Reviews tagging 'Ableism'

Kindred by Octavia E. Butler

38 reviews

sabripolin's review

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reflective sad tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

Totally transported (pun not intended…) by the vivid imagery of Dana’s experience in two time periods, but mostly by the complex, conflicting emotions and ethical dilemmas she encounters and how to manage situations in a period-appropriate manner. 

Minus points (?) for all characters’ lack of FREAKING OUT and Dana’s seemingly emotionless disposition all throughout. We also don’t really get a “why” to why this all happened or what triggered her first transportation. 

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_natalie_'s review against another edition

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adventurous challenging emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5


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salemander's review

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5.0

i don’t think i have proper words for how this book feels. 

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scmiller's review against another edition

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challenging dark emotional reflective sad tense

4.0


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jodean's review

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dark emotional reflective sad tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25


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introverted_reads's review against another edition

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fast-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

2.0

all my homies hate kevin 

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readingwithkaitlyn's review

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dark reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

5.0


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mromie's review

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challenging dark emotional reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Octavia Butler, mother of Science Fiction, blends Black feminist pedagogy seamlessly into this fictional tale of a black female writer Dana from 1976 who is mysteriously transported to 1824 antebellum Maryland at times when her white ancestor and enslaver Rufus is in life-or-death situations. 

We do not live in a time so far removed from systems and acts of oppression, violence, sexual torture, and racism as many would prefer to believe. With the blurring of time through time travel, Butler reminds us that the time from enslavement period was only few generations before us and could have been us too. To this day, enslavement exists in parts of the world, in places of war, and in renamed forms in America. 

Robert Crossley’s Reader’s Guide had insightful comments, including:
- Butler: Science fiction has long treated people who might or might not exist — ETs. Unfortunately, however, many of the same science-fiction writers who started us thinking about the possibility of extraterrestrial life did nothing to make us think about here-at-home human variation” 
- Butler “has redrawn science fiction’s cultural boundaries…deployed the genre’s conventions to tell stories with a political and sociological edge to them, stories that speak to issues, feelings, and historical truths arising out of African-American experience. In centering her fiction on women who lack power and suffer abuse but are committed to claiming power over their own lives and to exercising that power harshly when necessary, Butler has not merely used science fiction as a “feminist didactic,” in Beverly Friend’s terminology, but she has generated her fiction out of a black feminist aesthetic.” 

- time travel as a metaphor and medium; “traveling to the past is a dramatic means to make the past live, to get the reader to live imaginatively, in the recreated past, to grasp it as a felt reality rather than merely a learned abstraction” 

- Mary Shelley’s Frankenstein as a metaphor for the exclusion of women from acts of creation

- subtle parallels between Rufus Weylin and Kevin Franklin, system of white supremacist culture

- first hand narratives of enslavement vs Hollywood retellings and novels that sanitize or glamorize it

- Kindred as the title, literary kinship with the memoirs of formerly enslaved peoples, “chained to her ancestral past by the genealogical link that requires her to keep the oppressive slave master alive until her own family is initiated”

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yourbookishbff's review against another edition

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challenging dark emotional sad tense fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

Going into this, I knew to expect time travel between present-day (at publication - late 1970s) and the antebellum South, but I did not expect that Kindred would ultimately be more character study than time travel/sci fi - and now I understand why it is such a memorable and timeless read for the genre. For a book under 300 pages that leans heavily on dialogue, this drives a nuanced, complicated, and deeply disturbing portrayal of the relationship between a Black woman living in the 1970s and her white (slave-holding) ancestor living in the early 19th century. The world-building is secondary here - we don't ever understand how this is happening, only why, as Dana is repeatedly pulled back in time to save Rufus's life and ensure the continuation of her family line. The abruptness of the story's start is mirrored again in its conclusion, and we are left reeling from the slow-building horror of a white boy who grows into a white man at a time when he is afforded every privilege of power and security. 

Butler consistently sows doubt in the reader: Is Dana's husband, Kevin, good enough to her, will he protect her, will he prioritize himself? Is Dana growing attached to Rufus, does she feel sorry for him, does she forgive him for his cruelty because she sees how he was raised? Do we become acclimated as Dana and Kevin do, do the horrors become loss horrible through exposure, do we become numb to it? What are we willing to sacrifice to save ourselves, a person we love, or a family member? Butler resists answering any of these questions, instead giving characters room to orbit around each other as they make their own decisions and shape their own histories. 

This is a challenging and graphic read, but a fast-paced one that evidences Butler's place in the sci-fi/fantasy canon. 

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hotkoolaidpotato's review against another edition

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adventurous challenging dark emotional tense medium-paced
  • Loveable characters? It's complicated

5.0


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