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jessamo19's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Moderate: Suicidal thoughts and Suicide attempt
sarahbowling6608's review
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Moderate: Alcohol
Minor: Suicidal thoughts and Suicide
eemadeeberry's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Alcohol
Moderate: Death, Confinement, and Suicidal thoughts
Minor: Injury/Injury detail
xxmelomaniacxx's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
5.0
Minor: Suicidal thoughts
chalkletters's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.25
Despite being set in a single building, A Gentleman in Moscow doesn’t feel claustrophobic at all. It’s not that Alexander is untroubled by his limited freedom and reduced circumstances, because his actions make it clear that he is deeply affected by them. It’s more that Amor Towles’ prose maintains enough of distance from Alexander’s emotions to give the whole novel a very dreamlike feel. The plot, such as it is in the early sections, is centred around exploring and making the most of the environment and characters as they’re presented.
Both the novel and Alexander feel a little purposeless until Sofia makes her entrance, which is thematically appropriate. In some ways its a shame that Alexander’s purpose should be parenthood, which is hardly a surprising or unusual answer to the question of what a character should do to find meaning. It might have been more interesting to explore the question of what a character trapped in a hotel could do to create a life of purpose without the convenient adoption of a child.
Amor Towles’ characters are engaging and memorable, even if they mostly don’t feel as though they’re particularly connected to their social and political environment. With a few exceptions, most of the guests and employees feel as though they could’ve been met in a luxury international hotel in any country, rather than being specifically Russian. While the Russian revolution is the inciting incident, politics is otherwise very much kept in the background.
Most of A Gentleman in Moscow was gently enjoyable, but the ending did provide a few moments of exciting action. Watching Alexander’s plan come together was a very satisfying way to round off what had otherwise been a fairly sedate pleasure.
Moderate: Confinement and Suicidal thoughts
Minor: Blood, Injury/Injury detail, Death of parent, and Death
asourceoffiction's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
I don't usually have the patience to love a book that moves at such a slow pace but in this instance, if anything, I wanted time to slow down so I could savour more of the Count's time. In that regard this really is a masterpiece; a comforting, companionable and beautiful read.
Amid the tumult of political upheaval in early 20th century Russia (and the history woven into the story really is fascinating), the bubble of the Metropol in which the Count is confined allows for a far different life to emerge. There is beauty, sadness, laughter and even a touch of farce at times (particularly a scene with a representative from the Vatican, a prostitute and three roaming geese).
But where this really shines is in its incredibly wrought characters. The guests and friends who pop in and out of the Count's life, and the weird and wonderful staff who remain constant through the years, are absolutely glorious and I adored them all.
There is a thread of dry, irreverent humour running throughout the book (reflective of the Count's delightful personality), which is one of my favourite styles of writing because I was so often sat reading with a stupid grin on my face. Rostov may be a pretentious polymath, but he's a wonderful one.
Moderate: Abandonment and Suicidal thoughts
tamara_joy's review
- Strong character development? Yes
- Loveable characters? Yes
5.0
Graphic: Confinement
Minor: Abandonment, Death, Deportation, Grief, Medical content, War, Alcohol, Classism, and Suicidal thoughts
saara_ilona_muu's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Classism, War, Abandonment, Confinement, and Suicidal thoughts
fluffernutterfriday's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Confinement, Death, Suicidal thoughts, Suicide, and Suicide attempt
alexashabit's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
1.5
Moderate: Racial slurs, Adult/minor relationship, Suicidal thoughts, Suicide attempt, Classism, and Misogyny