Reviews with content warning for Sexual content - The Shadow of the Wind

Reviews tagging 'Sexual content'

The Shadow of the Wind by Carlos Ruiz Zafón

50 reviews

trillianm's review against another edition

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adventurous mysterious medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? No

4.75

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cewritespoems's review against another edition

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This book is just jarringly sexist and once the narrator turns 16, I couldn’t read more than a page and a half before running into another description along the lines of undressing a woman is “like peeling a sweet potato on a winter’s night” or lengthy descriptions of breasts. At first I thought the author was just trying to characterize a few characters as womanizers… but every single man except one minor character in this novel can’t speak one sentence without objectifying every woman around them. I just want to read the actual mystery and the gothic elements but it’s impossible.

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aydaybay's review against another edition

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There are more problems than I realized upon a first read. I couldn't get past how misogynistic the main character was and how much he fantasized about the women he encountered. And it was EVERY woman.

Also, the fact of the underaged sex when he was 19 years old grossed me out. Even if Bea was unhappy with her fiance, he did everything possible to coerce her rather than trying to help her. I couldn't get past the line about her being 17 right before they had sex.

The people aren't as dynamic as I had remembered. The good people were basically angels in Daniel's eyes while the villains were as evil a person as you could possibly get. I understand why I enjoyed it before. But there are things upon further reread that I just can't look past.

First Read (2018):
Without a shadow of a doubt, this is my favorite book of all time. I have never felt this passionately about a book before in my entire life. There were so many twists and turns. The characters had so much depth and I never wanted this book to end. I'm so happy that I read this book and that I can now recommend it to others. This book is absolutely beautiful.

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distilledreads's review against another edition

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emotional mysterious sad medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

3.5

I really struggled with this book. I went into it with really high expectations, and therefore for the first two-thirds of it I was anxiously anticipating what makes this such a highly acclaimed read. The answer, for me at least, was the ending. The last third, and really the shift into Nuria’s perspective, saved this book for me and I found myself finally enjoying the story. While I could appreciate the writing and the plot up until that point, I wasn’t particularly entranced by the mystery and it felt like I was just plodding along; for that reason, I would give this book 3 ½ stars.

The perspective is that of a teenage boy and is told in first-person, which at least partially was the reason I found it so hard to get sucked into this book. Since I felt distanced from the characters and the goings-on, it didn’t take much to jar me while reading and throw me out of the plot. Every asinine opinion on women, the fetishization of a “mulatto” woman, or the dismissive way sexual assault was casually sprinkled throughout the book was enough to disrupt my reading and fuel my distaste.

Again, like I said, I can appreciate what Zafón was trying to achieve here in a literary sense. I would love to have properly analyzed this book in a classroom setting to better understand the nuance of mid-twentieth century Spain, rather than rely on my own haphazard understanding and research.

“Wars have no memory, and nobody has the courage to understand them until there are no voices left to tell what happened, until the moment comes when we no longer recognize them and they return, with another face and another name, to devour what they left behind.”

This is a multi-generational story, with the actions of 20/30 years ago affecting and mirroring a younger generation. At its heart, there is a cautionary tale of second chances and the destruction that hate and prejudices carry. As well, there are beautiful and evocative lines. This is a book largely about a book, which naturally leads to beautiful phrases about storytelling, reading, and human nature.

“The words with which a child’s heart is poisoned, through malice or through ignorance, remain branded in his memory, and sooner or later they burn his soul.”

Despite my mixed experience of it, I am glad that I finally read The Shadow of the Wind.

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ravang's review against another edition

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adventurous mysterious medium-paced

Plot- or character-driven? Plot
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? No

4.75

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cryptogay's review against another edition

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adventurous dark mysterious reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.0

Despite myself, I love this book. It is very much a book by Zafón, and has all of the flaws and difficulties of his writing, which I could certainly list for you in warning.
The themes are very similar to that of Marina, and in many ways this feels like a retelling of that same story. A deep, ghostly, otherworldly mystery is the centerpiece, a young man who falls in love easily dedicates himself to trying to unravel it. The women are pale, beautiful, and largely absent. A kindly and broken hearted father figure is present, but rarely spoken to. It all takes place in an older, more secretive, more ruinous version of Barcelona. The protagonist is reflecting on and writing down the experiences of his youth many years later. It becomes somewhat easy to predict aspects of the mystery, if you've read Zafón before.
But, his writing is a pleasure to read, his skill in crafting suspense and mystery keeps you reading, and much of the horror is genuinely chilling. The story is intricately crafted, but somehow seems to have sprung up naturally. The humanity of other people is a strong focus. Its an interesting book, and one I cannot help but feel an affection towards.

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justabridge's review against another edition

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dark mysterious slow-paced

Plot- or character-driven? A mix
Strong character development? No
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

2.0

I am really sad to have not liked this one - I’d heard such good things about it, but unfortunately it just wasn’t for me. I’m finding I really don’t enjoy protagonists in gothic novels; of the ones I’ve read, they tend to be bystanders, quite inactive in terms of the plot, and quite limp in terms of personality and internal drive. Daniel really hit these boxes, and so I struggled reading from his perspective.

I also found the story quite confused - did it want to be Daniel’s story? Or did it want to be Julian Carax’s? The book was trying to be both separately instead of blending the two, and so you ended up with huge chunks of exposition (sometimes 30-50 pages (ish) at a time), and it didn’t really feel like the characters had to work for the mystery or the payoff.

What really made this hard to enjoy for me though, was the relentless violence and constant oversexualisation of women. It was all the time, in pretty much every chapter, and felt so unnecessary. I think the only woman whose breasts and general sexual allure weren’t discussed in detail was Daniel’s mother, and she was dead prior to the book starting. And the casual beatings, the sexism, the slut-shaming, and other much heavier violence sprinkled throughout...it really didn’t feel like the female characters in this were allowed to be people, and it completely alienated and exhausted me while I was reading. Perhaps to some extent the attitudes were ‘historically accurate’, but I think that parameter was hit and bulldozed through very early on.

It is a shame, because the writing style in this was beautiful, the descriptions of Barcelona were so evocative, and I loved the setting of the Cemetery or Forgotten books. These things we just overshadowed by everything else.

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