and fun to read.
The remarkable story "THE CURIOUS CASE OF BENJAMIN BUTTON" is even better then the movie which was made based on this story.
This story was inspired by a remark of Mark Twain's to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler's "Note-books."
The story was published in "Collier's" last summer and provoked this startling letter from an anonymous admirer in Cincinnati:
"Sir—
I have read the story Benjamin Button in Colliers and I wish to say that as a short story writer you would make a good lunatic I have seen many peices of cheese in my life but of all the peices of cheese I have ever seen you are the biggest peice. I hate to waste a piece of stationary on you but I will."
Free download available at Project Gutenberg.
This story was inspired by a remark of Mark Twain's to the effect that it was a pity that the best part of life came at the beginning and the worst part at the end. By trying the experiment upon only one man in a perfectly normal world I have scarcely given his idea a fair trial. Several weeks after completing it, I discovered an almost identical plot in Samuel Butler's "Note-books."
The story was published in "Collier's" last summer and provoked this startling letter from an anonymous admirer in Cincinnati:
"Sir—
I have read the story Benjamin Button in Colliers and I wish to say that as a short story writer you would make a good lunatic I have seen many peices of cheese in my life but of all the peices of cheese I have ever seen you are the biggest peice. I hate to waste a piece of stationary on you but I will."
Free download available at Project Gutenberg.
First of all, I wanted to make something clear as mud: as cool-looking as this Penguin edition is (like every Coralie Bickford-Smith design) , it is not the actual Tales of the Jazz Age collection. The short stories comprised in this edition come both from Flappers and Philosophers and the original Tales of the Jazz Age and are (along with my rating):
1. The Curious Case of Benjamin Button (3.5/5)
2. Head and Shoulders (2.5/5)
3. The Cut-Glass Bowl (5/5)
4. The Four Fists (2/5)
5. May Day (5/5)
6. 'O Russet Witch!' (4/5)
7. Bernice Bobs Her Hair (5/5)
8. The Lees of Happiness (4.5/5)
These were all written while Fitzgerald was in his early twenties and it's so awesome that something written around a century ago feels so relevant and current. Sometimes so up-to-date that it could be an episode of the HBO show Girls.
As you can tell from the short list above, my favorites are Bernice Bobs Her Hair, The Cut-Glass Bowl and May Day. This last one is more of a novella than a short story. It is long. And at first, I would have said it was a little long-winded and slow, but it soon speeds up until the ending. And oh, what an ending. It has serious cinematic qualities. In this short story, Fitzgerald presents three different sets of characters whose storylines intertwine and contrast throughout a day and finally converge, around a great jazz party and the tragic after-party. Wonderful.
He nailed the descriptions of failing marriages (of course, his own Zelda was inspiration enough), and he described the slow change from love to tedium to hatred in swift but accurate sentences. This is a predominant theme in Head and Shoulders, The Cut-Glass Bowl and The Lees of Happiness.
But he didn't stop there, he also had a deep knowledge of friendship (real or selfish), depression, bitterness, women (specially the kind that is mean and artful, as in Bernice Bobs Her Hair) and the most impressive one, the lies we sometimes tell to ourselves to keep on living. He saw right through the excesses of the Jazz Age, he saw that desperate need for constant flare and also what comes after. This doesn't mean it's a depressing collection. It's full of humorous fragments! And also beautiful prose. I have wondered how more awesome these stories would have been if Fitzgerald didn't have to "whore" them, as he said. Which is, of course, to shape them for the public so as to be published and get some money.
1. The Curious Case of Benjamin Button (3.5/5)
2. Head and Shoulders (2.5/5)
3. The Cut-Glass Bowl (5/5)
4. The Four Fists (2/5)
5. May Day (5/5)
6. 'O Russet Witch!' (4/5)
7. Bernice Bobs Her Hair (5/5)
8. The Lees of Happiness (4.5/5)
These were all written while Fitzgerald was in his early twenties and it's so awesome that something written around a century ago feels so relevant and current. Sometimes so up-to-date that it could be an episode of the HBO show Girls.
As you can tell from the short list above, my favorites are Bernice Bobs Her Hair, The Cut-Glass Bowl and May Day. This last one is more of a novella than a short story. It is long. And at first, I would have said it was a little long-winded and slow, but it soon speeds up until the ending. And oh, what an ending. It has serious cinematic qualities. In this short story, Fitzgerald presents three different sets of characters whose storylines intertwine and contrast throughout a day and finally converge, around a great jazz party and the tragic after-party. Wonderful.
He nailed the descriptions of failing marriages (of course, his own Zelda was inspiration enough), and he described the slow change from love to tedium to hatred in swift but accurate sentences. This is a predominant theme in Head and Shoulders, The Cut-Glass Bowl and The Lees of Happiness.
But he didn't stop there, he also had a deep knowledge of friendship (real or selfish), depression, bitterness, women (specially the kind that is mean and artful, as in Bernice Bobs Her Hair) and the most impressive one, the lies we sometimes tell to ourselves to keep on living. He saw right through the excesses of the Jazz Age, he saw that desperate need for constant flare and also what comes after. This doesn't mean it's a depressing collection. It's full of humorous fragments! And also beautiful prose. I have wondered how more awesome these stories would have been if Fitzgerald didn't have to "whore" them, as he said. Which is, of course, to shape them for the public so as to be published and get some money.
I read this collection solely for "Diamond as Big as the Ritz", which is one of my fave short stories. The last two in this collection are why too jumpy and unsure, but besides that, the stories are all pretty dang solid. Oh Fitzgerald.