Reviews with content warning for Cancer - Pageboy

Reviews tagging 'Cancer'

phouka's review against another edition

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funny hopeful informative inspiring reflective medium-paced

3.25

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stevia333k's review

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dark tense slow-paced

4.25

The last 3rd was good, and i say this because the first 2 thirds were violent as hell. I had to learn that he was in a lot of action movies basically in order to handle it & i also could only listen 10 minutes at a time at triple speed.

Anyways, after a while certain parts about being trans were like oh good my transfemme self isn't alone.

The relationships though & the shadow work kinda went over my head because I'm aromantic but the workplace accident (because of how wreckless the directors were to black & queer lives) helped connect me to the kind of stuff he meant, so I am thankful he included workplace incidents like that.

Also the memoir isn't told as chronologically, so basically if you're taking notes then I recommend trying to make a character list sort of glossary since the time dimension doesn't sort them, but some segments are like public letters.

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usuallyaudio's review against another edition

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challenging emotional funny hopeful informative inspiring reflective sad medium-paced

4.25

I loved hearing Elliot Page's journey, espicially it read by the author. It was very introspective and heart wrenching to hear his struggles, and being able to peek behind the curtain of the film industry as a young LGBT+ individual. His stories were sincere, and he kept identities anonymous for those who didn't want to be named.

The timeline jumped around somewhat, and only once was I unsure when a story was taking place. I am so happy for Page that he felt safe, secure and confident enough to share his story, but am so sorry he had to go through as much as he did. Page also graciously acknowledged his privilege, and how it helped him quickly receive medical/gender affirming care once he was finally ready to reach for it. I hope this memoir can help others feel seen, and can help to create safer spaces and foster healthy relationships. I really look forward to what he will do next!

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hollalorenz's review against another edition

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challenging emotional inspiring reflective fast-paced

3.5

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tigger89's review against another edition

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dark emotional reflective medium-paced

4.5

Elliot Page's memoir, told in nonlinear format, covers topics ranging all the way from his emotionally-exhausting childhood in Nova Scotia to the fallout of his coming out publicly as trans at the height of the Covid-19 pandemic. A unique blend of queer and celebrity memoir, we follow Page as he explains how his identities as both a queer person and as a boy(later a man) being forced into a straight, feminine role both on- and off-screen put him in a position of constant crisis. Something had to give, and it did, first in 2014 when he came out as queer and again in 2020 when he came out as trans.

As far as the queer memoir side of things go, this was a satisfying, illuminating read. Obviously Page's experience isn't everybody's experience. He admits that he's privileged in many ways, but he isn't ashamed — nor should he be — in recounting his lived experiences. I was particularly interested in his depiction of life as a closeted queer person, secretly dating women while working in the film industry, as well as how his childhood experiences shaped how he interacted with the world as an adult. I would caution readers that there are many passages — particular pertaining to sexual assault and gender dysphoria — that read as incompletely-processed trauma. There's not a lot of shielding on the emotions. Page provides content warnings at the front of the book, so please, take them seriously.

For the celebrity side of things, I don't really feel qualified to judge. I primarily know Page from his activism, and also I watched Juno. So mostly I was interested in how the celebrity stuff interacted with the queer stuff, and all the names just washed over me. The experience worked for me, but I can also understand someone who might want more anchoring being frustrated at the lack of explanation of who most of these people were. And of course there was the obligatory discretion, where "a member of crew" or "an acquaintance" did horrible things. I have no idea who those people were. In a way, the facelessness works. They could be anybody and we wouldn't know, which is the reality, since we know the list of people who have faced consequences for their behavior is woefully limited.

I personally loved the nonlinear format. The chapters are each gathered around a theme, concept, or state of mind, though it's not always obvious when you start off. Sometimes I had to flip back through, looking at the chapter title, before I spotted the connection and understood why the things were arranged the way they were. Another thing that will bother some people is Page's writing style. He frequently emphasizes or describes by stringing together several short sentence fragments. Distinct, painting a picture, individually striking. While Page is guilty of blatant comma abuse, I actually liked it. But I completely understand why it made some readers' skin crawl.

Important question time: do the dogs die?

Page owns two dogs over the course of the book. The first is alluded to as passing offscreen, and the second is still alive and well as if the end of the book.

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