mereas's review against another edition

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dark emotional slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

A contemporary classic in literature. By the end, I felt simultaneously ruined and astonished by Rebecca F. Kuang's work. She covers the most existential questions in the frame of language and translation. The foundation of etymology and epistemology in the scene of colonialism and systematic oppression are narrated under one boy, Robin Swift, who is half-Chinese and half-English. I found the saddest aspect to this novel being that we never truly know his native name, of which was chosen by his late (Chinese) mother, and I cannot fathom the weight immigrants hold when they are told their names are too hard, complicated, or otherwise foreign for the English man. This also includes the erasure that colonial structures translate upon the foreign body, for they are left with no name nor grave. Rebecca F. Kuang leaves us to question whether protest and resistance should be violent or nonviolent to produce systematic change, in similar vein to the Civil Rights Movement.

Besides the foundation to this historical fantasy, the found-family trope touched my soul. I am a sucker for the most of unlikely friends to become a group of four. Between the lines, there are undertones of queer sentiments that also resonated with me, though they do not go further than just that. This, I did not mind because the characters are constantly in survival mode whether physically or emotionally. The reality underneath Rebecca F. Kuang's words is like a goldfish peaking above the water's surface--the social arguments always felt natural and fluid, which hurt the most.

Language holds so much power, yet it can just as easily be lost.
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On a side note, I love to find authors' favorite diction. Rebecca F. Kuang is biased to: teeter, tranquility, translation.
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"'What you don't understand,' said Ramy, 'is how much people like you will excuse if it just means they can get tea and coffee on their breakfast tables. They don't care, Letty. They just don't care'" (356).

"'Because you're a good translator.' Ramy leaned back on his elbows. 'That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your own biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands'" (535).

"Oxford relied on silver, how without the constant labour of its translation corps, of the talent it attracted from abroad, it immediately fell apart. It revealed more than the power of translation. It revealed the sheer dependence of the British, who, astonishingly, could not manage to do basic things like bake bread or get safely from one place to another without words stolen from other countries" (471). This, made me question what else can stand in for silver. Oil. Petroleum. Fast fashion. And, at what cost?

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grievous_glory's review against another edition

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dark emotional reflective sad tense
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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sleepylizard's review against another edition

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adventurous challenging dark inspiring reflective sad slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.75

One of the best books I've ever read

I wish I could collate all my favourite quotes together but there'd be too many! What a fantastic book - I especially loved the chapters where Kuang goes deep into the etymology side of things. It's definitely a read for anyone who's a bit nerdy about languages and etymology but it's fun amentally a powerful political book. 

The only criticism is that it takes so long for the characters of Letty, Victoire and Ramy to be built up, we only really get that satisfaction towards the second half of the book. But I'm sure that's done intentionally.

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booksjessreads's review against another edition

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dark emotional tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

I have been putting off writing this review for some time because I am genuinely unsure how to write my feelings about it into words, or what coherent thoughts I have about this book are at this point.

This book is an absolute marvel. It is completely astonishing. The characters are so human, fully dimensional and uniquely complex. The story: devastating. But, anything that is about empire and colonialism is. Kuang has such incredible skill at interweaving themes of empire, colonialism, racism, religion, gender and so many more themes. Sometimes, I came across sentences that put the themes and topics so well that I physically could not think of a way to rephrase things. Her style is just so clever and intricate and nuanced. Simply brilliant. 

This book is also incredibly emotional. There are characters in this book that felt like friends of mine and I haven't felt this close to characters in a book for a long time. They feel so real and they are written so exquisitely. Furthermore, Robin as an unreliable narrator just adds to the appeal of reading it for me. An unreliable narrator is one of my favourite things about a book, and this was executed so well. 

Babel is just a complete masterpiece. I write a lot of reviews with the mindset of 'how could what I write do this book any justice'. But I mean that from the bottom of my heart writing this review. This book is essential and so cleverly crafted. One of my favourite books of all time.

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leanneymu's review against another edition

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adventurous challenging dark emotional informative reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

A fantastic spralling epic that uses ideas of collonialism, translation, exploitation and the diversity of thought and language, as the scaffolding for a compelling story about what we do and don't accept. I loved this. I'll be thinking about it for years to come. 

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drjoannehill's review against another edition

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adventurous reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

Slightly magical, alternate history of the British Empire in the 1830s amid the beginnings of the Opium Wars, and more of a commentary on racism and colonialism than fantasy. 

For me, a book is 4 stars if the story holds my attention across the 500+ pages, and the characters are interesting. So, it scores on those points. Background-wise, you'll be ok with this if you have any interest in etymology and translation, but if not you'll struggle.

The anti-racist message is not subtly expressed - it is very consistently and brutally expressed. It's really laid on heavy by the colonialists quite how little they thought of people from the places they were exploiting, and there's no possibility of responding to their arguments. The characters who are at the receiving end of it sometimes discuss racism and sexism together, in language that is not authentic to the time. One of the central messages of the book is that white women are not allies, that they'll push to get access to the system but not fight the system itself - fine, this makes sense and is likely quite authentic. But as it's such a heavily pursued narrative, there's not as much complexity or surprise as there could be. We basically learn that even in a world where there's a bit of magic to make things run smoother, it is all just used to make the Empire richer, and the Empire will allow any number of atrocities if the Empire itself still stands and makes money and power. (E.g. it is discussed a few times that abolition was just a trade advantage). So, it's bleak, and maybe a tiny bit clunky, but for any readers who maintain a perspective that Britain brought good to the world through empire, they might think differently after reading (they might not though).

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penofpossibilities's review against another edition

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challenging dark emotional informative mysterious slow-paced
  • Plot- or character-driven? Character
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

the first half was incredibly slow paced and at times a drag to get through. If it wasn't for some long train rides with nothing better to do, I would've taken much longer to finish. The last quarter or so was really exciting though! I even got emotional and started crying near the end. 

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carlapastor's review against another edition

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dark mysterious reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

This is my second read of the book and I found that I had forgotten so much about it. How Rebecca manages to create a world, half fantasy half truth (sometimes couldn't tell the difference) and make such a strong critical book is amazing. First time I read it I picked it up randomly but it is truly one of my favorite books. 
Also, I don't think it was ever dense. This is one of those books that just make you want to keep reading. If I'm honest, I hope next time I read it it's not before bed, because I just can't put it down.

One of the few 5 stars I've read in my life.

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nie_fertig's review against another edition

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dark emotional tense medium-paced
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5

Babel is like Maus where I believe everyone should read it just for the intense experience and understanding. It's so incredibly wild how different the two acts of the book are, as it starts out pretty calm, although with a definite disturbing undertone (I hated the professor from the beginning for being so manipulative and abusive toward Robin, the main character). It's particularly calm when Robin starts college, makes friends, and studies and learns in his classes (btw kudos to the author for RESEARCHING linguistics omg you'll learn more about the overall study of language from this book then from a 300 level undergrad linguistic college class), but then it slowly comes crashing down and I won't spoil too much, but there's a sudden moment where everything gets extremely dark and Robin and his friends lose everything they've worked for, but I won't say it was their faults--not even Robin's fault--nor will I say losing all their privileges was particularly a bad thing because they escaped the biased, white privileged system where they'll never fully receive respect because they're not white (besides Letty and hoooboy her character and what happens,,,,)
I don't want to spoil anymore, but it's absolutely worth the read and I will say here and now ROBIN X RAMY !!! 🥺🥺🥺

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hellichipmunk's review against another edition

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challenging dark emotional hopeful inspiring reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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