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not_another_ana's review
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
3.25
"The girl, the King..." I breathed. The Nightmare's voice burned through my mind. And the monster they became.
The city of Blunder is cursed. Not only is it surrounded by a mist that drives people mad, but its inhabitants also have to contend with "the fever", an ailment that either kills the child that contracts it or bestows upon them magic. However, all magic has a price, and anyone who survives this is bound to "degenerate" in violent or fatal ways. For this reason, all magic is forbidden, except for the use of these magic cards (in possession of the nobles) that keep the user safe from degeneration, and any survivor of the fever must be executed.
Elspeth Spindle survived this illness and managed to hide this fact from the public. She now lives a mostly normal life and is seemingly powerless, except for the Nightmare, a shadowy monster that lives in her head and lends her his strength in times of need. One day she runs into the king's nephew and, when her secret partially gets out, is dragged into a mission that could potentially cure her as long as she manages to collect all the magic cards before the solstice. But magic always comes with a price and the degeneration might find her first.
Is this book good? Debatable. Did it keep me reading? Yes, I will give it that. The action in this is very compelling and something is always happening, forcing the reader to keep turning the pages. At the same time it's a plot that is both contained and empty. If I had to describe this book in one word, I would say it's serviceable, it knows exactly what it is and executes it in a sufficient way. The plot is a vehicle for the romance so a lot of world building and interesting ideas get sidelined in favor of the relationship between Elspeth and Ravyn. This brings me to my first point: everyone's names were soooo bad, I wrote "unmoanable" in my notes. Is this a petty grievance? Yes, but it did bother me.
Now to my biggest gripe: the world building. As I mentioned before, the author didn't put any care into weaving the setting of this book. I have no idea what Blunder looked like or its geography, somehow they were able to quickly travel from the King's castle to any other place on the map by riding a horse really fast. It seems like the setting is vaguely medieval, at least culturally, yet Elspeth (the oldest daughter of a noble) walks alone in the middle of the night, stays at her suitor's estate without any sort of maid or chaperone, and spends time alone with men who aren't related to her, with no damage to her honor. We see almost nothing of the average citizen's experience, it's all from the noble's point of view, and this makes the environment feel fake like a Hollywood set. I also find it odd that in a place with magic and superstition there doesn't seem to be any kind of organized religion around either the providence cards or the spirit of the woods.
The romance was fine, a bit instalove-y but not the worst thing I've come across. Ravyn is a bit of a generic dark haired love interest, but I did like their interactions and at least they had something in common.
Was the prose flat? Yes. Did the rhymes suck? Absolutely. Is the author quite heavy handed with what she's trying to say? Correct. And yet I read this whole thing in like a week, and I just started reading book two, so she won and I'm a fool.
Content Warnings
Graphic: Body horror and Blood
Moderate: Child death
druzyquartz's review against another edition
adventurous
challenging
dark
emotional
funny
mysterious
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Body horror, Panic attacks/disorders, Violence, Vomit, Hate crime, Blood, Gore, Grief, Injury/Injury detail, and Toxic friendship
Moderate: Sexual content
mzquirk's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.75
Content Warnings
Moderate: Terminal illness, Torture, Toxic relationship, Child death, Chronic illness, Cursing, Death, Death of parent, Injury/Injury detail, Kidnapping, Mental illness, Body horror, Domestic abuse, Emotional abuse, Pandemic/Epidemic, Physical abuse, Child abuse, Confinement, Bullying, Misogyny, Murder, Sexual content, and Violence
cturn's review
dark
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Chronic illness, Violence, Medical trauma, Blood, Injury/Injury detail, and Body horror
Moderate: Sexual content, Death, and Death of parent
skillyillian's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Ugh god this book is SUCH a great read. I read it in paperback and I went through three highlighters and a ton of tabs annotating it. It starts off a little slow plot-wise but the world, magic, and characters drew me in so completely that I hardly even noticed slow points.
Mild spoilers ahead, big spoilers will be tagged
What I really enjoyed about the world building was how the author sticks to her guns about the isolation of Blunder. They don't, can't, travel beyond it, so there's not a single mention of the rest of the world. It's so well done. We only ever see Blunder, but that means it's fully developed with it's own culture, traditions, superstitions, and history. The world is steeped in lore.
The magic system here is so incredibly unique and well thought out, I can't get over it. An infectious mist from a vengeful deity is such a badass way to give your characters magic, and having each person get magic unique to them after the infection just adds to the coolness of it all. Then to add the Cards on top of that? Consider me obsessed. The whole idea of balance, and the way the characters hold it in a place of reverence as much as they hold their deity in a place of fear, is so well done. If the deity hasn't exacted her spiteful balance yet, the people will, in whatever way they think is best. The creativity here is off the charts.
The characters feel so real. Being in Elspeth's head, watching her co-exisg with the Nightmare because she has no other choice, was such a great idea. Ravyn and his family have the same motivation but you can see how it affects each of them individually. The romance felt a bit fast but I didn't really mind it all that much 🤷🏻‍♀️
The foreshadowing and plot thickening is really well done. My only real gripe with that is that I felt like plot twists such as the nightmare being the shepherd king, and Ravyn and his family being direct descendants from him were pretty spelled out and elspeth still didn't catch on despite it revolving around the creature living inside her head who dropped every possible hint about what was to come. Like she just, didn't connect the dots, or didn't even really try a ton? And normally that would bother me more but that's usually when characters are preached as geniuses and still can't see what's going on right in front of them (sorrengail 🙄). Elspeth isn't touted as her generation's genius detective prodigy so I was more miffed than actually mad about it.
I like that the author left a lot of different loose threads for the second book to finish. I'm not super far into the next one but I can already see the loose ends from the first one being pulled into play and it feels really well done.
Overall, this book is just fuckin incredible. The plot, the people, the world building, the incredibly unique and mysterious magic system, and the (albeit kinda fast) romance. I ate this up and enjoyed every minute of it. I do wish there was more diversity in the characters, and that elspeth was a little less oblivious to what's going on around her (and in her head). But besides those and the quick romance, I have no complaints. None. No notes, no crumbs. Gillig knocked it out of the fuckin park here. Even when the foreshadowing felt kind of not super hard to solve at times, it was still so well executed that I really enjoyed each of the reveals. And there was still plenty of things that surprised me. The action was great, the consequences of people's choices were logical, there's just so much I loved here.
2024 is me getting back in my romantasy era and this is such a dope way to start it.
Mild spoilers ahead, big spoilers will be tagged
What I really enjoyed about the world building was how the author sticks to her guns about the isolation of Blunder. They don't, can't, travel beyond it, so there's not a single mention of the rest of the world. It's so well done. We only ever see Blunder, but that means it's fully developed with it's own culture, traditions, superstitions, and history. The world is steeped in lore.
The magic system here is so incredibly unique and well thought out, I can't get over it. An infectious mist from a vengeful deity is such a badass way to give your characters magic, and having each person get magic unique to them after the infection just adds to the coolness of it all. Then to add the Cards on top of that? Consider me obsessed. The whole idea of balance, and the way the characters hold it in a place of reverence as much as they hold their deity in a place of fear, is so well done. If the deity hasn't exacted her spiteful balance yet, the people will, in whatever way they think is best. The creativity here is off the charts.
The characters feel so real. Being in Elspeth's head, watching her co-exisg with the Nightmare because she has no other choice, was such a great idea. Ravyn and his family have the same motivation but you can see how it affects each of them individually. The romance felt a bit fast but I didn't really mind it all that much 🤷🏻‍♀️
The foreshadowing and plot thickening is really well done. My only real gripe with that is that I felt like plot twists such as
I like that the author left a lot of different loose threads for the second book to finish. I'm not super far into the next one but I can already see the loose ends from the first one being pulled into play and it feels really well done.
Overall, this book is just fuckin incredible. The plot, the people, the world building, the incredibly unique and mysterious magic system, and the (albeit kinda fast) romance. I ate this up and enjoyed every minute of it. I do wish there was more diversity in the characters, and that elspeth was a little less oblivious to what's going on around her (and in her head). But besides those and the quick romance, I have no complaints. None. No notes, no crumbs. Gillig knocked it out of the fuckin park here. Even when the foreshadowing felt kind of not super hard to solve at times, it was still so well executed that I really enjoyed each of the reveals. And there was still plenty of things that surprised me. The action was great, the consequences of people's choices were logical, there's just so much I loved here.
2024 is me getting back in my romantasy era and this is such a dope way to start it.
Content Warnings
Graphic: Sexual content, Gore, Murder, Blood, Body horror, Child death, Death, Violence, Injury/Injury detail, and Pandemic/Epidemic
Moderate: Alcohol and Terminal illness
Minor: Death of parent and Fire/Fire injury
alice2000's review
dark
funny
mysterious
medium-paced
- Plot- or character-driven? A mix
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.25
Content Warnings
Minor: Body horror
soup27's review against another edition
adventurous
dark
emotional
funny
hopeful
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Considering I was interrupted dozens of times and I still returned and finally finished, with a very positive review, says a tremendous amount.
Content Warnings
Graphic: Terminal illness, Toxic relationship, Chronic illness, Death of parent, Sexual content, Violence, Gaslighting, Child death, Injury/Injury detail, Abandonment, Blood, and Body horror
karapillar's review
dark
emotional
mysterious
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Graphic: Child abuse, Medical content, Body horror, Self harm, Violence, Blood, Child death, Chronic illness, Confinement, Abandonment, Murder, Grief, Panic attacks/disorders, Physical abuse, Terminal illness, Torture, Death, Gore, and Injury/Injury detail
cover2covertx's review
adventurous
dark
emotional
funny
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Content Warnings
Graphic: Death, Child death, Murder, and Violence
Moderate: Body horror, Physical abuse, Blood, and Torture
Minor: Fire/Fire injury
camiclarkbooks's review against another edition
adventurous
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Very reminiscent of “For the Throne,” but not quite as well executed.
The magic system is so unique and Gillig did a great job with her world building. The characters use “trees” as a curse word, which was such a fun touch for a fantasy world with a cursed forest.
I like a vulnerable heroine, one whose strength evolves over the series, but I was really unimpressed by Elspeth.She was constantly complaining about the Nightmare in her head (valid), but at the first whiff of trouble she was screaming for his help. And then went right back to whining about him. It could have just been the voice the narrator chose to use for Elspeth, but she was just an endlessly whiny baby.
Gillig’s debut definitely had promise—the world was interesting and grounded, the magic system was interesting, and the plot was great. But her characters (her many, many main characters) were so flat that it ultimately fell short in my eyes.
The magic system is so unique and Gillig did a great job with her world building. The characters use “trees” as a curse word, which was such a fun touch for a fantasy world with a cursed forest.
I like a vulnerable heroine, one whose strength evolves over the series, but I was really unimpressed by Elspeth.
Gillig’s debut definitely had promise—the world was interesting and grounded, the magic system was interesting, and the plot was great. But her characters (her many, many main characters) were so flat that it ultimately fell short in my eyes.
Content Warnings
Minor: Child death, Death, Abandonment, Body horror, Bullying, Blood, Death of parent, Hate crime, Injury/Injury detail, and Chronic illness