You need to sign in or sign up before continuing.
Scan barcode
jazzuar's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Moderate: Death, Domestic abuse, Drug use, Eating disorder, Emotional abuse, Mental illness, Panic attacks/disorders, Physical abuse, Self harm, Sexual assault, Sexual violence, Suicidal thoughts, Suicide, Toxic relationship, Vomit, Suicide attempt, Death of parent, and Alcohol
jesse_z's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Moderate: Sexual violence
annaabis's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Domestic abuse, Sexual assault, and Sexual violence
moonie's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Graphic: Domestic abuse, Mental illness, and Sexual assault
Moderate: Sexual violence and Suicidal thoughts
Minor: Eating disorder
ahubitsky's review against another edition
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
this was genuinely really bad on multiple fronts. the most glaring problems are the stunning lack of character development, you’d think with several years of education and life under both marianne and connell’s belts by the end of the story they would’ve changed at least in some regard, but neither of them did. further, i fail to see how the physical, emotional, and sexual abuse of a woman makes a compelling plotline, because make no mistake, this plot is purely abuse porn. it’s astounding the lack of agency that marianne has (willingly!). her rich background just makes her come off as a whiny bitch who can’t experience hardship in any way other than by inflicting it on herself, so she does, and in the process convinces herself shes oh so horrible.
not to mention (going back to the alleged “marxist themes”) in this book, it’s extremely interesting how this work is supposed to be marxist, but marianne LITERALLY commodifies herself as a piece of property to be transferred among owners. im pretty sure that commodification of property is something marxists are inherently against? seems like rooney either forgot the marx she read, or just proclaims herself a marxist to the media to give her work the flavor of quirkiness.
the synopsis on the back is also pretty bold, describing the book as a journey of “love and friendship,” when it’s really just a pornographic journey through self-deprecation by a girl who can’t help but act like a craigslist item to be transferred between abusers.
strongly recommend looking up trigger warnings, but even more i recommend avoiding this book altogether.
Graphic: Emotional abuse, Mental illness, Misogyny, Physical abuse, Self harm, Sexual content, Sexual violence, Toxic relationship, Violence, and Toxic friendship
littlehedgehog's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
1.25
Not to mention that this book deals with sex in the most awkward and also annoying way I have ever seen. Like how do you manage to come up with so many bizarre situations related to sex?? This book tries so hard to be edgy and awkward, it's eye-wateringly cringy and, oftentimes, horrid. Fascinating, but in an awful way.
Also, everything related to sexual assault/sexual trauma was treated badly. very, very badly. Want an example?
When Marianne (now a woman, presumably in her mid-twenties) is once again confronted with her abusive brother, she thinks about the way his abuse affected her life as well as herself: "She tries to be a good person. But deep down she knows she is a bad person, corrupted, wrong, and all her efforts to be right, to have the right opinions, to say the right things, these efforts only disguise what is buried deep inside of her, the evil part of herself".
15-year-old me would have loved that and then promptly went to off herself. What the fuck. Marianne is definitely old enough to have seen a therapist at this point, or at least develop SOME kind of coping strategies, but hey, that's one way to profit off angsty audiences. Great book, great message. What in the fucking co-dependency is this mess.
Graphic: Sexual assault and Sexual violence
amzmeisterr's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
Graphic: Domestic abuse, Sexual violence, Suicide, Toxic relationship, Abortion, and Alcohol
waytoomanybooks's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Marianne and Connell’s relationship is so fascinating though. It is so incredibly toxic, yet they clearly belong together at the same time. I think that their relationship is realistically portrayed, and I could sympathize with one or the other of them at different stages in their lives and their relationship. I think that is a testament to Rooney’s writing: feeling like I want/need to evaluate the characters, to pick a side, and to sympathize and empathize with them and why.
However, I hated the ending. Ambiguous endings infuriate me, especially when the ambiguity suggests what it suggests here. We’re really ending with
Before I read the last ⅓ of the book, I was expecting to give it a 4 out of 5, but seeing Marianne’s storyline and the ending get fumbled leads me to give it a 3 out of 5.
Graphic: Body shaming, Bullying, Child abuse, Death, Domestic abuse, Eating disorder, Emotional abuse, Fatphobia, Mental illness, Misogyny, Physical abuse, Self harm, Sexism, Sexual assault, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Toxic relationship, Blood, Grief, Suicide attempt, Toxic friendship, Abandonment, Alcohol, Sexual harassment, Injury/Injury detail, and Classism
kaimekolreads's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Moderate: Sexual violence
rhubarbpi3's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Graphic: Body shaming, Bullying, Child abuse, Domestic abuse, Drug use, Eating disorder, Emotional abuse, Mental illness, Rape, Sexual assault, Sexual content, Sexual violence, Grief, Death of parent, Abandonment, Sexual harassment, Injury/Injury detail, and Classism