Reviews tagging 'Abandonment'

Frère d'âme by David Diop

6 reviews

imds's review against another edition

• Diverse cast of characters? Yes

3.0

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Content Warnings

Graphic: Body horror, Grief, Violence, Murder, Rape, Body shaming, Colonisation, Abandonment, Torture, Blood, Death, War, Xenophobia, Death of parent, Gore, Gun violence, and Schizophrenia/Psychosis

emmagreenwood's review against another edition

challenging dark emotional mysterious sad medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

5.0

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Content Warnings

Graphic: Racism, Rape, Abandonment, Death of parent, Emotional abuse, Gun violence, Kidnapping, Mental illness, Torture, Excrement, Gore, Sexual assault, Schizophrenia/Psychosis , Colonisation, Gaslighting, Injury/Injury detail, Grief, Physical abuse, Blood, Forced institutionalization, Sexual violence, Cannibalism, Murder, Racial slurs, Death, Sexual content, Violence, Stalking, Suicidal thoughts, Vomit, War, and Xenophobia

rebeccaquinton's review against another edition

challenging dark emotional fast-paced

• Plot- or character-driven? A mix
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.5

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Content Warnings

Graphic: Racial slurs, Rape, Sexual content, Kidnapping, Grief, Violence, Murder, Racism, Schizophrenia/Psychosis , Injury/Injury detail, Gun violence, Blood, Torture, Abandonment, War, Suicide, Sexual violence, Mental illness, Gore, Death, and Colonisation

sydneylive's review against another edition

challenging dark emotional reflective sad tense medium-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

4.0

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Content Warnings

Graphic: Blood, Grief, Gun violence, Torture, Abandonment, Death, Colonisation, Gore, Murder, Racism, Sexual content, and War

ingamaloy's review against another edition

challenging dark emotional sad tense medium-paced

• Plot- or character-driven? Character
• Strong character development? It's complicated
• Loveable characters? It's complicated
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

3.5

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Content Warnings

Graphic: War, Murder, Death, Violence, and Injury/Injury detail

Minor: Slavery, Abandonment, Gun violence, Kidnapping, and Racism

wellfedpages's review against another edition

challenging dark reflective sad medium-paced

• Plot- or character-driven? Character
• Strong character development? Yes
• Diverse cast of characters? Yes
• Flaws of characters a main focus? Yes

‘This story, like all interesting stories, is full of clever innuendo. Whoever tells a well-known story like the one about the lion-sorcerer and the fickle princess might always be hiding another story beneath it. To be seen, the story hidden beneath the well-known story has to peek out a little bit. If the hidden story hides too well beneath the well known story, it stays invisible…When it’s understood by those for whom it is intended, the story hidden beneath the well known story can change the course of their lives, can push them to transform a diffuse desire into a concrete act

Of stories

And meaning

And secrets

Hidden in plain sight

Aren’t those the best deceptions?

The best works of art

The best stories

The face beneath the face

The eyes beneath the eyes

The words beneath the words

Diop is commenting about the nature of story-telling

We all draw from

life

memory

research

our pasts

from things better left unsaid

But writers cloak them in words

So that there is a story on the surface most see

A deeper commentary that many glean between the lines

And then there’s a tale that only few know was told

A story for all

Yet a story for one

Through this blood & gore soaked saga of a soldier unravelling & sinking into the method of madness, Diop untangles the many fissures of war

How it destroy’s people’s sanity

How racism classism & xenophobia are deeply entrenched even in the trenches

& shape events

How there are no winners in a war

Everybody loses some part of themselves

How victory is just an empty shell

crunched on the battlefield

beneath the heavy boots of time

But this is also one man’s story

How he loses his mind

His humanity

Himself

But was it just war that pushed him to those depths of depravity?

Or had loss eaten away his soul long before?

Was war just the last straw?

Was his incapability to be temporarily mad like the others who threw themselves in the line of fire & clear commitment to hunt more apt?

Was his violence towards women a product of war?

Or was it rooted much deeper in how he viewed women & himself?

Was he the lion?

The hunter?

Or just a phantom of the man with the pen

‘The hidden story has to be there without being there, it has to let itself be guessed at, the way a tight saffron-yellow dress lets the beautiful figure of a young girl be guessed at. It has to be transparent.’

The blatant objectification of women in this part that I left out from the initial quote & many such passages say something not just about Alfa or Madema, but Diop

How he views women - objects that are either consumed or plundered

How men write women - the fickle princess or the mute mademoiselle

And how it severs them from becoming truly human

Much like the severed trophies that the protagonist collects

Or was that another hidden message Diop had tucked in all along?

Translated wonderfully from the French by Anna Moschovakis

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Content Warnings

Graphic: Body horror, War, Sexism, Violence, Xenophobia, Gore, Rape, Misogyny, and Racism

Moderate: Colonisation and Blood

Minor: Abandonment