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michellemaas's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I'm going to start by saying that We Free the Stars is one of the most quotable books I have read to date. Hafsah Faizal has such a beautiful way with words and that alone deserves a star before any other factors are even considered.
Another thing that is super close to my heart: asexual representation. In recent years the entertainment industry has come a long way in terms of representing the LGBTQ+ community but despite seeing a bunch of cute lesbian and gay couples, I NEVER see any asexual characters (or it isn't outright mentioned/discussed). Oftentimes characters are thrown into unnecessary relationships since romance is a huge driving point and I appreciate that Hafsah Faizal made Kifah an interesting and alluring character without needing to put her in a romantic relationship. The way she described asexuality was also so good.
Next there's Nasir and Zafira. One of my main critiques for the previous book was how Zafira and Nasir got over their qualms of each other without any real explanation for why. It was purely based on lust, Zafira being emotionally stunted after the death of her friend and Nasir latching onto the first person to show him affection. I am so happy that Hafsah Faizal deepened their relationship in the sequel. We got to see that slow-burn that she was going for in the first book because their relationship had to fester from lust to love. It was a beautiful journey (even if the beginning was a little questionable). Also, that ending. We all saw it coming but when I tell you I was a pile of squishy feels . . . just perfect.
The last relationship-related point I want to make is about Yasmine and Misk. I know I sound repetitive but I loved and appreciated that Yasmine was not magically fine at the end of the book. The author "sacrificed" a perfect ending that was wrapped up with a neat little bow to show that grief does not go away because other things in your life get better.
Then, I enjoyed The Lion of the Night as a villain. He was not purely a monster and while the author made it clear that his tragic past did not justify his actions, it gave us a better insight into him as a character.
Lastly, I want to shout out all the side characters like Altair, Lana, Yasmine, etc. My version of this book was 700-odd pages (as opposed to the 400/500-something of the first book) and I was apprehensive since a longer book doesn't always equal a better book. While I still don't know if all 700 pages were necessary, I am glad that the author went for a little bit of a longer book to explore the development and fleshing-out of the side characters. I feel that my reading experience was thoroughly enhanced by the fact that I had more knowledge of the side characters than an off-handed description as most other novels do.
Graphic: Body horror, Bullying, Child abuse, Death, Death of parent, Domestic abuse, Emotional abuse, Gaslighting, Gore, Grief, Injury/Injury detail, Misogyny, Murder, Physical abuse, Sexism, Torture, and Violence
Moderate: Blood
Minor: Animal death and Slavery
brynn_books's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
The middle of the book was a little slow and dragged out for me. But the ending felt rushed. So I feel like the pacing was a little bit off for me.
Other than that, I think this was a great finale to a fantastic duology. I love Nasir and Altair's relationship and the way it developed throughout the series. All of the character's development was done really well. Overall, I really enjoyed this book!
Graphic: Blood, Murder, Grief, Gore, War, Physical abuse, and Gun violence
handsome_enough_to_tempt_me's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
THE NASIR/ZAFIRA T E N S I O N PLSSSS SAY LESS I CANT EVEN I CANT
AND LIKE THE SIDE CHARACTERS AND ALTAIR’S DEVELOPMENT IS TOO GOOD I CANT JUST GO READ THIS DUOLOGY OK GOGOGOGO
Moderate: Grief, Murder, and Sexual content
Minor: Physical abuse
DNEUSIDJDNDJDNDBHSHSKSKAKEOSIDDJJSNSWLWOEOIVJFDJ GO READplumpaperbacks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
And dear god, there were emotions. There still are. I love the zumra, but they put me through more crap than I was prepared for. This especially applies to Zafira and Nasir. I ship them so hard!!! And the number of times I nearly lost it because of something sweet he said to her… I don’t think I’ve ever seen a love interest as reverent of their lover as he is. I’m pretty sure he’s the most romantic love interest ever. Very few ships make me swoon and screech and lose my mind as much as these two did, which says a lot, honestly. I’m a hopeless romantic and there are dozens of ships I’ll go down with, but something about these characters just affects me. I think it’s the slow-burn. Those usually hit me hard.
Romance aside, the friendships and family dynamics were also phenomenal. Zafira, Nasir, Altair, and Kifah are all iconic, and I love the dynamic between the four of them. I especially loved all the banter. I also really liked Zafira and Kifah’s friendship, and Zafira’s bond with her younger sister Lana, and Nasir and Altair’s friendship. It was really sweet to see Lana grow up, and how she loved her sister so much. I appreciate that she wasn’t sidelined in the midst of everything, and instead was just as complex and important to the story. As for my boys, they’re like the grumpy one and sunshine one, friend edition, and I’m totally here for it. They’re great on their own, and an absolutely hilarious duo.
The entirety of act three had me STRESSED. (I mean, the whole book did, if I’m being honest.) The final showdown was handled in a way I didn’t expect, so props to Faizal for that. Even after everything was wrapped up in terms of plot, I was still stressed because of how two specific characters were acting.
I loved this book. I can definitely see myself rereading this duology in the future. I know I’ll certainly be anticipating A Tempest of Tea, and everything else Hafsah Faizal has up her sleeve.
Representation
- protagonists and side characters of color
- aromantic asexual side character of color
Graphic: Blood, Death, Death of parent, Murder, Torture, Violence, Grief, and Gore
Moderate: Child abuse, Emotional abuse, Physical abuse, Misogyny, Self harm, and Sexism
Minor: Kidnapping and Confinement
starryorbit12's review
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
- Pacing. The first novel started slow for the first 100 pages then jumped to fast pace with little transition. Much of those first 100 pages contained all of stuff that could have been trimmed down, especially since a lot of it . This novel sets a medium-fast pace that is consistent throughout.
- Plotting. A big issue I had with the first book plot is that characters don't really interact or cause the plot. Things just happen to the character. Enemies and obstacles come to them, or they simple stumble upon the next plot point or place to go. Plot should be about the cause and effect of characters actions and wants. This book delivers on that.
- Kulsum.
So, one of the things I liked about the first book was how side characters, even unnamed ones, could feel really and like they were fleshing out the world. The exception was Kulsum who pretty much exists for Nasir's man pain. She only exists and functions to be Nasir's lover, the Sultan's leverage, or Altair spy. We only see what happens to her through these male characters and their feelings. Even the lose of her tongue is framed around Nasir's horror and regret. Her spyhood is framed around Altair attempting to hurt Nasir rather then why she did it. She has no voice before or after she loses her tongue. She was also the only disabled character of the first book. This books corrects that some by giving Kulsum a confrontation with Nasir. We find out here motives to spy and have a romantic relationship with Nasir was because he killed her lover. The loss of her tongue than becomes framed as the price of pursuing vengeance even as real feelings became a part of it rather than Nasir's pain. It's a short scene that doesn't fully pull her away from being Nasir's man pain because this is used to fuel tension between him and Zafira when she walks in due to him being shirtless. However, it does give her some agency in her story and makes her feel less like one dimensional trope. - World building! It felt like we're were given the bare minimum about magic even though magic is the whole goal of characters. Last book just threw a couple different races at us and explained types of magic affinities with no context of what that means. This book takes the time to explain there difference between races, there relationship with magic, and how magic is meant to work. If three out your four race look humanoid, you got to give more time to making them distinct and this book does that sound much better.
- Aroace representation! Not only is Kifah aroace, but this revelation helps avoid the tired trope of pairing up single side characters because books/series can't seem to end without everyone being in a romantic relationship.
I particular like how this one done when Zafira ask Kifah about Altair. The first book often point out that the two were banter off to the side. It fully set up the typical "we said they interacted a couple times so that enough to pair the together at the end." When Zafira asks about interactions, Kifah makes it clear that she just isn't interested in other that way even though she platonic cares about them. - If you enjoy slow burn relationships, this book does it well. It does a great job at placing legitimate obstacles in the way of confessing as well as building tension in the main couples scenes.
- Engaging plot. Much of the first book was interesting but boiled down to the same ya plot of "find the thing to bring back magic." This book could have done the same.
It could have just been taking the hearts the Caliphs or getting the final heart back. Instead saving Altair is a bigger focus, and the hearts are only one piece of the story. So much more happens, and it's not as predictable. Plans often have hiccups or improvisation. - A strong conclusion. The final battle per was a good climax that didn't drag nor did it end to fast. There was also a good focus on the after. Things didn't just end up happily ever after for the kingdom immediately, and it clear that while the characters are happy they will still have to work to make the kingdom the wished in the future.
I enjoyed Altair becoming Sultan instead. He put in so much work for the kingdom, and Nasir was so abused to forced to kill that I don't know if he was fully equipped to run the whole kingdom that only knew to fear him. Making him Caliph of the place he wronged previously seemed fitting instead. It gave him a small scale and a way to help the people he had wronged. - Side plots don't detract from the main story or simple simple disappear either. The enhance the world and make it feel full. Some worlds feel so empty beside the main characters, but side plots and characters really enhance the dynamic feel of the kingdom.
- Aya.
Her betrayal was bother obvious and jarring. It was obvious from the weird comments she made before the rescue mission in the Lion's favor. It was also jarring because she should have the least reason to trust or go to the Lion. We are meant to believe she empty after Benyamin's and her child death which is the catalyst for her changing sides. But, Benyamin death was for stopping the Lion. His life was dedicated to righting his wrongs caused by trusting the Lion the first time She has also seems his lies directly before. She should want to give her best shot at accomplishing the thing that her husband died for, and that what she has shown up towards the weird comments. The way the characters react feels like they are seeing build up we as readers didn't too. - The Sliver Witch's heart.
There is literally no reason why she couldn't have given up her heart ages ago in the book. She doesn't need it to survive, and they could have brought magic back way sooner which would have leveled the playing field for fighting the Lion by a lot. The fact that it doesn't occur to anyone, and they are planning on this strict timeline of the stolen hearts corruption feels like glaring oversight for these smart characters. It feels like a huge plot hole, especially because a big plot point was finding si'alh blood so they could do blood magic to find the last heart and Altair. These smart characters jump to blood magic that supposed to be forbidden due the consequences instead of asking for the Witch's heart. She wants to stop the Lion too, and it literally could have been temporary. Use her heart for the fifth so Zafira could be magic compass again to track down the actual last heart and Altair. She could have it back after the other heart was found. There was no described down side to removing there hearts. Plus, Kifah would be able to make illusions and the others on there side could could use there affinities. They would still need the dagger to actually kill the Lion, so it wouldn't through off the balance of the power struggle. It just feels weird that no one thought of that, and the possibility wasn't even acknowledged until she did it even as the panicking over the last heart.
Graphic: Blood, Confinement, Death, Emotional abuse, Gore, Murder, and Physical abuse
Moderate: Misogyny
Minor: Cursing
ira_reads's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
- Altair
- Nasir
- Zafira
- Every single protagonist in this freaking book
- Enemies to lovers but it’s not toxic
- Amazing, tragic backstories
- Beautiful, descriptive, emotional writing.
- Did I say Altair already?
Graphic: Misogyny, Sexism, and Physical abuse
Moderate: Violence, Torture, Physical abuse, Murder, Kidnapping, Gore, Grief, Death of parent, Child abuse, Bullying, and Animal death
Minor: Ableism, Animal death, and Death
sarahsbooklife's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Medical content, Blood, Violence, and Murder
Moderate: Confinement, Death, and Kidnapping
Minor: Emotional abuse and Physical abuse
melaniereadsbooks's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
My only real complaint about this book is that it is so long and it dragged a little in places. But for the most part I absolutely loved it!
I flipped that one of the characters was revealed to be aro-ace. I loved the development of the romance, but most of all the friendships and found family!
I am so happy that Lana and Altair had bigger parts in this book! Loved it!
Graphic: Blood, Death, Emotional abuse, Gore, Grief, Medical content, Misogyny, Murder, Physical abuse, Sexual assault, and Violence