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bevrocky79's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
1.25
It’s so lengthy and wordy for no reason. Way too much plot and not enough enjoyment at all. There were literal chapters of nothingness. It’s also not fresh or new in any way.
Retelling of classic sci-fi tropes with no attempt of being different or new. A wanna be crossover of Brave New World and the Matrix. I can even say that I’m spoiling anything because you can see all the twists and turns coming. I was really hoping for something different. Extremely disappointed and wish I didn’t even bother with it.
The best part of the book is the last 9 or 10 chapters. And the last two chapters are useless pages. Does nothing to round out the story. Honestly don’t waste your time. Unless you really are obsessed with this genre.
Graphic: Bullying, Child death, Death of parent, and Classism
Minor: Cursing and Suicide
teabex's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Moderate: Death of parent, Dementia, Grief, Classism, and Child death
Minor: Suicide and Murder
briannamwod's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
Moderate: Child death and Suicide
kdelong's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
4.0
Moderate: Grief, Violence, Medical trauma, Death of parent, Police brutality, Child death, and Suicide
amhud1030's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
Graphic: Medical content, Police brutality, Self harm, Blood, Child death, Cursing, Gun violence, Sexual content, Violence, Death of parent, Grief, Suicide, Death, and Injury/Injury detail
Moderate: Car accident, Dementia, Alcohol, Confinement, Classism, and Infidelity
aileron's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Blood, Death, Gore, Child death, Classism, Grief, Injury/Injury detail, and Suicide
Moderate: Death of parent and Infidelity
Minor: Fire/Fire injury, Gun violence, Suicidal thoughts, and Car accident
annamolpus's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Flaws of characters a main focus? No
4.5
Graphic: Suicide
aimeebaker's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.25
Anyone who was enthralled with Justin Cronin's earlier THE PASSAGE trilogy is probably, like me, eagerly awaiting his latest release, THE FERRYMAN, so I was thrilled to get my hands on an ARC. Set on the utopian island of Prospera, this novel focuses on Proctor, a ferryman whose task it is to escort citizens whose lives are coming to a close to the awaiting ferry. From there, the residents of Prospera are sent to the Nursery where they are, in a sense, reborn and sent back to the island. But, as any sci-fi thriller reader expects, something seems not quite right with this process or the world, and soon, Proctor finds himself trying to unravel what's happening. As a writer, one of the parts I love about Cronin's work is his way of what seems like poking fun at the "rules" of writing. If you've ever been in a creative writing classroom, you've probably been told at some point not to write "genre" fiction. His trilogy, filled with vampires, felt like a challenge to that rule. The Ferryman, meanwhile, breaks one of the most common "rules" in a major way. I can't exactly say which one here since I don't want to spoil his work, but it's fun to watch him pull it off. I don't love this book as much as his trilogy (though I confess, I still need to read the 3rd), but this was filled with the kind of action and plot twists that make me think that if it hasn't been optioned for film rights yet, it will be soon. It's got a cinematic quality to it. Thank you to Ballantine and NetGalley for sending me this eARC in exchange for an honest review.
Graphic: Classism, Death of parent, Child death, Suicide, and Death
booksthatburn's review against another edition
Ultimately I stopped reading when the bland misogyny became too frustrating. In a world where every marriage is a contract with a time limit (the parties can renew), it makes no sense for the main character to have a level of jealousy and possessiveness that in the real world is cultivated through an assumption of monogamy as a default. I read an ARC and so will refrain from using quotes in case the final version changes substantially, but this was a setup I've read before executed in a way that was frustrating to read.
Graphic: Classism
Moderate: Cursing, Toxic relationship, Blood, Violence, Medical content, Medical trauma, Self harm, Suicide, Death, Death of parent, and Grief
Minor: Sexual content, Dementia, Alcohol, Drug use, Excrement, Infidelity, and Infertility